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Us

  • TV Movie
  • 1991
  • 1h 33m
IMDb RATING
7.1/10
253
YOUR RATING
Michael Landon in Us (1991)
Drama

In 1972, Jeff Hayes was tried and convicted of killing the wife of a wealthy businessman. 18 years later, a detective reopened the case and discovers a necklace that was labeled as missing e... Read allIn 1972, Jeff Hayes was tried and convicted of killing the wife of a wealthy businessman. 18 years later, a detective reopened the case and discovers a necklace that was labeled as missing evidence and he discovers Jeff was innocent all along. Though he is pardoned and released f... Read allIn 1972, Jeff Hayes was tried and convicted of killing the wife of a wealthy businessman. 18 years later, a detective reopened the case and discovers a necklace that was labeled as missing evidence and he discovers Jeff was innocent all along. Though he is pardoned and released from prison, he finds it hard adjusting to normal life. Jeff's wife Ellen is shocked to lea... Read all

  • Director
    • Michael Landon
  • Writer
    • Michael Landon
  • Stars
    • Michael Landon
    • Barney Martin
    • Casey Peterson
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    253
    YOUR RATING
    • Director
      • Michael Landon
    • Writer
      • Michael Landon
    • Stars
      • Michael Landon
      • Barney Martin
      • Casey Peterson
    • 13User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast44

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    Michael Landon
    Michael Landon
    • Jeff Hayes
    Barney Martin
    Barney Martin
    • Jack Hayes
    Casey Peterson
    • Cary Hayes
    Meg Wittner
    Meg Wittner
    • Ellen
    David Spielberg
    David Spielberg
    • Paul Kramer
    Deborah Benson
    Deborah Benson
    • Liz
    Luke Reilly
    • Martin Dunne
    David Kriegel
    • Robbo
    Eddie Jones
    Eddie Jones
    • Det. Harry Boland
    Cynthia Geary
    Cynthia Geary
    • Crystal
    Jack Yates
    • Big Man in Bar
    Claude Earl Jones
    Claude Earl Jones
    • Att. General Lindsay
    Christopher Morley
    • Man…
    Andrea Aal
    Andrea Aal
    • Woman #1
    Vali Ashton
    • Woman #2
    Raymond Forchion
    Raymond Forchion
    • Warden Turner
    Katie Barberi
    Katie Barberi
    • Barb
    Jen Landon
    Jen Landon
    • Jennifer Kramer
    • (as Jennifer Landon)
    • Director
      • Michael Landon
    • Writer
      • Michael Landon
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    7.1253
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    Featured reviews

    10Stebaer4

    A TV-Movie of which has very sentimental Value.

    Yes it's a TV-Movie with very sentimental Value.Michael Landon Does another fine faithful role.But Most especially in this one of which as The Narrator in the Prologue to this film even said this is Michael Landon's last gift to us.Yes and suitably because it's entitled "Us."

    Also Now Knowing that it Was a Pilot to a TV-Series with the same name and just as another reviewer said Just when Michael Landon thought that he was relieved of his cancer and wanted to do a Pilot to serve as a start to a new TV-Series.he then suddenly went and as it would turn out it would be his last gift to us.Also still proving how he was just as faithful in Real Life as he was in many of his roles.

    Now onward to this TV-movie it's about a man named Jeff Hayes of whom served time in Jail for a Murder that he didn't commit but because of his faith both made the best of it while in jail and like when he did his wait lifting as well as upon release has a forgiving and good attitude to just move on.

    Faithfully,Stephen "Steve" G. Baer a.k.a."Ste" of Framingham,Ma.USA
    6Victor Field

    A soppy but watchable farewell to Michael Landon.

    Made with most of Michael Landon's usual behind-the-camera crew (except for composer David Rose, who had passed away the year before - Steve Dorff takes musical duties here), "Us," as has been documented elsewhere, was a 1991 pilot movie for a series that had been sold to CBS and which was only prevented from going ahead by Landon's untimely death that year. The pilot itself, though edging into stronger territory than he was associated with (which overlooks the fact that he starred in "I Was A Teenage Werewolf," as well as the darker episodes of "Little House on the Prairie" like the one with a faith healer who's unmasked as a fake when a boy he "cures" ends up dead), is at heart the story of three generations of a family getting to know each other, revolving around our hero (Landon) released from jail after 18 years for a crime he didn't commit, building his relationship with his dad and coming to grips with his own son.

    Although it opens with a robber in drag being gunned down by the cops and later has a lady of the night who our hero befriends becoming the seventh victim of a serial killer (a plot thread which surprisingly doesn't become a major thrust), for the most part sleaze is kept at bay with character and emotion the real selling points. As usual, it's sentimental (especially the end), but never unwatchable, and it's to Landon's credit as a writer-director that it doesn't scream "pilot" at you the way some others of its ilk do.

    You can see where this would have gone as a series; another look at people travelling across America and finding themselves, but at least this TV movie is far superior to the late Robert Urich's "Crossroads," which had a similar premise and did become a series. Not Landon's best, but watchable.
    10karcamera

    US TV Movie 1991

    I would love to purchase the movie. Where can I purchase it.
    brendt

    Promising pilot for Michael Landon's last TV show

    This was the 2-hour pilot episode for a new TV show that Michael Landon began putting together when he was convinced that he was beating the cancer that eventually took his life (the show aired a few months after he died). Landon plays a man released from a long prison term after being cleared of the murder for which he was wrongfully convicted. His teenage son thinks he's dead, and Landon's relationship with his father isn't much better. The show seemed to be headed toward being (at least in part) a character study as the three generations of men re-build their relationships.

    Although still easily falling in line with Landon's trademark family-friendly dramas, "Us" appeared to be headed in a slightly edgier direction than his previous work -- the protagonists are far from perfect, issues aren't always resolved in an hour, etc. This show had promise; yet another aspect of what we lost when Landon died.
    10filmgoer249711

    Landon's images are symbolic, this film is about a family, but it is also about America and Michael Landon

    Michael Landon, knew a wise man learned from the past. Before this film, he made an outstanding motion picture with a somewhat similar premise, but the film which was supposed to be a pilot with Gil Gerard did mot make it as a television series, but was a fine motion picture. Here Michael Landon is able to bring both of those factors together and the way he does that is two words, Michael Landon. That is not to say that there are many other people that without them, he would not be able to bring this project and others together. He would be the first person to tell you such. However, from the point of view of watching the film, Landon's gifts as an actor, make this both a film that can stand on its own and a television pilot that can stand on its own.

    Much of the images from the film come from Landon's subconscious, I believe, based on my knowledge of the him as a person. A lot of his work, was him working out things that were going on in his personal life on paper. At the time of the production of this motion picture "Us" Mike was in the seventh year of his third marriage, which had produced two children, Jennifer Landon of FBI: Most Wanted and Sean Landon a real-estate developer. The time from the end of Little House to the beginning of Highway to Heaven was a tough time for Michael personally. He had come off a divorce to Lynn, mother of four of his nine children, which was quite painful for him and a film called Love is Forever, in which he gives an outstanding performance, but had to deal with a director that he did not see eye to eye with and this director ruined the picture. I will not mention the name of the director, because he was not someone Mike liked during or after.

    I feel that this pilot, film is a release and recovery for Michael as an artist and a human being. He got to travel America as the angel Jonathan and suddenly everything and everyone around him is dying. Things are changing, more so than before. So, the script was letting a lot of things out that he was trying to get out of his system. It was relief of pain. There are images in this film that to me clearly show that it is a commentary not only on America, and the American family, but Michael and his family.

    One striking image in the film, is a criminal in it, a jewel thief, smashes through a vase window, when they are caught by the police. There was a vase window in Michael and his second wife's home. When he is released from prison, his relationship with his son's mother, seems like the relationship that he was having with his second wife Lynn and his son Mike jr. I have no doubt that they inspire the characters, to a degree. The father that Barney Martin plays is likely inspired somewhat by Mikes own father Eli. For example, Jack does not like to talk out problems, he would prefer to wash his "damn shoes". Michael often said his father was this way, he would not confront his problems. In fact, in 1955, when Landon was known as Eugene Orowitz and was leaving to go to University of Southern Cal on an athletic scholarship, Landon said his father asked him if he knew about sex yet, and proceeded to try and have the 'talk' with him, but could not get it out, and so he told his father he already knew everything he needed to know, by talking to the guys. The film is about Landon reconciling the relationship with his son and it is a commentary on a lot of fathers and sons, but is also about Michael and Mike jr, I believe. Great motion picture and this would have made a great series.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This was the pilot for a planned series, but Michael Landon died before it aired.
    • Quotes

      Paul Kramer: [after picking up Cary at the police station] Would you mind telling me what you were thinking?

      Cary Hayes: Nothing.

      Paul Kramer: [sarcastically] Nothing. Oh, that's a brilliant answer.

      Cary Hayes: You asked me a question and I answered it. I mean, what's the big deal? All they got me for is reckless driving and a misdemeanor. So what?

      Paul Kramer: What the hell is the matter with you? What do you think, the cops want to play cowboys and Indians with you? You're lucky they didn't blow your brains out! Oh, what's the use? It's like talking to a wall.

      Cary Hayes: When do I get my car back?

      Paul Kramer: You don't! I have been walking on eggshells with you, ever since I met your mom. Well, maybe I was wrong. Maybe I didn't go about it the right way, but, damn it, I tried!

      Cary Hayes: I never asked you to try!

      Paul Kramer: Oh, no. You never had trouble asking for anything you wanted: money, clothes, your car. Well, I'm tired, Cary! I'm tired of pretending! I'm tired of bending over backwards just to keep peace with you. You're either gonna get your act together or you're gonna get out!

      Cary Hayes: Fine! I'll get out.

      Paul Kramer: [shaking his head] Not this time, Cary. Not this time.

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    Details

    Edit
    • Release date
      • September 20, 1991 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Nosotros
    • Filming locations
      • Los Angeles County, California, USA(Location)
    • Production companies
      • Michael Landon Productions
      • Columbia Pictures Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 33 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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