Poco... Little Dog Lost

This has to be one of the cheapest and ugliest-looking films I've ever seen. While the plot is good and typical and its main star was with John Wayne, the color quality, the sound and the tracking is just incredibly awful! I've seen some of the earliest Technicolor films in their ORIGINAL PRINTS and even they don't look as dark as this does. What process did this use? Anyway, avoid this film, and I would recommend you go for 1943's Lassie Come Home, Elizabeth Taylor's first film.

I really enjoyed this movie which was more of a dog's adventure story than anything else. The characters portrayed by Chill Wills and John Steadman were wonderful and hilariously funny. Poco the dog kept us entertained throughout and the wildlife scenery was beautiful. I recommend it highly for young or old but especially if you have little ones who love dogs.

I am only rating this due to how the cover shown IS NOT the right dog to go with the movie in the description. POCO is a BENJI type moppy dog. I have no idea which story included on the disc that dog belongs to.

As for Poco, such a sweet and hilarious movie. My mom and I saw it in theater in 77. The only reason it would be considered awful nowadays is because of all the garbage that people have adapted to watching and thinking is good. My mom and I noticed that as well as ourselves, quite a few of the other movie goer's were bawling within the first 5 minutes!!! That is always a funny memory to reflect on.

Nothing from the 80's and back is going to seem anything but cheesy as I said due to what people have become adapted to watching.

It's pretty obvious watching "Poco... Little Dog Lost" that it was trying to cash in on the mega success generated by the dog movie "Benji" just a short time earlier. I wasn't a fan of "Benji", but I must say that it comes across as an Oscar-worthy movie compared to this cheap knockoff. The dog in "Benji" was a smart and charismatic dog, while Poco comes across as downright dumb at times. For one thing, he deliberately sabotages chances for his rescue several times. The human angle of the movie is not much better - we get less footage than you'd think of the little girl searching for her dog, and in the little we do get, she comes across as real whiny and annoying. The biggest problem with the movie is how utterly dull it is. There's endless footage of the dog trotting through the wilderness, and the few encounters he has with humans or animals is not the least bit memorable or interesting. It's hard to believe this movie actually played in theaters. Though it's easy to figure out why it's been subsequently forgotten.

Poco is an adorable dog who is very devoted to a little girl named Kim. They are separated following a car accident at the beginning of the story, and Poco fends for himself in the deserts, highways, and mountain wilderness areas of California as he tries to find his way back home.

Back on the home front, Kim is recovering from the injuries she sustained in the accident, and she never gives up on Poco.

This was one of my favorite movies as a kid; I always loved this adorable little dog. Watching it again now as an adult, over 30 years later, I find it very moving. They don't make sweet sincere movies like this anymore. The closest thing that I can think of is the Shiloh movie trilogy (which are wonderful movies in their own right).

In a world too full of cynical entertainment, CGI, gross-out humor, and snappy comebacks, Poco is a special treasure from a simpler time. Poco Little Dog Lost tells a sincere story about a child's undying love for her dog and the dog's undying devotion to the child, and it does so without special effects, narration, or silly voice-dubbing of the animals like in a Disney movie. Poco is more similar to the Benji movies in allowing the story to unfold with the dog carrying the movie. Muffin, the dog who plays Poco, was clearly very well-trained, and portrays fear, sadness, caution, excitement, exhaustion, and a full range of emotions simply through actions, reactions, and facial expressions.

Tom McIntosh's score is excellent too. So are the songs "Remember Me" performed by veteran actor Chill Wills (who gives a layered performance here as a lonely old man who rescues Poco and grows to love the dog, while also recognizing that the dog must have somewhere and someone to go home to, which the man must recognize and accept despite the pain of letting the dog go), and also the title theme song performed so beautifully by Ren Woods.

Photography and cinematography are also very nice, with Poco's journey taking him through the California desert, the Owens Valley and its Alabama Hills rock formations, the gold mining ghost town of Bodie, the Mono Lake and Owens Lake areas, and Yosemite National Park. The Yosemite sequence is a special favorite, with Poco running through the mountain meadows to a playful score by Tom McIntosh, and an abundance of beautiful scenery.

All who watch Poco's journey to the end will be very happy and deeply moved. This movie is such a nice "slice of life" from the 70s with good values that all ages can enjoy. Poco appears on a few DVD compilations which appear to have been transferred from VHS; however, it would be great if this movie could be remastered to clean up a few scenes where the coloring is a bit washed out and/or dark, and then reissued on its own DVD.

This movie is underrated and it deserves to be rediscovered and loved.

Poco will always have a very special place in my heart.