Ravenous

I love cinema. I mean, I truly LOVE cinema but sometimes you have the face the fact that it can be a pretty hypocrite business from time to time. Especially since the last ten years, everybody complains that there aren't any good horror movies being made. Only uninspired Scream clones and rip-off's. But that is a lie !! There are good and original thriller being made but they just don't get many attention because they are "politically incorrect". Ravenous is a perfect example of this. Made in 1999 and it stars a few familiar faces but it went straight to video in my country and I never saw it advertised. That's a real shame because movies like this prove that there are still young directors active who're creative and talented. It's up to the fans to discover movies like this and ignore the overload of mainstream slashers.

Ravenous has a very solid plot. simple but effective and supported by terrific acting performances. It shows a few of the darkest aspects of the human mind and, personally, I'm really intrigued by that. Subjects like Cannibalism and ancient Indian mythes are fascinating and when they're placed in a historical setting ( Mexican-American was of 1850 ) it even becomes better. This results in Ravenous being a very atmospheric and tense movie experience that you won't forget easily. The tension is built up slowly ( a bit too slow at first ) and the atmosphere of the cold and lonely Sierra Nevada is being portrayed very well. Guy Pierce is a great choice to play Captain John Boyd. His character is a cowardly figure with a complete lack of authority. He has to go through a battle himself and he's very messed up. The shows is obviously stolen by Robert Carlyle who is used to working with director Antonia Bird. His character is demonic and - duh - ravenous. A terrific performance and Carlyle manages to play his character with a lot of black humor and satanic charisma. David Arquette's role is pretty useless but it was great to see Jeffrey Jones again. Jones is a very decent actor and - even though he's frequently cast by Tim Burton - he's often overlooked and ignored. Ravenous is beautifully shot and some of the effects and make-up is pretty gruesome and explicit. But it isn't just mindless gore and violence so no complaints there. In fact, no complaints at all....Ravenous is a breath-taking movie from beginning till end and a must for anyone who believes that the genre of horror is dead.

Oh man, where do I begin with my inexplicable obsession with this movie? I think part of the reason I love `Ravenous' so much is that it often seems that no one else does; either due to not having seen it, or just not appreciating it. I admit, it's the kind of movie you're going to love or hate, either you get it or you don't. But I can remember seeing it in the theater the first time, and just not being able to believe that I was laughing at what I was laughing at. That's really the best way I can sum up my reaction to this film; there's a certain absurdity underlying all of its themes. It seems like the biggest confusion with people/critics and `Ravenous' is over whether or not it's intent is to be comic. Indeed the comic tone is established from the very beginning, from the opening quotes and first scene. To be sure, it is certainly dark, very very dark comedy, with an interesting mix of `cannibal/vampirism' (see Roger Ebert's review, the only one I've read that does Ravenous justice). However, director Antonia Bird does carry some more serious themes throughout Ravenous, but with a biting satirical edge-- she particularly seems to be commenting on American excessive consumption of all kinds, from meat-eating (and human-flesh eating in this case), to manifest destiny. Most powerful is the truthful notion that we all must "kill to live" in some way or another, and in our willingness or unwillingness to do so, we must differentiate between cowardice and morality. I'm just pounding the dark comedy thing into the ground though because I think that watching Ravenous, it is very important to keep in mind that principally it is supposed to be humorous, and yes, you are supposed to laugh at cannibalism believe it or not, because if you don't, you'll probably just find the film gory and disgusting.

Ravenous is carried by its bold, wacky, charismatic characters. Well, okay, the one exception here is Guy Pearce as central character Captain John Boyd, who is rather subdued in contrast to everyone else, quite intentionally so. Pearce does a very fine job making Boyd very quiet, introspective, and uncomfortable as he is sent to the wonderfully creepy and dysfunctional Fort Spencer, due to his discovered "cowardice" in war. Robert Carlysle is also excellent as the crazy Colqhoun/Ives. I liked the rest of the people at Fort Spencer, all eccentric in their own ways, although all may not last too long. It's nice to see Jeremy Davies as the adorable, religious Toffler, but Neal McDonough is the real stand out as the tough, super-hero like character of Reicht, `the soldier'; with his icy blue eyes and shocking white-blond hair he is the epitome of bravery and masculinity, and certainly forms a direct contrast to the sensitive, cautious, and all-too-human Boyd. Basically, the plot comes to revolve around an old Native American legend--the Wendigo myth–-which states when a man eats another man he takes on his strength and spirit. There are quite a few twists and turns and surprises in Ravenous that should be enough to hold any viewer's attention.

The soundtrack to this film is also quite striking and omnipresent; with original eerily beautiful orchestral tracks that add much of the atmosphere in every situation. Particularly beautiful is the simple, little ‘Boyd's theme', which is used throughout the film as Boyd journeys. The music adds not only to the eerieness of the film, but yes, even the humor. If there is any point at which I still had any kind of doubt about Ravenous being comical it was shattered in a scene where Boyd and Reicht go after the evil Ives, and I hear classic banjo `chase music' complete with yodelling; you just can't help but laugh and shake your head. And even though everyone else already has, I'll give another nod to the cinematography of the gorgeous yet bleak and dangerous icy mountain range.

Ravenous is classic for scenes of such absurd, dark humor in any situation, as when (in the same chase scene) Boyd leaps off a cliff to go tumbling down a hill and crashes into Reicht. Just when a moment is getting serious, it boldly will hit you with such a cartoonish image. Like i said, either you'll love it, or you just won't. It's hard to pinpoint exactly what it is about Ravenous that grabs me so much, but it is just a combination of everything. It's like no movie I've ever seen. It's smart, satirical, observant and insightful (watch for a nice use of Ben Franklin quotes), and yes, funny. While not for everyone, it surely has cult film potential written all over it.

'Ravenous' is a highly entertaining and original blend of horror and black comedy. Apparently it had troubled beginnings with the original director being fired and Antonia Bird coming in as a last minute replacement at the behest of co-star Robert Carlyle ('Trainspotting') who had previously worked with her on 'Priest', a more different movie than this you couldn't imagine! Anyway, Bird triumphed and ended up with an excellent movie. David Arquette and Jeremy Davies are two actors I have little time for but they didn't have much on screen time and didn't detract from the great performances by Carlyle and 'Memento's Guy Pearce, who really sold the movie to me. I also really liked the role played by Tim Burton regular Jeffrey Jones. I enjoyed the work of all three actors, the unpredictable script, the inventive direction, and the unusual score by Peter Greenaway regular Michael Nyman and Blur's Damon Albarn, which reminded me at times of cult favourites Penguin Cafe Orchestra. 'Ravenous' isn't the greatest movie I've ever seen but I have enjoyed it all three times I've watched it and that's a lot more than I can say about most movies around these days. It's wicked fun with very clever touches of black comedy, and I highly recommend it.

This is an exceedingly well-made film which, in its portrayal of cannabalism, suggests other themes as well: physical and moral courage and cowardice, exploitation of other people, the evils of carnivorousness...

Taut-faced, moody Lt. John Boyd (Guy Pearce) turns yellow under fire in the Mexican War, but somehow manages to accidentally capture an enemy command post. He is rewarded with a medal, a promotion to Captain, and a transfer to a lonely outpost in the western Sierra Nevada range in California by a commanding officer who sees the cowardice behind the supposed heroism. There, a disheveled stranger (Robert Carlyle, doing his best Rasputin impersonation) stumbles into the post, telling a horrible tale of snowbound travellers in a wagon train feeding on each other when their food runs out. The affable C.O. (Jeffrey Jones, looking as seedy as you might expect an officer in a California outpost in the 1840's to look) decides to investigate, leading his small band of soldiers to a horrible destiny. Jeremy Davies, who played the nerdy corporal in "Saving Private Ryan" also appears, playing pretty much the same character.

All the parts in this movie were excellent - all the performances were outstanding, the photography and editing were great, and the score was amazing. However, although I really enjoyed this movie, it didn't add up as be the great film it should have been. Much of the time, I felt as if I should have been really scared and nervous, but I found myself watching with some detachment, almost as if I were watching a ball game between two teams I wasn't really rooting for.

I don't want the reader to think I didn't like this movie, though. It was really good. It just wasn't outstanding, that's all.

I did like Sheila Tousey as Martha, the Native American woman who lived and worked at the outpost. She was really cute in a sort of Earth Mother kind of way.

A genuinely unique little gem that seems quite un-Hollywoody.

A macabrely humorous horror-thriller with an odd mix of English/American/Australian character actors (all talented) who clearly relish their performances in this twisted little tale which is told on an epic canvas.

The film's score is a bizarre but perfect fit - adding another unusual character to the mix. A stroke of bold genius by Michael Nyman (the brilliant composer of "The Piano"). The score has been nominated for several awards.

Hard to imagine 20th Century Fox's reaction when they saw the final film and needed to market it... But there's plenty to enjoy here. 8 out of 10!