User reviews

A Hero Never Dies (1998) is a film by veteran HK film maker Johnnie To and his Milky Way Image filming company that has produced some of the darkest and grittiest of the recent HK action dramas like The Longest Nite and Expect the Unexpected, both 1998. A Hero Never Dies (1998) is another of these films and stars again the Milky Way face Lau Ching-Wan and Leon Lai Ming. They are both very great and make the little too shallow characters as interesting as possible.

A ruthless gangster boss kills and abuses his friends and never thanks anyone who has helped him. Lau's character is among the ones who helped him become what he is now. Lai is Lau's friend and they both have sweet girlfriends (Fiona Leung and Yo Yo Mung) that start to take care of the two when violence erupts and their history looks dark. But no one dies, only the hope for a peaceful life and forgetting and forgiving the wrongs of the past. Lau decides to avenge his fate to the boss but all this kind of thing results is more violence, and since this is an honest and un-commercial gangster drama, violence is never shown in a glorifying, positive or entertaining light.

A Hero Never Dies is written by Yau Nai-Hoi (The Longest Nite, Expect the Unexpected, Barefooted Kid (1993)) and Szeto Kam-Yuen (Nite and Unexpected, too). Unfortunately the film's problems lie in the screenplay and the characters, too. None of the male characters gets to develop too interestingly or realistically and their acts seem not to be too greatly motivated. Silence is a good thing in cinema, but what there is in the characters' minds must be expressed some way, with the tools of the art, no matter how silent the film is. Lau's and Lai's relationship is a little weird and the very long "wine glass" sequence at the beginning works surprisingly fine and kind of depicts how they respect each other but also have some disagreements, too. Mostly I find it irritating that their love for their girls seems not too warm or real and only the females are the ones that get things moving in this film. They care for their loved ones and cure them while they're almost dead but also sadly end up dead themselves very easily. But it is great to see females depicted as this strong in a HK film, but still Hero would have been much stronger a film if the emotions of the characters (for example the great idea of the damaged face of the loved one after an accident) were better written and thought about.

The theme of ruthless violence living inside To's films' characters is always very strong especially in this and the great Expect the Unexpected which has one of the most depressing, unexpected and cold endings for very long time on any film, HK or other. Hero's characters kill and slaughter each other mindlessly but always pay the price, whether you're "good" or "bad". No one wins anything by using violence in these dark and honest thrillers and so the violence is depicted as a brutal and harrowing act commited by man towards another man for some selfish and weak reason. The violence at the ending of Unexpected is pretty close to Japanese Takeshi Kitano in its intensity and wordless impact.

The visual look of Hero is again pretty stunning but not quite as in The Longest Nite which has completely awesome blue photography and menacingly dark settings in the middle of the bloody triad gangster war. Cinematographer Cheng Siu-Keung does great job in Hero and especially the ending in its bright red colors is again something very unique to HK cinema. The grittiness of the cities and places is very strong in these films. Also the music by Raymond Wong Ying-Wah is pretty effective and never gets too underlining or exaggeratedly "dramatic" but just makes the images more powerful and almost nearly hypnotic at places.

A Hero Never Dies is a good example of what HK is capable of, but still it is not as great as they have done. The mentioned Milky Way films are more noteworthy in my opinion as well as Alfred Cheung's On the Run (1988) starring Yuen Biao and Pat Ha to name just a very few of these films. A Hero would have needed better and deeper characters as well as some gaps and incredibilities of the plot filled and changed to something more noteworthy. Still A Hero is 7/10 class and, like the others, requires much more than just one viewing.

Great film, no wonder Mister To won a few festivals with this film.

His work has a director is brilliant in this movie ! Specially the Sukiyaki scene ! Where he proves in an eight-minute scene, that you don't need words to describe a relationship between characters ! Just good shoots, an excellent montage and great actors ! That scene should be a cult scene ! As for the story, it's the story of two men, working for an opposite gang, but still men of pride and honor, this is a story about love, friendship, betrayal, vengeance and hope.

Something I really noticed in this movie, is the great soundtrack ! You might feel that To is trying to use it to easily, but it just works out fine in every scene !

So in a few words : A great film, a must-see ! And should definitely be seen by everybody !

Leon Lai and Ching Wan Lau work well within their respective characters, however their actions don't seem to consistently make sense in the progression of the plot. Opposite hired guns for the mob, they fluctuate in being friends and foe after a rendezvous gone awry. At some points their resulting behavior contradicts what your led to believe, which feels unintentional and confusing. The story is painfully simple, and the visuals eventually become pretentious and overused with too many angles, filters, and slow-mo moments. Not a bad movie, but Johnnie To has directed much better gritty-melodramas and unfortunately this one fails to achieve it's blend with America's Western genre. My biggest complaint is that Ching Wan Lau's character becomes plagued with a handicap, then while much screen time is devoted to portraying his hardship and fight for retribution, his character remains weak and pushed aside in the third act of the film. Lau was built up to such a high degree only to inexplicably crumble, which doesn't feel right being the movie's centerpiece. Overall, a convoluted not-so-satisfying revenge tale. Personally I was disappointed but other Johnnie To fans may enjoy. -6/10

This movie was kind of ridiculous. It's about two gangs that fight each other. Each of the gang's best members got kicked out (in a shoot-out, of course). One gets shot a lot of times, the other loses his legs. This teaches us a valuable lesson, don't get shot. They both survive. One vows for revenge on his boss, the other for his boss. There are many violent gun fights, they're a little ridiculous (get shot? no problem, just keep shooting back!).

7/10

Other than his good looks and swagger, Leon Lai doesn't have much going for him in this movie. The guy who plays the Wayne Newton/Clark Gable-like character is a better actor.

The movie starts out with a fortune-teller and his altar getting shot. Is it supposed to say something about man determining his own destiny? The female characters are very strong even though they're the gangsters' girlfriends who sacrifice themselves for their men. Fiona did the best acting of anyone in this movie.

I don't understand the plot details and judging from what I've read, other people don't understand it either. The ending's pretty funny.

7/10

Yup, that's right, "John Woo meets Sam Peckinpah" is what came to mind when I saw this movie. Take the brotherhood theme of John Woo movies in the 80's and mix that with Sam Peckinpah's "Wild Bunch" and you get Lau Ching Wan and Leon Lai kicking ass in "A Hero Never Dies".

True to Woo's and Peckinpah's classics, the heroes in this movie are not heroes of the Dudley Do-right mold but flawed people who manage to get themselves together for one truly heroic deed.

I highly recommend this movie for fans of westerns and HK triad movies. Also recommend "The Mission" and "Running Out of Time" by Johnnie To.

a very good start to film such movie, before his upcoming movies such as AmZin 1 and 2. i would always say johnny to is a brilliant director, always able to adapt to filming different types of movies; love romance (love on a diet - 100% recommended to watch), thriller, mystery which loves leaving the audience to think a lot or read behind the lines. The cast is quite good as well, Leon Lai played his character very calm and cool whereas Lau Ching Wan once again as Johnny's favourite, played his very professional also sometimes a good joker. Another one of good Hongkong movie on triads but this is before 2000 which have a lot of differences in such triad movies in the new and old eras; however they both still carry very good tricky story lines. Such thriller movie is never made too serious or boring or to focus on killings only, but always include jokes, romance; bringing a twist to triad movies. In Hero, those 2 actresses played their roles very well, though died tragically willing to sacrifice for their lovers. Yoyo was quite good for a start in her acting career before turning to TVB (hongkong series). Fiona an experienced actress was very good being a lover of a triad, expecting from the start how her life would be. Also, don't forget the music background!!! Johnny To's movies is always complete to excellence with perfect music.. meaningful, suitable for the atmospheres, adding touch to the character's role in the movie! Excellent.. just like in AmZin. In this show like most triad movies, it's all about the basic principles not only in triads but in life too; loyalty, trustworthy, willing to sacrifice, brave and bold etc. Also, a very big principle especially for MAN and Triads - dignity! Both big Bosses want to end this long war between their people and rather enjoy lives and let their people return their families, but what is it which keeps them going on killing each other? This movie is well worth watching! Be prepared and don't ask for too much in this movie before watching, because remember it's filmed in or before 1998; hence it's terribly an awesome movie with such technology back then. It's all about the cast and the plot well portrayed! Well done!

Leon Lai teams up with Lau Chin-Wan to defeat two triad lords. This film made me remember the "old" heroic bloodshed´s - like "The Killer", "Hard Boiled" or the genesis of it all, "A Better Tomorrow". There´s still hope for Hong Kong cinema lovers... A superb movie. A true masterpiece. A fantastic mise-en-scene - stylised and romantic - from Hong Kong craftman Johnnie To. Where primitive cinema meets barroquian style and women nature becomes truly fundamental...

The film opens in Thailand, where Triad member Jack (Leon Lai) lets off some steam as he shoots up bowls of fruit and a fortune teller. Afterwards, he steps outside to take a pee, joined by his teammates as big, sweeping music ascends, accompanied by the usual, beautiful, Johnnie To cinematography!

You can't help but smile at some of the over-dramatic moments in A Hero Never Dies. Either the music is just too much for what's going on, or the cast really milk their screen time with some cheesy posing or slow-motion cigar lighting...

There is definitely a hint of dark comedy stretched throughout this heroic bloodshed Milkyway production - from the tongue-in-cheek portrayal of the main characters, to their lines and overall situation of using a barman at their local club, as their middle-man for passing messages to each other (like a married couple bickering, and a child caught in the middle). One extended scene of them trying to enjoy a glass of wine, while they each try to destroy one another's glass, is a prime example. Wonderfully shot, beautifully lit - but just ridiculous at the same time in a fun way.

It took me a couple of watches to enjoy A Hero Never Dies. I think a nice clean Bluray HD version would help! While it has plenty going on in its first 20 minutes, including a number of gun-fights and a darkly funny decapitation by a car door; it still feels slow. But do stick with it as the pace eventually picks up!

Leon Lai does great as the moody Jack, but it has to be Lau Ching Wan who really steals the show as Martin, with his pencil moustache, cowboy hat, and outrageous outfits. Both are great hitmen, and while they are secretly best friends and deliver some funny moments, they each are ruthless when it comes to taking down the enemy or pointing their gun.

Martial arts star and villain, Yen Shi Kwan (Fearless Hyena; Once Upon A Time In China) plays Jack's boss and Triad leader, Mr. Yam, with the great Henry Fong (Shinjuku Incident; So Close) playing Martin's boss. Johnnie To regular, Lam Suet, is present of course as are a host of other recognisable faces...

By the half-way mark, the film takes a dark turn in true Hong Kong style with Johnnie To turning things up a notch, which results in some great drama, gun-play, and heroic bloodshed action. A stylish, beautifully shot film with great performances and violent action that is well worth the watch!

Overall: If you loved A Better Tomorrow, you will love this!!

Some reviewers compare this movie to John Woo's A Better Tomorrow. I think that is very misleading. Because the action is nothing like the great shootouts in that film. Only the ending came close to a shootout we are used to seeing in the majority of heroic bloodshed titles. I think this a more a drama about these hit men who have a special kind of relationship. They are rivals who respect each other nothing more nothing less. The girlfriends add some good emotional context to their personalities. If you hear about a title like Hero Never Dies you expect some mayhem, or at least a lot of bloodshed. But it simply isn't there. Except for the ending which was a bit short. I do get that this film is paying tribute to the old genre and at the same time is trying to do something unique and different. In this case you could call it the Johnnie To touch. Most of his movies share the same themes but in all honestly only a few of them I liked. Exiled is an example of that. Actually that title comes closer to being a true heroic bloodshed title than this one. Another title you should be looking out for is The Mission.

After seeing many of these so called heroic bloodshed titles / gun fu like Hero Never Dies I realize that John Woo really is the God of Heroic Bloodshed. No other directors have come close to making bloodshed titles like he did (A Better Tomorrow, The Killer, Hard Boiled). And I really wished he would go back or at least make a new one to show them how it is done. Johnnie To clearly has another vision. But what? I don't know what he is trying to tell us but often his minimalistic approach to characterization and storytelling get in the way of whatever he is trying to convey. Consequence is that I lose interest and then automatically focus on the stuff that is compelling. Like the action. In Exiled this worked marvelously. Unfortunately this is not the case with this title. It failed to involve me story wise and action wise. I did not care about any of the characters. That is never good.

So is this title worth your time? No, I don't think so. It was never compelling or engaging and the little action that was present certainly wasn't enough to redeem itself.

Just as much a tribute to the heroic bloodshed films of yesteryear as it is a brilliantly stylised entry in its own right, A Hero Never Dies is a pure exercise in genre film despite being so hard-boiled that it almost becomes a comedy. Taking a fundamentally tried, tested and clichéd story in a world where the violence is more sudden and the atmosphere much darker and upending nearly every element of the films he's paying homage to, shows the power of Johnnie To's filmmaking ability. To's direction is fantastic with plenty of sweeping camera movements and tremendous use of colour, all coupled with Cheng Siu-keung's outstanding photography make the film a feast for the eyes. The incredible sense of loyalty and honour these characters display ultimately makes them "heroes", the themes are often hammered home so relentlessly that the film nearly enters the realm of parody. Only in a gangland fantasy would characters enjoy a friendship but have no qualms about killing one another later. The performances from its central cast are phenomenal, Leon Lai and Sean Lau especially, both playing fundamentally different archetypes of the same profession to immense effect, all the while Raymond Wong's hauntingly powerful score dominates the sound mix, even if he does repeat a few too many cues from his work on Running Out of Time. A Hero Never Dies ultimately just solidifies to me that Johnnie To is one of, if not the best post-handover filmmaker in the industry. Heroes may die, but their actions live forever.