Clueless

The first season of the TV version of the hit movie reassembled a good chunk of the movie's cast, plus the movie's director Amy Heckerling as executive producer. So why was it such a pale imitation? Two words: Rachel Blanchard.

Blanchard took over as lead character Cher from Alicia Silverstone (who understandably had other things to do at the time). Though Blanchard was physically right for the role, her flat performance makes you realize how perfect Silverstone really was for the role, with her fizzy, lighthearted, charismatic performance. Blanchard, by contrast, was dull as dishwater, with no spunk or charisma or anything. She pulled the whole series down. They should have hired Christine Taylor (Marcia in "The Brady Bunch" movies) instead.

The second season got even worse. Moving to a smaller network (from ABC to UPN) necessitated budget cuts, so Heckerling was gone as well as movie vets Wallace Shawn and Twink Caplan. "Very special episodes" started to creep in as well. Ugh.

Skip this one and rent the movie again instead.

This show is one of the funniest sit-coms on TV. It's really hard for me to explain. The show is obviously not of Seinfeld quality but everytime I watch the show I laugh my a** off. I love it and hope that the WB keeps showing it for a long time.

It's a mistake to compare "Clueless," the sitcom, with "Clueless," the moved on which it is based. A more apt comparison is with "The Many Loves of Dobie Gillis." Although separated by decades, the shows share a sharp writing style and great supporting roles (compare William Schallert and Wallace Shawn). Rachel Blanchard (no relation) was well-suited for the starring role; her portrayal of Cher was more like a high school student than Alicia Silverstone's in the movie. That said, "Clueless" the sitcom started strong, peaked, and began its declines all in its first season. Subsequent episodes seemed strained and self-conscious.

The T.V. series "Clueless" takes off right where the extremely funny film left off. Here we find the character of Cher Horowitz portrayed by newcomer Rachel Blanchard, but the rest of the cast remains in tact. Minor characters like Ty and Josh have been removed (which makes sense because their "stories" were neatly wrapped up in the film) and instead we focus on the day to day adventures and teen-struggles of Cher, Dionne, Murray and Amber. The series takes the sardonic outlook of 90s teens that made the movie a success and expounds on it with great effect. The expansion of the Amber character to be a double edged uber-villain-cum-confidant is beneficial and often makes the episodes so enjoyable.

yet another example of industry bigwigs trying to milk success far beyond the limit. What made the film a success was the way in which Jane Austen's Emma was cleverly adapted for 1990s Los Angeles. The television version removes all trace of Austen and adds extra vacuity - this may be an ironic gesture, but somehow that seems doubtful. Overall, a steaming pile of pants.