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Days of Our Lives spoilers for the week of June 10, 2024 are in! Fans can expect there to be a shooting at Konstantin Meleounis (John Kapelos) and Maggie Horton Kiriakis (Suzanne Rogers) wedding.

Marlena Evans (Deidre Hall) drops a bombshell on Stephanie Johnson (Abigail Klein). Leo Stark (Greg Rikaart) seeks counseling from Marlena.

Plus, Chanel Dupree-dimera (Raven Bowens) learns about Johnny Dimera’s (Carson Boatman) job offer. Keep reading to find out what is coming up in the Peacock soap opera.

Days Of Our Lives Spoilers – Wedding Shooting

Dool spoilers for the week of June 10 reveal that there will be a shooting at a wedding. Now, Justin Kiriakis (Wally Kurth) and Maggie already dropped an embezzlement bomb on Konstantin.

Surprisingly, Kon-Man didn’t try to come up with a clever cover story and didn’t deny it either. In addition to that, Konny admitted to being responsible for Victor Kiriakis’ (John Aniston) death!

Days of Our Lives spoilers for Monday, June 10, 2024 are here! Fans can expect shots to be fired at Konstantin Meleounis (John Kapelos) and Maggie Horton Kiriakis’ (Suzanne Rogers) wedding.

Coming Up On Days Of Our Lives

Steve Johnson (Stephen Nichols) gets affected somehow as a photo was seen of the actor with a bloody shirt.

Meanwhile, Theresa Donovan (Emily O’Brien) will count her blessings when she somehow doesn’t get exposed as his partner-in-crime. Keep reading to find out what is coming up in the Peacock soap opera.

Wedding Bullets

Dool spoilers for Monday, June 10 reveal that the chaos at Konny and Maggie’s wedding will continue. Justin Kiriakis (Wally Kurth) just relayed intel to the wedding party that several withdrawals were made out of Victor Kiriakis’ (John Aniston) inheritance account.

Since Maggie put Konny at the person responsible for the funds, he has some serious questions to answer. That...

The Fallout show utilizes several perks and abilities from the Fallout games, granting its characters special powers. Several of those abilities work the same way they do in the games, like Bloody Mess and Strong Back. Fallout also took creative liberties with other perks, though, like Intimidation and Night Person.

The Fallout show clearly took inspiration from several elements of the video game series, and one of the biggest parts incorporated into the series were perks and abilities from the Fallout games. There are several indirect references to the video games in the Fallout show, but the show also brought several elements parts of the games over as they were. Those include story elements, like Fallout's New California Republic, but it also applies to a central part of gameplay: perks and abilities.

In the Fallout games, perks were special modifiers that gave players unique abilities and advantages as they...

Twenty years ago today, Quentin Tarantino and Harvey Weinstein unveiled the filmmaker’s sophomore movie — an ambitious anthology of crime stories, all interconnected and metatextualized — at a late Saturday night screening at the Cannes Film Festival. A little over three hours later, as the crowd staggered out of the Palais des Festivals, they knew they had an audience favorite on their hands. Soon, they would be able to add Palme d’Or winner, Best Picture Oscar nominee, the first indie film to break the $100 million mark, a gamechanger and a modern classic to the list.

Tiff’s Midnight Madness program turned 25 this year, and for two and half decades, the hardworking programers have gathered some of the strangest, most terrifying, wild, intriguing and downright entertaining films from around the world. From dark comedies to Japanese gore-fests and indie horror gems, the Midnight Madness program hasn’t lost its edge as one the leading showcases of genre cinema. In its 25-year history, Midnight Madness has introduced adventurous late-night moviegoers to such cult faves as Richard Linklater’s Dazed and Confused and Quentin Tarantino’s Reservoir Dogs. But what separates Midnight Madness from, say, Montreal’s three and half week long genre festival Fantasia, is that Tiff selects only ten films to make the cut. In other words, these programmers don’t mess around. Last week I decided that I would post reviews of my personal favourite films that screened in past years. And just like the Tiff programmers,...

After the Academy’s attempt at honoring genre during the live show, we saw a real tribute to horror by someone who is truly one of our own. Bob Murawski thanked Sam Raimi for giving him his “first cutting job” in Army of Darkness. His Best Editing award for Hurt Locker was shared by his partner Chris Innis, whom he met on the Raimi produced TV show “American Gothic.”

I gotta say, never since Peter Jackson’s (who was nominated this year for District 9) thank you to the crew of Meet the Feebles has there been such an excellent genre shout out.

On top of working with Raimi for over a decade, Murawski also runs Grindhouse Releasing, which distributes and restores cult and horror films with a focus on extreme Italian cinema. Pieces, The Beyond, Cannibal Holocaust, and I Drink Your Blood are just a few names you’ll find in Grindhouse Releasing's catalogue.

It’s that time of year again, kids. Dread Central’s 2010 Horror at the Oscars coverage. Horror was indeed present this year and in black-tie. While Roger Corman and Lauren Bacall were honored a few months back at the Governor’s Award Ceremony, it was an unexpected delight to see Corman, recipient of the lifetime achievement Oscar, enjoy a standing ovation on national television.

I was, however, very disappointed that neither of them were allowed to speak. Roger Corman’s contributions to modern cinema are too vast for him to just stand up and wave. James Cameron was one of many Corman acolytes present, and his nomination speaks to Corman’s tremendous legacy. On the Terminator DVD Cameron mentions, "I trained at the Roger Corman Film School.” Jonathan Demme, Martin Scorsese, and Francis Ford Coppola, among many others, were also former students.

The terror continued with a spoof of Paranormal Activity...