The lives of two strangers and their young children unexpectedly intersect on one hectic, stressful day in New York City.The lives of two strangers and their young children unexpectedly intersect on one hectic, stressful day in New York City.The lives of two strangers and their young children unexpectedly intersect on one hectic, stressful day in New York City.
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- Nominated for 1 Oscar
- 4 wins & 6 nominations total
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Featured reviews
In "One Fine Day" Jack Taylor (George Clooney) and Melanie Parker (Michelle Pfeiffer) meet when their children miss a school field trip, and after much bickering they finally agree to take shifts in watching their kids. Over the course of the day they run into countless mishaps and misadventures, and come close together, to understand each other in a sort of non-romantic romantic way.
The first time I saw "One Fine Day" it was 1996 and I was seven years old. I didn't like it. I found it tedious and boring. Now I'm fourteen, and I just finished watching, and I love it? I get all the jokes I didn't get now, all the clever one-liners spoken with a bright, witty confidence that is reminiscent of Frank Capra films.
And clever they are! I have to say, when you subtract a few (very few) somewhat cheesy lines from the script, it becomes perfect. I'd go as far as to say Oscar worthy. Yes, you may think its cheesy that Jack's a famed newspaper columnist bringing down a mob member and the mayor, and Melanie's an architect working on what we imagine is a multi-million dollar deal with big businessmen, but the way it's presented is not that it makes sense, it's that you don't care. And that's not the focus of the film either, the movie would rather be about the minglings of the two leads.
And I have to say, Clooney and Pfeiffer have great, perfect chemistry. Clooney is his usual cool, intense self whereas Pfeiffer is an uptight, worrisome hard worker. They play off each other perfectly. It's not just their chemistry either, their performances stand alone as emotional, funny and smart. I'd go as far as to call Pfeiffer's Oscar worthy.
The style and direction in the film is also notable. There are split-screen conversations, some long steadicam shots, the whole placing of the camera fits perfectly with the light-hearted nature of the film.
A fun, witty, lovable family film, 7.5/10.
The first time I saw "One Fine Day" it was 1996 and I was seven years old. I didn't like it. I found it tedious and boring. Now I'm fourteen, and I just finished watching, and I love it? I get all the jokes I didn't get now, all the clever one-liners spoken with a bright, witty confidence that is reminiscent of Frank Capra films.
And clever they are! I have to say, when you subtract a few (very few) somewhat cheesy lines from the script, it becomes perfect. I'd go as far as to say Oscar worthy. Yes, you may think its cheesy that Jack's a famed newspaper columnist bringing down a mob member and the mayor, and Melanie's an architect working on what we imagine is a multi-million dollar deal with big businessmen, but the way it's presented is not that it makes sense, it's that you don't care. And that's not the focus of the film either, the movie would rather be about the minglings of the two leads.
And I have to say, Clooney and Pfeiffer have great, perfect chemistry. Clooney is his usual cool, intense self whereas Pfeiffer is an uptight, worrisome hard worker. They play off each other perfectly. It's not just their chemistry either, their performances stand alone as emotional, funny and smart. I'd go as far as to call Pfeiffer's Oscar worthy.
The style and direction in the film is also notable. There are split-screen conversations, some long steadicam shots, the whole placing of the camera fits perfectly with the light-hearted nature of the film.
A fun, witty, lovable family film, 7.5/10.
A charming if forgettable romantic comedy aided immeasurably by two attractive leads. Michelle Pfeiffer is irresistable, although at this period in Clooney's career his range was precisely one character deep, and he played that same character whether that role was Batman or any other. Lately, however, he's broadened out with roles like O Brother, Where Art Thou? But he's pleasant enough in One Fine Day and clicks with Pfeiffer in a way that keeps your attention. Rather recalls Neil Simon, and if you enjoy movies like Seems Like Old Times, you'll enjoy this one.
Film buffs will note a few appearances here by actors who would join Clooney later in O Brother, Where Art Thou.
Film buffs will note a few appearances here by actors who would join Clooney later in O Brother, Where Art Thou.
I would probably never watch this film, had it not been for my wife who rented the DVD. Like others here, I expect romantic comedies to be all the same - terribly unrealistic and the humor to be 3rd-grade.
But One Fine Day surprised me in many ways! First, it is not "I need insulin right now!" sweet. Also, it is surprisingly relevant for today's world, and not targeted at teeny boppers.
One Fine Day is a film with a very smart script, funny dialogues, beautiful acting, and directing, and it all gels well together. Most moviegoers today expect blood, gore, and darkness of warped minds, and it seems that films that don't have that have a hard time getting a good review. It is time we step back, enjoy some of the subtleties of life and people, and laugh at ourselves, especially when it's all presented in a believable and funny way.
The film takes us through "one fine day" of a single mother and her son, and a single father and his daughter. Due to his error, they miss their kids' field trip and are, reluctantly, helping each other take care of the kids. While he obviously likes her but has a problem with trusting again, and also suffers from questionable flirting tactics, she is more obviously shell-shocked and uses every opportunity to put him down. In a single day, they go through so many humbling episodes that the relationship develops from "I already have an opinion about you..." and "So do I..." to "I'll help you out if you say: 'Be my knight in shining armor...'"
The control freak named Melanie and played wonderfully by Michelle Pfeiffer manages to stay likable even though she "beats every miserable bastard that comes her way to a pulp". George Clooney has an easier time being liked as he is his pretty much usual self, and that's exactly what the character requires. Both kids were much better than I would normally expect them to be; I am always put off by artificial adult gestures and the "too cool for you" acting of today's kids in Hollywood films, and expected that this time it would be the same, but it was not and that was a pleasant surprise.
The humor in this film is subtle, and you may actually miss it altogether if you expect things to blow in your face. I loved those brief encounters between Melanie (Pfeiffer) and Celia (Amanda Peet) in which a beautiful perfectionist with a heart (Pfeiffer) meets her less polite match... Amanda Peet was also fantastic! Just notice how Pfeiffer's facial expression changes when she realizes who she's talking to. Another one to watch and enjoy is the episode with Melanie's boss.
Also, this film can be watched more than once, as there is a lot to appreciate about it.
Ps. A scene at the shrink's office made me laugh like never before!
But One Fine Day surprised me in many ways! First, it is not "I need insulin right now!" sweet. Also, it is surprisingly relevant for today's world, and not targeted at teeny boppers.
One Fine Day is a film with a very smart script, funny dialogues, beautiful acting, and directing, and it all gels well together. Most moviegoers today expect blood, gore, and darkness of warped minds, and it seems that films that don't have that have a hard time getting a good review. It is time we step back, enjoy some of the subtleties of life and people, and laugh at ourselves, especially when it's all presented in a believable and funny way.
The film takes us through "one fine day" of a single mother and her son, and a single father and his daughter. Due to his error, they miss their kids' field trip and are, reluctantly, helping each other take care of the kids. While he obviously likes her but has a problem with trusting again, and also suffers from questionable flirting tactics, she is more obviously shell-shocked and uses every opportunity to put him down. In a single day, they go through so many humbling episodes that the relationship develops from "I already have an opinion about you..." and "So do I..." to "I'll help you out if you say: 'Be my knight in shining armor...'"
The control freak named Melanie and played wonderfully by Michelle Pfeiffer manages to stay likable even though she "beats every miserable bastard that comes her way to a pulp". George Clooney has an easier time being liked as he is his pretty much usual self, and that's exactly what the character requires. Both kids were much better than I would normally expect them to be; I am always put off by artificial adult gestures and the "too cool for you" acting of today's kids in Hollywood films, and expected that this time it would be the same, but it was not and that was a pleasant surprise.
The humor in this film is subtle, and you may actually miss it altogether if you expect things to blow in your face. I loved those brief encounters between Melanie (Pfeiffer) and Celia (Amanda Peet) in which a beautiful perfectionist with a heart (Pfeiffer) meets her less polite match... Amanda Peet was also fantastic! Just notice how Pfeiffer's facial expression changes when she realizes who she's talking to. Another one to watch and enjoy is the episode with Melanie's boss.
Also, this film can be watched more than once, as there is a lot to appreciate about it.
Ps. A scene at the shrink's office made me laugh like never before!
When movies of today try and capture that "old-fashioned" feeling, usually it's the "values" that they're trying to recapture, forgetting that if you don't make a good movie, what you're left with is two hours of preaching. This movie, on the other hand, may be trying to capture that "old-fashioned" feeling, but the values it's after are the values of craftsmanship and intelligence, two things rarely seen in comedies these days. Oh, yes, and chemistry; Clooney and Pfeiffer have it in spades here. The fact that it's set among the world of working parents and, for the most part, tries to get the details right, also helps. And, oh yeah, it's funny. It is a little cloying at times, and the end feels abrupt, but overall this is a pleasing movie.
I am speechless. This one is a classic movie, and I have no words to describe it. I wish they would make more movies like this one. Michelle Pfeiffer is brilliant as usual and George Clooney, the right choice as co-star.
Did you know
- TriviaWhen Maggie Taylor forgets the kitten's name, it was not a part of the script. Mae Whitman actually forgot the kitten's name and stayed in character. The director thought that it was so cute that he kept it in the movie.
- GoofsWhen Michelle Pfeiffer is in the taxi with George Clooney's phone, he calls her up to give her messages. She then acts totally surprised that they mixed up their cell phones and she has his, but then continues to say he has a meeting at 4, indicating she already knew she had his phone by mistake because she took a phone call for him.
- Quotes
Jack Taylor: I just want to find a fish who isn't afraid of my dark chocolate layer... and of course she'd have to love my cookie too.
- SoundtracksOne Fine Day
Written by Gerry Goffin and Carole King
Performed by Natalie Merchant
Natalie Merchant appears courtesy of Elektra Entertainment Group
Details
- Release date
- Country of origin
- Languages
- Also known as
- Un día muy especial
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,151,454
- Opening weekend US & Canada
- $6,226,430
- Dec 22, 1996
- Gross worldwide
- $97,529,550
- Runtime1 hour 48 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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