The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.The coal mine in a northern English village may be closing, which would also mean the end of the miners' brass band.
- Nominated for 3 BAFTA Awards
- 10 wins & 7 nominations total
Kenneth Colley
- Greasley
- (as Ken Colley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I just want to correct a couple of things that the previous reviewer makes about the film.
Firstly, from a musical point of view, Gloria does not enter the Grimley bandroom with an obligato cornet, it's a flugelhorn.
The fact that a woman has entered the band room is important. For a long time, the brass band was the domain of men. Women weren't allowed to play in the bands and indeed, this is still the case today in two of the biggest names in the banding world.
Underpinning all this is the fact that the film is (at least) semi-biographical. The events unfolding in the film mirror in no small way the same events which befell the Grimethorpe pit in 1992, and impacted on the world-famous Grimethorpe Colliery band. Thatcher's Britain did result in the pit closing down, and threatened the band's future. The band did take the stage at the National Final, and so the reason that the band don't turn professional is because there is no room in the banding movement for a professional band.
For a point of information, there are 4 basses in a Brass Band, 2 Eb and 2 Bb (not 2 or 3). Oh yes, and bandsmen most certainly do carry there instruments through the street without a case, especially bass players.
On a slightly different point, Phil does not have a gambling habit. He is still paying off the loan that he took out in 1982 to cover the loss of earnings because "suspended I were. 18 b****** months it took that lot to sort it out. 18 b***** months on strike pay. That's how big a f***** deal it is mate."
Firstly, from a musical point of view, Gloria does not enter the Grimley bandroom with an obligato cornet, it's a flugelhorn.
The fact that a woman has entered the band room is important. For a long time, the brass band was the domain of men. Women weren't allowed to play in the bands and indeed, this is still the case today in two of the biggest names in the banding world.
Underpinning all this is the fact that the film is (at least) semi-biographical. The events unfolding in the film mirror in no small way the same events which befell the Grimethorpe pit in 1992, and impacted on the world-famous Grimethorpe Colliery band. Thatcher's Britain did result in the pit closing down, and threatened the band's future. The band did take the stage at the National Final, and so the reason that the band don't turn professional is because there is no room in the banding movement for a professional band.
For a point of information, there are 4 basses in a Brass Band, 2 Eb and 2 Bb (not 2 or 3). Oh yes, and bandsmen most certainly do carry there instruments through the street without a case, especially bass players.
On a slightly different point, Phil does not have a gambling habit. He is still paying off the loan that he took out in 1982 to cover the loss of earnings because "suspended I were. 18 b****** months it took that lot to sort it out. 18 b***** months on strike pay. That's how big a f***** deal it is mate."
Director is Mark Herman but the movie themes remind Ken Loach and its stories about people losing jobs but keeping their dignity... Basically everything is inspired by events that really took place over Margaret Thatcher Government (when the film is set). Miners living in a Yorkshire small town (Grimley), when laid off, try to continue the activity of their band, though sadness due to economic repression is a real threat to it. But Ewan McGregor and Pete Postlewait (who on earth might forget him after "In the name of the father"?) are really powerful, two thumbs up. Altogether I really appreciated the way this film tells of fight for self-respect and courage.
A superb film. A film which did not seek to glamourise the effect of long term unemployment and the break up of communities. And a film which WAS based very closely on a true story. The band members you see actually playing the music? That's the Grimethorpe Colliery Band, winners of the national Battle of the Bands competition in the year that the colliery closed down. And they did turn professional too!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
Films like Brassed Off, which seek to present a view of a sensitive issue, are often derided for not offering a solution which can be written on the back of a cereal box. Personally, I take that as a recommendation!
The point of the film is this: put people in situations that most of us will happily never face, and they react in extreme fashions. There was little or no 'political' argument, other than the fact that the Conservative Government of the time did destroy an entire industry. That same government them spent millions of pounds a year buying coal from Europe and South America. Angry? I would be.
I saw characters portrayed in their entirety, which meant 'scabs' and 'sellouts' rubbed shoulders with the committed and poor. I saw unflattering portraits of basically decent people, prepared to risk friendships and relationships to keep alive an industry which was killing them but without which they could not live. It was a desperate time, and the fact that families have been split since the 1984 strike shows just how deep feelings can run on this issue.
And I saw no skipping over the holes in the logic either. No mention of the 4-1 vote in favour of closing the mine? Half of the chuffing film was about that! What about the fate of Gloria's report? What about Phil, a striker from 1984, voting for closure? Did no-one notice that he was one of the major characters?
I do think that there were some problems with the structure of the film (although it was dramatically more satisfying than the Full Monty). Gloria was unconvincing; the wives were underused, and the speech at the end, yes, I found it embarrassing too!
But please, before you attack the veracity of such a rounded and honest film as Brassed Off, take the time and trouble to watch it properly first!
You don't have to be a fan of brass bands to enjoy "Brassed Off", but it couldn't hurt. The music is a central focus of the film, but not as a compromise to the story of a town in turmoil. Coal mines being shut down in the name of progress puts many men out of work which naturally also jeopardizes the existence of the colliery band. The music combined with brilliant storytelling (and editing) is merely a platform for some superb acting, particularly from Pete Postlethwaite.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.
Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.
Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.
Brassed off is an amazing film and all the way through, a smile was kept on my face. Although I am only fourteen, I love films which are based on reality, just like the pit closures around England.
I play in a brass band my self called Frickley South Elmsall band, and trust me, they have all the facts right; I have been to five contests in all and nearly every band member has had a drink or two before the contest it's self.
I first watched this film when i was eleven and loved it. I was inspired by this movie, to actually try and make it to a colliery band, (obviously not Grimethorpe as they don't accept girls) and I have actually met the flugal player which played concerto De aran jeux, Alan Morrison.
Overall, I loved this movie and have seen it more than twenty times; simply fantastic!
I play in a brass band my self called Frickley South Elmsall band, and trust me, they have all the facts right; I have been to five contests in all and nearly every band member has had a drink or two before the contest it's self.
I first watched this film when i was eleven and loved it. I was inspired by this movie, to actually try and make it to a colliery band, (obviously not Grimethorpe as they don't accept girls) and I have actually met the flugal player which played concerto De aran jeux, Alan Morrison.
Overall, I loved this movie and have seen it more than twenty times; simply fantastic!
Did you know
- TriviaPete Postlethwaite was heavily criticized by ex-miners for claiming he supported the 1984 strike, but believed people should never burn coal. The last remaining coal mines in the UK closed largely as a result of the 2008 Climate Change Act.
- GoofsThe result of the vote for redundancy seems to take place on a Saturday, when the regional final for the brass band is also held. Some miners are shown leaving their shift. Saturday work had been eliminated from the National Coal Board long before the film is set. An announcement as important as a redundancy vote would not have been made on a Saturday.
- Crazy creditsOn some prints, the words "The End" remain onscreen as three additional lines of "definitions" are added one by one underneath:
- 1. closure (as in 140 pits since 1984)
- 2. termination (as in 250,000 jobs)
- 3. conclusion (as in draw your own...)
- Alternate versionsThe British release does not have the dictionary definitions at the start or end of the film. These were added to the American release to introduce the US audience to British slang. The end of the film has the same information, but just as normal text.
- SoundtracksDeath Or Glory
Written by Robert Browne Hall (as R. B. Hall)
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Tocando el Viento
- Filming locations
- High Street, Grimethorpe, Barnsley, South Yorkshire, England, UK('In Cod We Trust' fish and chip shop and Spar supermarket)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,576,331
- Opening weekend US & Canada
- $52,534
- May 26, 1997
- Gross worldwide
- $2,597,310
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