A journalist with solid mob connections falls for a stripper with a dark past. His best friend then drags him to L.A. with the intent of becoming movie men. But does real life and fiction re... Read allA journalist with solid mob connections falls for a stripper with a dark past. His best friend then drags him to L.A. with the intent of becoming movie men. But does real life and fiction really go together?A journalist with solid mob connections falls for a stripper with a dark past. His best friend then drags him to L.A. with the intent of becoming movie men. But does real life and fiction really go together?
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It´s a fantastic vision of Hollywood's backstage,painful elationships,violence,and different points of view from the three main characters: Timothy Hutton, Michelle Burke and the great dark character that Joe Pantoliano develops here. A mad function that celebrates confusion of life and cinema, not even a bit of fun in the middle of the way.
THE LAST WORD is by accounts a terrible movie. It has a score of 4,8 and only 7 reviews with the most recent for it (July 2007) that gives it a 1 and two that give it 10s so it's certainly suspicious. Last June I finally saw it and you certainly don't have to think like the crowd... I found it good.
Martin Ryan (Timothy Hutton) is a writer and journalist that in the beginning is seen signing his new book in a nightclub when his friend Doc (Joe Pantoliano) is seeking his help because two mob hitmen want to break Doc's legs for no specific reason. Ryan falls for stripper Kiki Taylor (Cybill Shepherd) unknown of the fact that Kiki has mob connections just when he has to write a new book about the subject. As Ryan writes he uncovers various truths and Doc makes him meet Stan (Tony Goldwyn), an influent movie producer that can make his book in a movie. After the book is written the movie is made and Martin will become richer and finally with the woman of his dreams.
The acting was good, not surprising with Hutton, Pantoliano, Goldwyn and Richard Dreyfuss in a five minute cameo. The concept fresh for 1995 and the atmosphere just like the one you find in at least 100 other movies of the genre. Not to be missed if you stumble upon it, and I think that OllieSuave-007 is talking of a completely different movie, so he shouldn't be trusted.
Martin Ryan (Timothy Hutton) is a writer and journalist that in the beginning is seen signing his new book in a nightclub when his friend Doc (Joe Pantoliano) is seeking his help because two mob hitmen want to break Doc's legs for no specific reason. Ryan falls for stripper Kiki Taylor (Cybill Shepherd) unknown of the fact that Kiki has mob connections just when he has to write a new book about the subject. As Ryan writes he uncovers various truths and Doc makes him meet Stan (Tony Goldwyn), an influent movie producer that can make his book in a movie. After the book is written the movie is made and Martin will become richer and finally with the woman of his dreams.
The acting was good, not surprising with Hutton, Pantoliano, Goldwyn and Richard Dreyfuss in a five minute cameo. The concept fresh for 1995 and the atmosphere just like the one you find in at least 100 other movies of the genre. Not to be missed if you stumble upon it, and I think that OllieSuave-007 is talking of a completely different movie, so he shouldn't be trusted.
This is not quite the thriller it appears to be in plot summary. While there is some violence and more sex and romance, this is more about Timothy Hutton's ethical choices as a writer. As such, it has some very good moments and fine acting by Hutton, Burke and Pantoliano. The pace is rather slow at first and you may find the ending disappointing, especially if you're looking for shocking revelations. But it's worth seeing.
Don't miss this one. It has a behind the scenes of Hollywood storyline, celebrity cameos, mob action, beautiful music, threatened friendships, but what makes it a must see is the love story between Timothy Hutton and Michelle Burke (Dazed and Confused). They fall helplessly in love despite the fact that he is recently separated from his wife, and she is a stripper with a dark past. It's no masterpiece by any means, but interesting entertainment and a good love story with a realistic ending.
This movie is sold to you as a gangster flick. Don't believe it!
You are also told to expect Richard Dreyfuss and Chazz Palminteri. Well, they give you one scene each!
There is the merest glimmer of a good film hidden deep in the recesses of "The Last Word" (mis-sold in the UK under the title "Cosa Nostra" - believe me, there is no Mafia action).
A writer is torn. His friend/agent and his movie studio want him to use the most powerful true stories from his newspaper column. If he does not then the film might not get made. His friend may lose his kneecaps (or more) due to financial problems, and the writer may never make it.
The dilemma is that the stories were told to him by his girlfriend. It was not in confidence at the time, but now she does not want him to write about her. And if she cannot trust him not to do so, then she cannot tell him the rest of her secrets.
In a good movie, the set up I have described could have been accomplished in 30 or 40 minutes, leaving an hour or so for the writer to make his agonising choice.
In this very poor movie, the set up takes 80 minutes, and the agonising choice about 45 seconds.
You are also told to expect Richard Dreyfuss and Chazz Palminteri. Well, they give you one scene each!
There is the merest glimmer of a good film hidden deep in the recesses of "The Last Word" (mis-sold in the UK under the title "Cosa Nostra" - believe me, there is no Mafia action).
A writer is torn. His friend/agent and his movie studio want him to use the most powerful true stories from his newspaper column. If he does not then the film might not get made. His friend may lose his kneecaps (or more) due to financial problems, and the writer may never make it.
The dilemma is that the stories were told to him by his girlfriend. It was not in confidence at the time, but now she does not want him to write about her. And if she cannot trust him not to do so, then she cannot tell him the rest of her secrets.
In a good movie, the set up I have described could have been accomplished in 30 or 40 minutes, leaving an hour or so for the writer to make his agonising choice.
In this very poor movie, the set up takes 80 minutes, and the agonising choice about 45 seconds.
Did you know
- TriviaThe film cast includes two Oscar winners: Richard Dreyfuss and Timothy Hutton; and one Oscar nominee: Chazz Palminteri.
- How long is The Last Word?Powered by Alexa
Details
- Runtime1 hour 34 minutes
- Color
- Sound mix
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