Wedlock

Rutger Hauer's movies tend to be better than one would expect from genre pieces, often because of a special feel for atmosphere and quirk. Deadlock was one of the first movies to feature the newer, heavier Hauer, who uses his heft to the advantage of his characterization, creating a slightly ridiculous figure (who goes from a ludicrous pony-tail for his duel-to-the-death to a sort of swami outfit to something that looks like it ought to be upholstering a chair in a whorehouse) who is not quite up to the circumstances he finds himself in, but perseveres anyway. Smart, but hardly a criminal mastermind, his Frank is teamed with an especially charming Mimi Rogers. Hardly surprising that they go from insults to clinches, but it is appealing that the main thing keeping them apart (their abysmal track records in romance) is what, thanks to empathy, helps bridge the differences between them. The sci-fi gimmick here is really beside the point. What counts is the presence of several skillful actors and their deftly drawn characters. Stephen Tobolowsky is especially amusing, and he has the movie's best line: "You nonconformists are all alike."