IMDb RATING
5.9/10
3.6K
YOUR RATING
A young woman attempts to end her criminal career. But she needs love to make it.A young woman attempts to end her criminal career. But she needs love to make it.A young woman attempts to end her criminal career. But she needs love to make it.
Elizabeth Ash
- Nurse
- (as Elisabeth Ash)
Kitty McGeever
- Judith
- (as Kate McGeever)
Featured review
Alan Furnace is a school teacher who's only joy in life is his late-night slot on hospital radio where he can play the light jazz he loves so much. Seeking more excitement in his life, he takes an interest in a collection of people in a local pub who the barman describes as "criminals". Despite this Alan approaches the woman of the group the sexy and charming Beatrice, but is surprised when she responds to his advances. As he gets to know her, he uncovers a damaged soul with a murky past and dark present that perhaps he would be keep out of; however, as much as he is put off he is drawn in and soon finds himself involved deeper than he had ever planned.
I'll be honest and say that I was only drawn to this film by the strange title; other than that I had no idea what it was about but decided to give it a stab anyway. However the film seems to be aiming for a mood rather than a narrative and, as a result, this film is more about the tone and feel and thus it fails to really engage because the story isn't there. Well, there is a story but it comes second to the mood and it isn't well developed, is full of illogical holes that just don't convince and feels like a mishmash of other films' ideas. It is interesting at points but ultimately it doesn't work. The film tries to be seedy and introspective, using smoky rooms, jazz and crime as motivators and the "normal guy" as our way in, but even this doesn't totally work and elements of it failing make it feel like it has all been forced from the start certainly the choice of the jazz music is way off.
However, as the title suggests, the film is more about Beatrice than the other characters and, as such, it is interesting enough even if she isn't as well developed a character as a "character driven film" would usually require. The performance from Argento is good and she has a real sexy presence that is more than just her taking her clothes off for the cameras it is an aspect of her character that the film uses well. Harris is every bit as bland as the music he plays and he is the reason why I never bought the main relationship once OK, she's after a "nice guy" but would she go for someone so very bland? The rest of the cast are colourful enough and do OK work with very basic material; Rhys-Meyers is good, Everett does his usual lazy, bi-sexual performance, Hart has a small role and the rest are just basic "East End thug" sorts.
Overall this is a film to watch for the sexy, dark presence of Argento and that alone. Outside of her, the narrative is pretty weak and never really convinced me or involved me; the dramatic fireworks come and go without really doing much and by the end I was pretty bored by the whole affair. Argento and some of the support cast make it worth a go but, like Harris and his type of jazz music, this film is consistently bland and uninteresting.
I'll be honest and say that I was only drawn to this film by the strange title; other than that I had no idea what it was about but decided to give it a stab anyway. However the film seems to be aiming for a mood rather than a narrative and, as a result, this film is more about the tone and feel and thus it fails to really engage because the story isn't there. Well, there is a story but it comes second to the mood and it isn't well developed, is full of illogical holes that just don't convince and feels like a mishmash of other films' ideas. It is interesting at points but ultimately it doesn't work. The film tries to be seedy and introspective, using smoky rooms, jazz and crime as motivators and the "normal guy" as our way in, but even this doesn't totally work and elements of it failing make it feel like it has all been forced from the start certainly the choice of the jazz music is way off.
However, as the title suggests, the film is more about Beatrice than the other characters and, as such, it is interesting enough even if she isn't as well developed a character as a "character driven film" would usually require. The performance from Argento is good and she has a real sexy presence that is more than just her taking her clothes off for the cameras it is an aspect of her character that the film uses well. Harris is every bit as bland as the music he plays and he is the reason why I never bought the main relationship once OK, she's after a "nice guy" but would she go for someone so very bland? The rest of the cast are colourful enough and do OK work with very basic material; Rhys-Meyers is good, Everett does his usual lazy, bi-sexual performance, Hart has a small role and the rest are just basic "East End thug" sorts.
Overall this is a film to watch for the sexy, dark presence of Argento and that alone. Outside of her, the narrative is pretty weak and never really convinced me or involved me; the dramatic fireworks come and go without really doing much and by the end I was pretty bored by the whole affair. Argento and some of the support cast make it worth a go but, like Harris and his type of jazz music, this film is consistently bland and uninteresting.
- bob the moo
- Jan 30, 2005
- Permalink
Storyline
Did you know
- TriviaIn 2018, Asia Argento revealed that she was sexually assaulted by Harvey Weinstein during the making of this film.
- Quotes
Alan Furnace: [first lines - at DJ mic] You grow up in the suburbs, you picture a life for yourself, right? A life of danger, late nights in smokey jazz clubs, beautiful women everywhere. There's Django Reinhardt with Le Hot Club De Paris, 1939 - you're listening to Night Duty in Saint Jose's hospital. Only then you do grow up, and you're not living that life. You're poor. You teach in a school during the day, and of course you like it. Though you can barely find time to play the bloody trumpet.
- ConnectionsReferenced in When Brendan Met Trudy (2000)
- SoundtracksBillets Doux
Music by Maurice Yvain
Lyrics by Saint-Granier
Performed by Django Reinhardt
Published by Editions Salabert
Courtesy of The Decca Record Company Limited
Licensed by kind permission from Polygram Film & TV Licensing
- How long is B. Monkey?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Tehlikenin pençesinde
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $39,371
- Opening weekend US & Canada
- $17,436
- Sep 12, 1999
- Gross worldwide
- $50,832
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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