Amy Foster

The British have dedicated themselves lately to film their wonderful 19th century novels: Jane Austen, Thomas Hardy, and have come now into the 20th for a Joseph Conrad short story with a strong 19th century flavor. It's their answer to the special effects-oriented Hollywood film. And they are catering to the older audiences, those who care more for story values and literary qualities than for the display of technical advances in films. Any one who cared for Sense and Sensibility, The Return of the Native and Persuasion, will have a real feast in Swept from the Sea. The Conrad story is beautiful, and the adaptation is intelligent. A memorable musical score by John Barry, the breathtaking photography and the magnificent scenery are real assets for those who pursue an esthetic experience in the movies. Old fashioned? Perhaps. But the emotional experience is second only to that of Wuthering Heights, which it resembles in certain secondary aspects. Forget the unfavorable reviews you may have read, practically all of them oriented toward teenagers. Swept from the Sea is a film for mature audiences.

The cinematography and the music in this film are wonderful, and there is a great supporting performance from Ian McKellan. But while the story was a very emotional one I found myself unmoved. For me Vincent Perez' performance didn't work at all -- I couldn't see past his studied "wildness" and fake accent. And Rachel Weisz, as Amy, is such an enigma that I didn't feel much for her except for a couple of intense scenes. McKellan's Dr. Kennedy is the character I was drawn to. He brings depth and humanity to his role. It was a bit confusing, though -- I wasn't sure if we were supposed to think that Dr. Kennedy felt a homosexual love for Yanko (Perez). And I found the movie much too slow, especially the first half. It felt like a short story dragged out to feature length, which it was. This movie is worth renting, but for me it was ultimately forgettable.

It was a mean time both historically and geographically. The people lived on a stark and barren spit of land attached to a strikingly beautiful yet often-ferocious sea. Storms were frequent and accompanied by howling winds, slashing rains and crashing waves which occasionally ended in catastrophic shipwrecks. People scratched around just to subsist. The harsh elements succeeded in stealing love from their souls, much as the sea stole lives from the broken ships. Those who did not fit in were scorned and made to suffer. Notwithstanding all this however, this story talks to the will of 2 simple people, who though raised in a harsh land by even harsher people manage to find love and peace, albeit for a short while, despite outrageous cruelties visited upon them. *** 1/2 Stars; 1 Hankie.

Just a point of clarification regarding the summary for this film: Yanko is not Russian in this film. If you listen carefully to what he is actually saying in the movie, he is speaking Ukrainian. For example, in the scene later in the movie in which he is feverish, he keeps repeating a phrase over and over again. The phrase that he is saying is, "Dai meni vodi." In English translation, he is saying, "Give me some water." In addition, the immigration details of his circumstances and trip would fit with immigration from Ukraine or borderlands between Ukraine and Poland (although he is not speaking Polish) at the turn of the century. He plays chess, which would be consistent with Ukrainian heritage (among others). Finally, his clothing and the type of dance he does with his son is Ukrainian in style. The expansive arms and the gentleness with which he is dancing speaks more of a Ukrainian dance style than a Russian style. However, the most obvious and relevant point is that the language he is speaking in the film is Ukrainian, not Russian. Unfortunately, many people confuse Russian culture with Ukrainian and other East European peoples. IMDb probably should correct its description of this film for accuracy.

I managed to catch this film while channel surfing and quickly ushered my children outside so that I could enjoy the show. Although the cinematography may not be up to Hollywood standards of crisp, digitized landscapes I found the film to be a wonderful tale. If you have felt like the outsider, ever tried to shut off your emotions in order to stop others from hurting you - you will have no trouble relating to the character of Amy Foster. The acting was well done (I am not an expert at English dialects, although I'd say the accents were as adequately done as the actors who attempted the Newfie accent in The Shipping News). I love historical tales (Jane Austen is a favourite) and thoroughly enjoyed this one as well. 8 out of 10