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Darkdrive

  • 1997
  • 18
  • 1h 28m
IMDb RATING
3.2/10
572
YOUR RATING
Darkdrive (1997)
ActionSci-Fi

Set in the near future, one man must restore order when a mainframe system crashes in a virtual reality prison where computers control the inmates' thoughts.Set in the near future, one man must restore order when a mainframe system crashes in a virtual reality prison where computers control the inmates' thoughts.Set in the near future, one man must restore order when a mainframe system crashes in a virtual reality prison where computers control the inmates' thoughts.

  • Director
    • Phillip J. Roth
  • Writer
    • Alec Carlin
  • Stars
    • Gian-Carlo Scandiuzzi
    • Claire Stansfield
    • Nick Eldredge
  • See production info at IMDbPro
  • IMDb RATING
    3.2/10
    572
    YOUR RATING
    • Director
      • Phillip J. Roth
    • Writer
      • Alec Carlin
    • Stars
      • Gian-Carlo Scandiuzzi
      • Claire Stansfield
      • Nick Eldredge
    • 10User reviews
    • 3Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast34

    Edit
    Gian-Carlo Scandiuzzi
    • Matthew Stolopin
    Claire Stansfield
    Claire Stansfield
    • Tilda
    Nick Eldredge
    • Ken Allen
    Ken Olandt
    Ken Olandt
    • Steven Falcon
    Christian W.C. Ryser
    • Tech One
    Suzanne Charnos
    • Tech Two
    Barry Ross Rinehart
    • Tech Three
    Christopher Goodson
    • Hacker
    Thomas Craig Elliott
    • Tye
    • (as Tom Elliot)
    Natasha Roth
    • Little Girl
    Natalie Scandiuzzi
    • Tammy
    Kerry Skalsky
    • Clerk
    Marcus Aurelius
    • Dayton
    Larry Albert
    • Old Man
    Eric Liddell
    • Byron
    Julie Benz
    Julie Benz
    • Julie Falcon
    Tony Doupe
    Tony Doupe
    • Thackery
    • (as Tony Doupé)
    Stefan Enriquez
    • Helmet Man
    • Director
      • Phillip J. Roth
    • Writer
      • Alec Carlin
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews10

    3.2572
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    Featured reviews

    10jim-807

    Watch it for the music

    I agree that the plot is incomprehensible, but it takes you on a weird trip that can be fun. The music is worth the price of admission. The love theme was inspired, as was the entire score, by Eraserhead. It's a bit of a cross between Ennio Morricone and Angelo Badalimente. Hey, I'm not even Italian; I just love those guys. I put on the soundtrack around the house sometimes just to get into a trippy vibe. The later at night the better. I wrote this music right after Distorted Reality (composer tool) came out, and the score is a showcase of the DR samples. The true gem here is the vocal by Giancarlo. We had a great time writing and recording that song. Honestly, this is the best music I ever wrote for a film. Check it out!
    2Enigma-I

    Claire Stansfield was also confused

    A few years ago I had an opportunity to talk to Claire Stansfield about this film. I said that I was confused about the plot and hoped she could explain it to me. She said that she was also confused, and hoped that someone would explain it to her as well. We both agreed that the film's plot made absolutely no sense and left it at that.

    Perhaps this was someone's attempt to fill in the prison back story of Demolition Man (remember the VR deep freeze in that one?). The Sci-Fi premise of a VR prison has plenty of merit (c.f. The Matrix), but this movie lacked any semblance of credibility or even of continuity.

    In any case, this movie is one to miss unless you are a die-hard fan of one of the actors involved. Even so, prepare to be disappointed. I was.
    3trashgang

    looks like a 80's SF flick

    Yeah yeah, I know, it isn't supposed to be in my collection but like many reviewers I bought it for Julie Benz. I have seen her perform in quite a bit of movies and of course in Dexter. Over here in the genre she's well sought after due Dexter and due her appearance at European conventions were I have met her. Why it shouldn't be in my collection is that it isn't a horror but a SF flick. But as a collector I have seen a lot of crap, from top class to Z-movies. It's a phenomena that is regular in horror to have some real turkeys. I would say that I would classify it under a straight-to-video B-flick. The effects used are typical 80's stuff like flashing lights and flashbulbs tearing down persons. They surely have watched Terminator and Blade Runner to come up with something but sometimes the acting is really wooden. The story itself is hard to follow but for many it's the scene with the 21 year old Julie that makes the film worth watching. She's seen in frontal nudity here a thing she never did again, except for Dexter and Eating Las Vegas, a parody on Leaving Las Vegas, but she shows the most in this flick. If you are into B-movies than you surely can watch this. A few years later The Matrix showed how it should be done.
    jtur88

    Not an expert, but...

    I don't see enough of this genre to properly make any comparisons, but this film certainly had very little analytical thought behind the script. It takes place in some future when people are all driving black 97 Ford minivans, but penal reform has reached the point at which prisoners are banished to a virtual reality, furnished with, among other things, abandoned Pintos and Vegas, as well as the other prisoners in a similar plight. The banishment, of course, is accompanied by sustained, blinding flashes of intense white light. The general story line is told through closeups of computer screens the flash up-dating messages like "Transformation Complete" and "Program Compromised". The film abounds with non-sequiturs, which I suppose is de-rigeur in a world where the final outcome cannot possibly have any link to the premise. Needless to say, it has its standard complement of beautiful babes, and Claire Stansfield is kinda cool.

    I get 25 cable movie channels, and this was the best thing on at not-quite-bedtime, so I guess it wasn't that bad.
    1claudio_carvalho

    A Complete Mess

    When I saw the name of Julie Benz on the cover of this VHS, I have decided to see the movie since I am a great fan of her character Darla, in Angel series. Further, she has one of the most beautiful faces of the cinema industry. However, this movie is such a mess, that is almost impossible to understand the plot and write a summary of the story. The intention of this confused screenplay might be a noir version of `The Matrix', but it never works. The characters are not well developed and it is almost impossible to the viewer understand their motives. For example, who is the girl showed in the end of the story? Why Julie Falcon dies many times? In the end, the unique worthwhile scene along the whole film is when Julie Benz is showed naked, unfortunately with the presence of her husband Falcon. My vote is one.

    Title (Brazil): `Fuga Alucinante' (Hallucinated Escape')

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Best known for being featured in the opening of seasons 4 and 5 of South Park (1997). The scene shown occurs at 1 hour and 13 minutes into the film.
    • Goofs
      When Matthew throws Tilda up against the door, a boom mic is briefly visible at the top of the frame.
    • Quotes

      Julie Falcon: Will they let you just walk away?

      Steven Falcon: What else can I do?

      Julie Falcon: That's what I'm afraid of.

    • Connections
      References Incident at Owl Creek (1961)
    • Soundtracks
      You're Taking Up Another Man's Place
      Written by Isaac Hayes (as Hayes) and David Porter (as Porter)

      Performed by Valerie Rose and The Dynamic Logs

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    Details

    Edit
    • Release date
      • October 14, 1997 (Canada)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Száműzőszék
    • Filming locations
      • Seattle, Washington, USA
    • Production companies
      • AGATE Films
      • Unified Film Organization (UFO)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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    Darkdrive (1997)
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