In the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow p... Read allIn the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow process of his downfall has already started.In the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow process of his downfall has already started.
- Won 1 Oscar
- 4 wins & 9 nominations total
Ingeborga Dapkunaite
- Marusya
- (as Ingeborga Dapkunayte)
Nadezhda Mikhalkova
- Nadya
- (as Nadya Mikhalkova)
André Oumansky
- Filipp
- (as Andre Umanskiy)
Featured review
You know, here, in Moscow, the critics do their best to show that Nikita Mikhalkov makes popular pictures which aren't to be considered serious. To hear that "The Barber of Siberia" is a stupid sentimental movie is quite common nowadays.
But the more time passes from his next in turn production, the more a "strange" effect seems to take place: his films at last are rated according to their true value and not to somebody's opinion about them. It is always hard to say that something new is really good, but some time later...
"Utoml'ennye Solntsem" is not a very emotional movie. I don't suppose you'd cry when watching it. But my opinion is that it's a brilliant one. It is historically authentic (I've studied that period of time quite carefully so I think I have a right to say so). And no-one on this site seems to notice the love story in the film, which actually brought about the whole tragedy (remember, Kotov made Mitya work for NKVD). It was marvellously played by Oleg Men'shikov (my favourite actor) and Ingeborga Dapkunaite, a remarkable Lithuanian actress. And Mikhalkov himself, of course - "Kot" means "cat", by the way. Many people endow him with the characteristics of Kotov which only shows that he played his role well. A good actor is always attributed his character's traits.
But still, for me the main feature of the film is the world of Mitya's soul created by Men'shikov. A young, talented boy with brilliant prospects is what Mitya was. He gets involved in the war, goes through many ordeals, then comes home and falls in love with the girl he knew from her very birth, Marousya. But their happiness is too short. He is given a choice: to work for NKVD or...to commit suicide. He's only 24, and he wants to live. But hope for future slowly disappears as life goes on, cruel and senseless. When Mitya appears on the dacha of Marousya's parents, his soul is almost a wreck. But the last chance is killed when he sees that, after a suicide attempt, after months of despair, Marousya has married Kotov and doesn't want to go through everything again. Therefore Mitya begins to fulfill his revenge.
But the more time passes from his next in turn production, the more a "strange" effect seems to take place: his films at last are rated according to their true value and not to somebody's opinion about them. It is always hard to say that something new is really good, but some time later...
"Utoml'ennye Solntsem" is not a very emotional movie. I don't suppose you'd cry when watching it. But my opinion is that it's a brilliant one. It is historically authentic (I've studied that period of time quite carefully so I think I have a right to say so). And no-one on this site seems to notice the love story in the film, which actually brought about the whole tragedy (remember, Kotov made Mitya work for NKVD). It was marvellously played by Oleg Men'shikov (my favourite actor) and Ingeborga Dapkunaite, a remarkable Lithuanian actress. And Mikhalkov himself, of course - "Kot" means "cat", by the way. Many people endow him with the characteristics of Kotov which only shows that he played his role well. A good actor is always attributed his character's traits.
But still, for me the main feature of the film is the world of Mitya's soul created by Men'shikov. A young, talented boy with brilliant prospects is what Mitya was. He gets involved in the war, goes through many ordeals, then comes home and falls in love with the girl he knew from her very birth, Marousya. But their happiness is too short. He is given a choice: to work for NKVD or...to commit suicide. He's only 24, and he wants to live. But hope for future slowly disappears as life goes on, cruel and senseless. When Mitya appears on the dacha of Marousya's parents, his soul is almost a wreck. But the last chance is killed when he sees that, after a suicide attempt, after months of despair, Marousya has married Kotov and doesn't want to go through everything again. Therefore Mitya begins to fulfill his revenge.
Storyline
Did you know
- TriviaOne of four Russian films ever to win Academy Award for Best Foreign Language Film. The others are War and Peace (1965), Dersu Uzala (1975) and Moscow Does Not Believe in Tears (1980)
- ConnectionsFeatured in The Other Day 1961-2003: Our Era: Namedni 1995 (1999)
- SoundtracksUtomlennoe solntse
Written by Jerzy Petersburski (as Ezhi Petersburgskiy)
Lyrics by Iosif Alvek (uncredited)
Performed by Mark Simkin (singer), Efim Vyshkin (violin), Aleksandr Bashkatov (bayan), and Viktor Agapov (guitar)
Played by an instrumental quartet during opening credits as a film's theme song
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Burnt by the Sun
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,800,000 (estimated)
- Gross US & Canada
- $2,302,338
- Opening weekend US & Canada
- $60,074
- Apr 23, 1995
- Gross worldwide
- $2,313,461
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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