Crazy in Alabama is one of those films that slipped through the cracks right before the new century, but it does have some assured direction from Antonio Banderas and a great performance by this then wife, Melanie Griffith.
Griffith plays her usual semi-ditz with a heart of gold, but with a southern accent this time. She's just murdered her husband, left her entire litter of children with her mother, and, in turn, forced out her two nephews from living under that roof. The film follows her journey to L.A. to become a movie star as her husband's decapitated head (which she carries in a hat box) taunts her from beyond the grave and her nephews get mixed up in southern, small town police brutality and race relations in the 1960s.
Because Crazy in Alabama is about two very different storylines, it can sometimes feel a bit tonally bizarre. One minute, you're watching Griffith nab a role on Bewitched as her husband's decapitated head taunts her and the next, you're seeing a young black boy murdered in cold blood by a crooked cop. It's an uneasy mix of comedy and drama that don't always go well together, but there are enough interesting ideas, good performances, and directorial flair to keep it entertaining.
