Persuasion

Jane Austen's novels lend themselves to cinematic adaptations. This production, directed by Roger Michell, and with a screen treatment by Nick Dear, comes close to be what Ms. Austen wanted us to see, if she had any saying in the matter. The film is blessed with great talented English actors who feel quite at home interpreting for us the rich text of the novel.

Amanda Root, is perfect as Anne Elliot, the down to earth woman at the center of the story. Ciaran Hands is a virile presence that plays well in the story. Their romance is seen coming all through the proceedings and their love seems to be real.

Corin Redgrave is perfect as Sri Walter Elliot, the fatuous man who was impressed with money and power. Susan Fleetwood has some excellent moments as the kind Lady Russell. Fiona Shaw is perfect as Mrs. Croft and Samuel West excels at his portrayal of the impoverished Elliot cousin.

Ultimately, the production has a great view because it was filmed in the area that is described in the book. The beautiful city of Bath is seen in glorious exteriors.

Recommended to all Jane Austen's fans because the beautiful job Roger Michell did in bringing the novel to the screen.

I have been in love with this movie ever since the first time I saw it. Now I watch it whenever it's on. Ciaran Hinds is thoroughly likable, albeit a bit stiff, as the captain, and Amanda Root is subtle and sympathetic. Phoebe Nicholls may be the meanest sister since Cinderella's and she seems to do it effortlessly. That chameleon of an actress, Sohie Thompson, is at her whiny and annoying best. One of the things I enjoy most is the subtle changes in Roots character. You must watch as she goes from plain to pretty before your eyes, without ever a hint of acting. This movie is all about subtly and closeups, and facial expressions are the key to many an unspoken word. Even those with small roles last indelibly.

A real pleasure to watch and by far superior to the later version with Sally Hawkins. (Sally Hawkins was fine but the whole later production looks like a cartoon version compared with this elaborate rendering of Jane Austen's world.) Amanda Root as Anne Elliot is perfect as the underestimated and unloved daughter of a spendthrift snob of a father and a stepmother right out of Grimm's fairy tales. (Not to speak of being henpecked by her hyper nervous younger married sister.) They filmmakers also managed to make Amanda Root look rather unattractive at the beginning and one wonders how any man could have been so much in love with her as the still lamented Frederick Wenthworth, whom she sent away on the heavy influence of her family, because he was a nobody with no regular income at the time. Years have past when we comes back into her neighbourhood, apparently haunting her serenity and feeling her more wrong then ever before. Cairán Hinds is equally good as the former lover Wenthworth, still hurt and trying hard to ignore Anne and seemingly having a good time without her. Once Wentworth pops up every now and then we notice that Anne begins to look more pretty, even the presence of the man she thinks she has lost forever make her look so much better.

The beauty of this version is not only grounded on the excellent cast but also in the magnificent eye for details, and, although only running a mere 100 minutes, gives the viewer the appropriate feeling of time passing by very slowly (don't get me wrong, I don't speak of the pace inside the story), but time that painfully slows down when being with people you despise or you feel dispised by. I always cherished this book by Jane Austen very much and I'm so glad that finally I found this film that really does it justice!

This has got to be the most watchable Jane Austen adaptation since the recent influx. Amanda Root and Ciaran Hinds are simply the best at conveying unrequited love. One is not blindsided by the big names and distracting beauty of those that have filled the roles of more recent Austen films, and that's how it should be. The performances by Sophie Thompson (Emma's sister), Phoebe Nicholls (remember "Brideshead Revisited"?), and Corin Redgrave is enough to make this movie recommendable, but the 2 main characters are absolutely superb and sympathetic without being sappy or gratuitous. The other supporting cast is phenomenal; what one expects from a nice little English film. Cinematography and soundtrack are fitting as well. Highly recommended!

This is a very well put together, and yet very fragile movie that shows its budget constraints all too well. Beautifully acted and written, the direction unfortunately reveals the boxy nature of a TV screen. But despite the lack of impressive cinematography, the scenes are set up extremely well. The use of staging and visual metaphor are jaw-droppingly fantastic. Austen's relatively simple potboiler has been turned into a work of visual art that reveals the director's love for the material.

The music is done perfectly - it doesn't overpower or ever impose interpretation, instead it is just enough to maintain focus on the story. And I love the understated nature of the characters. It is easy to spot the hypocrites, but you can see why they are the way they are. It would be very easy to make Mr. Eliot into a simpering, unctious idiot - instead, he is played as a gentleman. It makes Anne a better character, and it makes the movie a better experience.