Next Stop Wonderland

Take a tour through some gorgeous Boston sights, even some kinda grubby under the (soon-to-be-erased by the Big Dig) elevated streets. I loved the Puffer-fish in our wonderful New England aquarium. And is this Gelfant guy sexy-----whoah!!! The sight of him and the flirty student he's mentoring eating each other up on the whale-watching boat was OUTSTANDING!! With all his obvious knowledge of the girl's crush and her wiley ways, he STILL gives into the animal chemistry in a surprising rush. I am SO tired of obviously phony kisses onscreen that this one caught me off-guard.

If you've ever done a dating ad thing, you'll empathize with the heroine's disgust at the pitiful and revolting lines of the many 'candidates' she meets. When one lowers his pseudo-intellectual facade long enough for you to see the human being behind, you want to scream, "Why didn't you show THIS part of yourself to her before you lost the chance?" Of course, the 3-way bet by the scum bums ends well as they get their just desserts. The well-meaning but meddling mother behind it all who placed the ad is well-written and well-played.

It's enough to watch the superb photography to buy this movie, but the many boy-girl angles portrayed also make it worthwhile. It could have been entitled, "What Not to Do on a First Date". I own it and am looking forward to giving it to my unmarried son as a tutorial. I also lend it out to people I want to lure to Boston.

Unlike most romantic comedies that get distributed, Next Stop Wonderland is neither star-peopled nor entirely plot-driven. Although the film was marketed as another Nora Ephron knockoff, it is very different from the slick, syrupy Meg Ryan vehicles viewers were led to believe it would resemble. Brad Anderson's beautiful, shimmering treatment of light, and his pleasingly idiosyncratic manner of filming the Boston urban landscape (and the lovely Hope Davis), well serve the sympathetic honesty with which he treats the search for love in the modern American city. A magnificent film.

Just saw this last night, while on a "date"...and I'm glad that I listened to my friends who recommended it. This is a PERFECT date movie. Enough of a romantic comedy to put you in that oh-wouldn't-it-be-great-to-be-in-love mood, but unpredictable and un-corny enough to slip away from the usual Hollywood trappings. I won't ruin it for anyone, but the "linoleum moment" was priceless, and Hope Davis is terrific. I'm renting "The Daytrippers" this weekend.

"Next Stop Wonderland" is a lovely, very underrated indie romantic comedy, co-written and directed by Brad Anderson ("Happy Accidents", "The Machinist"). The always wonderful Hope Davis stars as Erin, a nurse from Boston who's dumped by her boyfriend, Sean (Philip Seymour Hoffman). Her liberal mother (Holland Taylor) places a personal ad for her in the paper (without Erin's consent). Initially appalled by the idea, Erin's life starts to change when she decides to meet the guys who answer the ad.

"Next Stop Wonderland" gets away from stupid Hollywood clichés, and is romantic without being corny. Anderson's and Lyn Vaus's witty script has some amazing dialogue, and Hope Davis brings the right emotional depth/low-key humor to her character. This movie is similar to the recent "Broken English" (starring another indie goddess, Parker Posey), only better. Honduran actor José Zuniga plays a Brazilian guy (hopeless romantic or prick?), speaking a very mannered Portuguese (more like some kind of "portuñol", a mixture of Portuguese and Spanish) that doesn't beguile the most naïve Portuguese speaker - which is very annoying for native Brazilians, specially considering that there are so many talented Brazilian actors out there that would've fitted the part. Of course I'm not saying foreign people can't play someone of a different nationality, but when the actor can't pull a decent accent, that's a problem. Anyway, that's a minor flaw, and "Next Stop Wonderland" is definitely an adorable flick. The soundtrack, full of classic Brazilian bossas (a rarity in American movies) is a plus, and the perfect complement to the movie's bittersweet atmosphere. 8.5/10 in my books.

This is a very enjoyable movie. I must admit that I had my doubts at first, as it looked far too sugary for my taste. Poor marketing I guess. However, this is the first movie in years which I watched and then watched again the next day. Hope Davis' character, Erin, elicits many emotions -- the first of which is pity. Having been dumped by what is clearly the wrong man, we witness her attempt to re-enter the dating scene. She is immediately catapulted back into the world of losers, married men, and guys who are downright scary. She handles all of this with grace, but more than a hint of cynicism. You can often see the depression in her face, as she moves from one date to the next, always telling her friends that "there's no such thing as destiny." And yet, there is (as she discovers.)

Her character seems very much the essence of the modern young single person: She tells herself she is happy alone, but quietly yearns for the depth of true love. She is never rude, except when it's deserved, but she is never particularly friendly either. She inadvertantly wears the scars of years of dating on her sleeve. A very subtle and clever performance from the ethereal and under-appreciated Hope Davis. HIGHLY RECOMMENDED