Cody, a little girl abandoned by her mother and raised by her aunt, a nurse, is kidnapped. The girl's guardian, aided by an F.B.I. agent, learn that Cody has supernatural abilities, and the ... Read allCody, a little girl abandoned by her mother and raised by her aunt, a nurse, is kidnapped. The girl's guardian, aided by an F.B.I. agent, learn that Cody has supernatural abilities, and the abductees are a Satanic cult willing to do anything to gain them.Cody, a little girl abandoned by her mother and raised by her aunt, a nurse, is kidnapped. The girl's guardian, aided by an F.B.I. agent, learn that Cody has supernatural abilities, and the abductees are a Satanic cult willing to do anything to gain them.
- Awards
- 1 win & 6 nominations total
- Dahnya
- (as Dimitra Arlys)
Featured reviews
Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?
Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.
Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.
`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.
Before watching "Bless The Child" tonight, my only prior knowledge of it was seeing the trailer a couple of times on TV when the movie was about to be released. And then I only really noticed because the Icon label attached to it seemed to be out of place.
But the movie really wasn't that bad, though it could have used more (much more) focus and better lines and more intensity from the lead actors.
The story is classic good vrs. evil. What seems to have peeved many of the reviewers is that "good," in the form of a little girl (Holliston Coleman), was actually presented as having some real (and quiet) strength for a change. I suppose, in these reviewers jaded view of reality, this seems unrealistic. Besides, in horror movies (you know, the "realistic" kind) the evil thingamabob is always indestructible and just when good manages to triumph -- we find it really didn't. (How dare the "Bless the Child" producers have the gall not to be cliche in this respect!)
So to sum up my feelings. I liked the story (I don't suffer from anti-Catholic bigotry so the charge of being "too Catholic" wasn't a concern). I liked the little girl's acting. I thought Kim Bassinger did a credible job -- though her part lacked some intensity as did Jimmie Smits' part. I thought the Stark character (acted by Rufus Sewell) was well acted and convincingly evil. Miss Ricci's cameo was well done and the special effects were very good. Overall, taking into account my earlier criticism of lack of focus, lack of intensity and a few lines that made me wince -- it was not a bad movie. I would suggest it for those who *do* like a clear cut distinction between good and evil.
And, oh yes. No nudity. Very little profanity and violence that was intense but not overly graphic or gory. (I know -- this crew simply *doesn't* know how to make a "real" horror film, do they?)
Rufus Sewell plays a Satan-worshiping cult leader who tries to kidnap young Holliston Coleman, someone with special healing powers. Kim Basinger, in an unusual wholesome low-key role, plays the aunt-turned-parent/guardian of the kid.
There is some very good suspense here, especially at the end and some shocking horror scenes of violence. "Shocking" not just because of what happened but the film was so family-oriented up until then. Overall, though, a decent story and a good message. Even though I liked it, it wouldn't a film I would watch multiple times, although a second look is likely.
Bless the child is full of new or unknown actors, but reguardless it is well acted... Kim Basinger and Jimmy Smits both play their parts well and the script and their acting allows the viewer to see something that may be chemistry building between the two, but doesn't throw it in our faces. The problem with most movies of this type is that the villian is flat and poorly acted... That is not the case in Bless the Child. Rufus Sewell does an excellent job portraying the evil Eric Stark. Although she has a nominal part in the movie, Angela Bettis played the part of Maggies drug-addicted sister so well, I was absolutely hating her. Even with all of this, the movie would not be what it is without the superb acting of Holliston Coleman who plays 6-year-old Cody. At 7, Holliston has more ability than many adult actors. She definately has a future.
The story and directing were both done well. Although it is not the most original story line, it is done a different way. Rarely, if ever, is the force of good allowed to manifest itself in a visible presence. In Bless the Child, however, the good can be seen along with the evil. Although I not by any means a very religious person, this struck a cord with me. There's a sense of hope within this growing evil... The world may just have a chance, not because a big guy with a big gun blew away Satan... no, because there is good out there. The battle between good and evil does have two sides... It's just nice to be able to see the good for a change.
The special effects are also good in this movie. It is by far a special effects movie, but they are used in a smart fashion to provide a glimpse at the battle that goes on all around us, although we don't see it... Only the rat bedroom sequence left me somewhat disappointed, the rest provided a eery mood to the film.
Bless the Child is a great film for what it is and maybe be known as the starting point to the great career of Holliston Coleman. 8/10
Although it may not be a perfect movie,
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
Roger Elwood
Did you know
- TriviaThe line, "The devil's greatest trick was convincing man that he didn't exist," is reminiscent of a similar line in another movie of the same genre, End of Days (1999), in which Father Kotak (Rod Steiger) says: "Satan's greatest trick was convincing man that he didn't exist". It is also similar to The Usual Suspects (1995), where the line is, "The greatest trick the devil ever pulled was convincing man that he didn't exist". In fact, that idea goes back to Charles Baudelaire (1821-1867): "La plus belle des ruses du Diable est de vous persuader qu'il n'existe pas!" (English: "The finest trick of the devil is to persuade you that he does not exist."
- GoofsIn the scene with the homeless man, Eric Stark recites a spell in Hebrew that is later referred to as a "Druid Rune Spell from the 16th century."
- Quotes
[On the top ledge of a building]
Eric Stark: If you believe? JUMP! If not, you come to me.
[She turns and looks at him]
Cody: After you?
- ConnectionsFeatures Duck Soup (1933)
- SoundtracksVultures
Composed by Philip A. Scheib (as Philip Scheib)
- How long is Bless the Child?Powered by Alexa
Details
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $29,381,494
- Opening weekend US & Canada
- $9,413,684
- Aug 13, 2000
- Gross worldwide
- $40,443,010
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1