Hit Me

Terrible movie. We can definitely tell is the director's debut. The only thing worth was Koteas' performance. Otherwise it seems like a film made by high school kids. It has hints of a black comedy, but in the end it's not. It has a few plot twists but they are completely predictable. I will be taking the DVD to resell it at Blockbuster. I wouldn't want anyone to take a look at my DVD collection and see this thing in there. That would be embarrassing. I have to give it a couple of points because at least at the beginning it tries to give you a background on the reasons why Koteas did what he did, but the way the movie develops is poorly executed.

This movie kind of took me by surprise. I thought it was going to be another semi boring heist flick, but it wasn't. I think it had some genuinely interesting points to make about one's own desperation and greed.

The movie tells the story of a lonely and frustrated bellhop (koteas)who stumbles into a plan to rob a group of wealthy card sharks who are going to take part in an illegal poker game. A slew of mistakes and fumbles occur which leads to an unfortunate (in my opnion) ending.

Koteas gives a very edgy performance and makes the movie all by himself. The rest of the cast also does their part too, in particular the actor who plays koteas's childlike brother, quite a convincing portrayal.

I give "Hit Me" 9 out of 10

I waited patiently for Koteas' agonizingly slow and neurotic performance to pay off. Just when I thought I was going to be rewarded, I was not. By the end I wanted them all to get shot, including the lovely French Canadian woman. I must say, however, that I thought that the film was beautifully shot and faithful, at least partially, to the film-noir ideal. Unfortunately, none of the characters performances made the plot bearable. Even the title has little relevance. They never showed a card game, any card game. I would have settled for the Windows 95 version of solitaire by the end. I was reminded of a watered-down cross between Cronnenberg and Lynch.

Hit me wastes the film rights to Jim Thompson's excellent novel A SWELL-LOOKING BABE. The story is discarded in favor of a pointless exercise in Scenery-chewing by the usually superb Elias Koteas. We witness pointless double-crosses and mindless plot twists while perverting the novel."Hit Me" is a show of mediocre style instead of things that most people like in movies: good characters, exciting plot, witty dialogue, things like that.

Jim Thompson fans, the only people who would want to see this movie anyways, should be prepared for disappointment.

Based on Jim Thompson's 'A Swell Looking Babe', 'Hit Me' is about a bellhop - Sonny - getting involved in a scheme to steal $500,000 from high-end, illegal poker players. The swell looking babe is a French girl, Monique, and Sonny thinks his share of the money will allow him to start a new life with her. That isn't going to come easily. Monique is unreliable, hooked up with the criminals, and has suicidal tendencies. The path of love never does run smooth, does it? As in the book, Sonny is an interesting character, fuelled by three elements - his love of Monique, his hatred of his job, and his refusal to accept help to care for his disabled brother, Leroy. Sonny is over his head in it all, and once the heist goes pear-shaped, he's frantically scraping around to try a make it clear.

Elias Kotsas does a decent job playing Sonny. He looks a lot like Robert De Niro and effectively gets across one of De Niro's big skills - playing desperate psychosis. At times this can veer into comedy, and it's unclear whether this is always intentional. Kotsas acts emotions very physically - mock-humping the air before he goes into Monique's room and pepping himself up by jumping through four different positions before meeting the main poker player.

As in Thompson's novels, 'Hit Me' presents a world where no character can be trusted. Even the "good guy" - Sonny - is as shady and money grabbing as the rest, at one stage happily considering becoming a cocaine dealer. It's film noir taken to its limits... not in terms of visual style but in terms of characterisation.

Stacked up against the beautiful economy of Mamet's 'Heist' or Tarantino's 'Reservoir Dogs', 'Hit Me' does drag a little and doesn't have quite enough twists and turns to merit lasting over two hours. And, whilst shot cleanly and effectively, it lacks cinematic impact. However, there's a nice undercurrent of philosophising over the nature of survival and, whether you're a Thompson fan or not, you could do worse than checking out this interesting little movie.