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The Loss of Sexual Innocence

  • 1998
  • 18
  • 1h 46m
IMDb RATING
5.3/10
3.5K
YOUR RATING
The Loss of Sexual Innocence (1998)
Home Video Trailer from Sony Pictures Home Entertainment
Play trailer1:37
1 Video
24 Photos
Drama

Nic's life in glimpses at ages 5, 12, 16 and later film director and husband/dad.Nic's life in glimpses at ages 5, 12, 16 and later film director and husband/dad.Nic's life in glimpses at ages 5, 12, 16 and later film director and husband/dad.

  • Director
    • Mike Figgis
  • Writers
    • Mike Figgis
    • Bienchen Ohly
  • Stars
    • Julian Sands
    • Saffron Burrows
    • Stefano Dionisi
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    3.5K
    YOUR RATING
    • Director
      • Mike Figgis
    • Writers
      • Mike Figgis
      • Bienchen Ohly
    • Stars
      • Julian Sands
      • Saffron Burrows
      • Stefano Dionisi
    • 72User reviews
    • 29Critic reviews
    • 42Metascore
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    The Loss of Sexual Innocence
    Trailer 1:37
    The Loss of Sexual Innocence

    Photos23

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    Top cast43

    Edit
    Julian Sands
    Julian Sands
    • Adult Nic
    Saffron Burrows
    Saffron Burrows
    • English…
    Stefano Dionisi
    Stefano Dionisi
    • Luca
    Kelly Macdonald
    Kelly Macdonald
    • Susan
    Gina McKee
    Gina McKee
    • Susan's Mother
    Jonathan Rhys Meyers
    Jonathan Rhys Meyers
    • Nic, aged 16
    Bernard Hill
    Bernard Hill
    • Susan's Father
    Rossy de Palma
    Rossy de Palma
    • Blind Woman
    John Cowey
    • Nic, aged 5
    Nina McKay
    • Mixed Race Girl
    Dickson Osa-Omorogbe
    • Wangi
    Jock Gibson Cowl
    • Old Colonial Man
    Justin Chadwick
    Justin Chadwick
    • Flash Man
    Femi Ogunbanjo
    Femi Ogunbanjo
    • Adam
    Hanne Klintoe
    Hanne Klintoe
    • Eve
    Johanna Torell
    Johanna Torell
    • Nic's Wife
    Geriant Ellis
    • Nic's Son
    George Moktar
    • Nic, aged 12
    • Director
      • Mike Figgis
    • Writers
      • Mike Figgis
      • Bienchen Ohly
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews72

    5.33.4K
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    Featured reviews

    peteward

    Two hours of my life I'm not getting back

    The movie was awful. Simple as that.

    Oh, and for the record, "cliche" serves as both a noun and adjective and, as such, "cliche" the adjective is a synonym of "hackneyed." Best not to be pompous about grammar and language unless you have a singular clue what you are talking about.

    Neither hackneyed nor cliche serve to be particularly descriptive of this film though. Open your thesaurus at "crap" and continue on from there. In fact, forget the thesaurus and spend two hours thinking up synonyms for crap and you'll have a better time than you will watching this movie.
    8jgrist

    Excellent art film, not to be missed.

    This is a true "art" film, it has great depth and insight, but doesn't give the viewer a clear story-line to follow or any help at all such as side comments or scene setters. The film is a virtual feast of expert filmmaking in all its facets, especially the fine framing of the scenes, truly natural acting and sound work second to none. How many filmmakers could make a short scene in a plane and the subsequent landing on the runway a filmic event of such beauty it will be long remembered.

    I think this film is one not to be missed
    fedor8

    A typical European "art film" drama, with no discernible plot.

    The only thing that makes this painstakingly slow and utterly incomprehensible movie possible to finish in one go is the soundtrack. Otherwise, it's pretty much a typically European pretentious mess.

    Absolutely nothing connects to anything, at least not in a reasonable, valid or sufficient manner. Many characters, about which we find out almost nothing, are supposedly connected - but only the director knows how (and even that's questionable, since he was obviously on drugs).

    The dialogues are as scarce as I've seen anywhere before: this certainly doesn't help in clarifying things. The scenes with the black man and white woman playing Adam and Eve (so PC), and their subsequent exile from Eden by police with helicopters is straight out of Monty Python, except that this is a deadly serious pretentious drama and not a spoof.

    Is there anyone who can watch that scene in which Adam and Eve urinate (we are actually shown the urine leaving the top of his penis), and take that scene seriously? Most of the cast look like they walked straight out of a New York fashion show, and this cheapens the look of the movie substantially. Lars von Trier and his 95-ers must love this garbage.
    frannyzooey

    The loss of intelligent film. Faux-Art

    Oh my, what a piece of c***. This movie feels like something a freshman in film school would do when he was trying to be "artsy." The Adam and Eve thing was so cliche. I didn't learn anything from this film. There were no new insights into life, or new ways of looking at things. Through the most basic symbolism (that a college kid would be embarrassed to use) the director tries to say something about sex I guess. The film was shot beautifully, but so what. Britney Spears albums are recorded beautifully by talented producers but the music underneath still sucks, and that's what happened here. Figgis would be a great cinematographer, that's about it. He really does do some inventive and passionate work visually, unfortunately, the rest of the movie is total garbage and you need MORE than just visuals to make a quality film. His story ideas are hackneyed and cliche.

    He tries to tie together different times of a man's life, yet he uses a blond haired, big-headed kid as a young child; a fat brown haired kid as a pre-teen; and then a blond stick-thin man as an adult. If you are going to show different stages of someone's life, especially not in sequence, you should at least have the actors bear some minimal resemblance to each other. Don't tell me this movie is sooo abstract that you can have totally physically differing looking actors playing the same person. I can't fathom how or why they would do this. Totally ridiculous casting.

    By the way, Why is Eve a thin white woman and Adam a strapping black man (who looks like there must have been a solo-flex in Eden)? There was absolutely no point in those scenes. Oooh, I get it, a snake. At one point I thought the whole movie was just one long Diesel Jeans commercial--all pretension with no substance. I have no problem with non-linear film, in fact I have loved some and gotten a lot out of them, but this movie manages to at once be incredibly obvious and predictable and at the same time totally incongruent and non-sensual.
    sms-9

    oh my...

    really really really really bad... not to mention long and boring...a shocker... I don't know what Mike Figgis was thinking about when he thought to do this one

    I don't recommend this to anyone...give it a miss

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film was made on an extremely low budget and scenes supposedly set amidst the "red soil" of Nigeria were actually filmed in the Northumbrian countryside, near Morpeth (UK)
    • Goofs
      Mixed Race Girl, reading the first lines from "Song of Solomon": "I am come into my garden, my sister, my spouse," mispronounces "spouse" as "spose", leaving the "u" out.
    • Quotes

      Mixed Race Girl: [First lines, reading from "Song of Solomon"] I am come into my garden, my sister, my spouse.

    • Connections
      Featured in Siskel & Ebert & the Movies: Instinct/The Loss of Sexual Innocence/Limbo (1999)
    • Soundtracks
      Piano Sonata in C
      Composed by Wolfgang Amadeus Mozart

      Performed by Joanna MacGregor

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    FAQ18

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    Details

    Edit
    • Release date
      • January 7, 2000 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • The Death and Loss of Sexual Innocence
    • Filming locations
      • Newcastle-upon-Tyne, Tyne & Wear, England, UK(Newcastle station)
    • Production companies
      • Newmarket Capital Group
      • Red Mullet Productions
      • Summit Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $4,000,000 (estimated)
    • Gross US & Canada
      • $164,022
    • Opening weekend US & Canada
      • $50,354
      • May 31, 1999
    • Gross worldwide
      • $164,022
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 46 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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