Several strangers converge on a hotel in Venice, Italy, where a bellboy's bad English sets them up to clash against each other in a hilarious case of mistaken identity.Several strangers converge on a hotel in Venice, Italy, where a bellboy's bad English sets them up to clash against each other in a hilarious case of mistaken identity.Several strangers converge on a hotel in Venice, Italy, where a bellboy's bad English sets them up to clash against each other in a hilarious case of mistaken identity.
- Mr. Marshall
- (voice)
- Hotel Guest
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaThe name of the luxury Venetian hotel is the "Hotel Gabrielli". The hotel does exist, overlooking the Venice Lagoon, and the exterior shots are of the hotel in its actual location. The interior filmed scenes don't reflect the interior of the actual hotel however.
- Quotes
Maurice Horton: So what's the form then? Do I pay you now?
Caroline Wright: You don't carry that sort of cash around, do you?
Maurice Horton: What sort of cash are we talking about?
Caroline Wright: Well, how much do you think it's worth?
Maurice Horton: It's all new to me.
[picks up his wallet]
Maurice Horton: Uhm, sixty? Eighty? A hundred?
Caroline Wright: Okay, a hundred. A hundred thousand is about right.
Maurice Horton: A hundred thousand? No, no. I was talking about Pounds.
Caroline Wright: Well, so am I. A hundred thousand Pounds.
Maurice Horton: What?
Caroline Wright: You deaf as well as debauched? Watch my mouth. One hundred thousand Pounds.
Maurice Horton: [incredulous] A hundred thousand Pounds for a bit of rumpy bumpy?
- Alternate versionsTelevision version substitutes alternate takes of several scenes toning down the sexuality but adding dialogue not in the theatrical/home video version.
- ConnectionsReferenced in Mystery Science Theatre 3000: Laserblast (1996)
- SoundtracksFeelings
(Pour Toi)
Music by Louis Gasté
French lyrics by Albert Simonin and Marie-Hélène Bourquin
English lyrics by Morris Albert
Although this film produced the odd laugh from me, I found it very difficult to get past how very contrived and forced this farce was for the most part. It is a very dated British comedy that is rather predictable and very silly, those with low expectations might not be too disappointed because it occasionally amused me but there wasn't a great of wit here and everything was painted in very broad strokes. The characters are obviously thin and the comedy is supposed to come from all of them talking to one another at cross-purposes. At first this is a little funny but after a while it gets a bit tiresome and there isn't a great deal to distract as it moves forward. However I must contest those that call this the worst film they have ever seen; it isn't that bad basic of course but it is weak, not terrible.
The cast mainly have little to do apart from act confused. Brown and Wilton are probably the best of the bunch and even they are not that good. They manage to produce interesting characters and are better for it. Moore has nothing to do of value and this is a poor thing to remember him by. Griffiths is amusing and works reasonable well with Kensit, but they don't have good material to work with. They all try hard to make the most of what they are working with but generally there isn't much there other than mugging.
Overall a faintly amusing farce but one that is far too contrived, forced and obvious to really be that funny. I can understand why many viewers hate it but it really isn't that bad but it is pretty damn weak throughout but maybe if you are in an undemanding mood you'll get tickled by it a bit.
- bob the moo
- May 27, 2006
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Details
Box office
- Gross US & Canada
- $3,104,545
- Opening weekend US & Canada
- $1,326,472
- Mar 8, 1992
- Gross worldwide
- $3,104,545
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.85 : 1