Starry Night

Just finished watching this film and i thought it was incredibly bad. I didn't see the beginning but the entire story seemed stupid. The characters were extremely annoying, the dubbing and blue screen was bad and just too obvious, and to top it all off, it was just annoying!! I really disliked the character Kathy, and the way the news had clips of the movie was silly too. I also thought that the detective really over egged her performance.

Still, i liked the really bad accents :)

I don't know if the previous poster saw the same movie that I did, but wow. The premise is that Van Gogh ends up in the present-day and tries to "finish" his paintings by stealing them and then returning them when he has added the final touches. This movie was horrible, Van Gogh's accent kept changing (if you ever saw Manos: the Hands of Fate, think Torgo) and they used the clever yellow hat to disguise the fact that they did not have enough money to show his ear cut off. And it was shot in soap operavision. I only watched it because a fellow video store employee told me it was funny. And it was, but I don't know if they planned for it to be this funny. But if you're looking for a good laugh and a fairly interesting plot (and the creepy Madison/Van Gogh love) this is a great choice.

This was the most amateurish movie I have ever had the displeasure of seeing.

While the intentions of the director/writer Paul Davids may have been genuine and while it is admirable to make a movie devoid of lowest common denominator pleasing sex and physical violence, the quality of the script, direction, acting, and sets is abysmal.

Everything about the movie is obvious and manipulative, starting with Don McLean's `Starry Night' over the opening credits and throughout the film. There is no subtlety - Davids hits the audience over the head with a sledgehammer, to make sure they get the point, at every turn.

Vincent, after being dead for a century, is suddenly plopped onto the streets of Pasadena and never seems shocked or intrigued by late 20th century technology or gender roles. He somehow manages to navigate about what should be an alien world without trouble. His Dutch accent sounds like it belongs in Dublin and his modern paintings are clearly the work of an uninspired painter using Van Gogh's style, but not talent. His painting of a yellow hat over a self-portrait, would have been examined by experts, who could have determined by brush strokes and other clues, that it was the original artist who added it.

None of the sets looked convincing. The interior shots of the houses from which the paintings were stolen did not look like anyone actually lived there and the bland way the supposedly priceless Van Goghs were on display and the lack of expected security to prevent theft were ludicrous.

The script was trite and the acting was execrable, most notably Sally Kirkland, playing a stereotype, not a person. The lawyer was also a singularly annoying character.

I agree with TedA-2's comments about the cheesy travelogue scenes in France, including the crypt (which looked as ancient as someone's basement).

`Starry Night' had none of the charm of 1979's `Time After Time', in which Malcolm McDowell plays H.G. Wells who time travels into his future/our present. That movie had everything this one lacked: accomplished actors (McDowell and David Warner, playing Jack the Ripper, also a time traveler), tender love story (with Mary Steenburgen, the quirky love interest), and characters you believe in and care about. Rent that and leave this waste of film of the shelf.

Sure after watching it, you'll catch yourself wondering: how did THE WAVES bring (Vincent) from Europe to Hollywood?!, how did the girl love him that easily?!, how on earth he could be that genius as a thief to steal all of his paintings?!!, how come he was that stupid to go to the auction and claim all of that millions?!!, and how his sane girlfriend didn't stop him?!, and what is it with all of that back-projections to make us believe that (Vincent) and his two friends are in Paris?!!, you can say that again about those shots, from 2 cameras, which the news bulletin of the American TV aired for (Vincent) in jail; it was part of the movie, not the news! Ok, don't tire yourself with those questions, since the movie looked like a project of cinema school student with all the faults, videography, and that zero budget; and that's an enough answer!

But, fairly, the story was beautiful. Also the cover version of (Starry Night) at the opening credits was so good and tender like the performance of all the cast. (David Abbott) was fine as the sensitive gentle (Vincent), with the crazy look lasting in his eyes. (Lisa Waltz) was wonderful, despite how her part gave her nothing to do except loving the man and believing in him! (Lou Wagner) was as childish as the movie itself. Actually all the cast was pretty amazing, believing the true fantasy of the situation with a smile on their faces as they're telling a story for a kid, and that's the real purpose of this very tiny movie anyway.

It's about honoring, even in an unassuming way, the memory of (Vincent Van Gogh), and teaching us some sweet messages too; for instance, how to believe in miracles and not to be that logical all the time; like the detective who loses because of this very reason, love your friend; (Vincent) - here - cut off his earlobe as a regret for insulting his friend (Paul Gauguin)!, have faith in your dreams, high art is not for the rich people only who must ensure sponsorship for the young unknown artistes, and the good message about the late evaluation of the artist, and how that mustn't delay the artist's resolution or make him doubt his talent; to shoot himself like (Vincent).

It's a childish movie; with the worst and the best meanings of the word. So it's naive, some kind of poor, but nice, and well-meaning for any child around, including the one inside every one of us.

This was shown at the Newport Beach Film Festival (April 2000), where it won an Audience Award for Best Feature Film. It's a real delight. Good cinematography and a good story. It's a fantasy/fable in which Van Gogh comes back to life in the present day. When he finds out how much his paintings are worth, he decides to take them back (since he only sold one during his lifetime, the rest are still his) and sell them to raise money for scholarships for art students. Along the way, he runs afoul of art critics and manages to keep one step ahead of the police.