A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.
- Nominated for 2 Oscars
- 18 wins & 71 nominations total
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- Writers
- All cast & crew
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‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaStanley Kubrick worked on the project for two decades before his death, but along the way, he asked Steven Spielberg to direct, saying it was "closer to his sensibilities." The two collaborated for several years, resulting in Kubrick giving Spielberg a complete story treatment and lots of conceptual art for the movie prior to his death, which Spielberg used to write his own scenario. Contrary to popular belief, Spielberg claims he introduced many of the darker elements into the story, while Kubrick's main contribution consisted mostly of its "sweeter" parts. In a 2002 interview with movie critic Joe Leydon, Spielberg indicated that the middle part of the movie, including the Flesh Fair, was his idea, whereas the first forty minutes, the Teddy bear, and the last twenty minutes were taken straight from Kubrick's story. Ian Watson, who wrote Kubrick's original treatment, confirmed that even the much-criticized ending, assumed by many to be a typical Spielberg addition, was "exactly what (he) wrote for Stanley, and exactly what he wanted, filmed faithfully by Spielberg."
- GoofsMuch of the film's early action takes place in Haddonfield, New Jersey. New York City is subsequently shown to be under water. Haddonfield's elevation (81 feet) is lower than that of New York City (87 feet), and it is near both the Atlantic coast and a river leading to the ocean, so Haddonfield should be under water too.
- Quotes
[last lines]
Narrator: [narrating, as David lays next to Monica in bed] That was the everlasting moment he had been waiting for. And the moment had passed, for Monica was sound asleep. More than merely asleep.
Narrator: [David holds Monica's hand, closing his eyes] Should he shake her she would never rouse. So David went to sleep too. And for the first time in his life, he went to that place... where dreams are born.
- Crazy creditsSentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players.
- Alternate versionsFor the U.S. theatrical release, the Warner Bros. logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Warner Bros. and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Warner Bros. logo, and the back of the box's cover art says, "Dreamworks Pictures and Warner Bros. present."
- SoundtracksWhat About Us
Written by Al Jourgensen, Paul Barker, Max Brody and Ty Coon (as Deborah Coon)
Produced by Al Jourgensen and Paul Barker with Robert Ezrin (as Bob Ezrin)
Performed by Ministry
Featured review
This Movie is as Underrated as E.T. (1982) is Overrated.
Steven Spielberg and Stanley Kubrick, Two of the most Admired Directors, combined Visions and worked Together until Kubrick's Death. Spielberg Took Over the Project but did Not Cheat on Kubrick's more Cynical and Pessimistic Approach.
The Result is this Great Film that is an Emotionally Exhausting, Visually Exciting Fairy-Tale. It is Disturbing and Delightful. Basically it is "Pinocchio", Restyled and Revisioned in a Sci-Fi-Horror-Cautionary-Allegory for Modern Times.
Not for Everyone, it may be too Unsettling at times for very Young Viewers. It is Heartwarming and Heart-Wrenching and Deeply Depressing. The Futuristic Visual Template is Amazing.
Only the most Hardened of Hearts could be Unmoved by its Sentimentality seen through the Eyes of a Robot Child. The Parallels and Direct Links to Real Children are Painful to Watch as the Artificial Boy must go through Parental Rejection and some of Real-Life's Horrifying Realities.
A Good Cast all Deliver Searing Performances in Difficult Roles. Overall the Movie is Not a very Pleasing Entertainment for those Wishing for the Usual Spielberg Scrubbed Suburbanism.
Although the Movie does have an Abundance of Heart. The Viewer will find His/Her Heart Warmed and then Frozen, Filled with Love then Broken and Drained, only to have it Filled Again.
For some it may be just Too Much of an Emotional Roller-Coaster Ride, but for others Willing to be Shaken and Stirred, Caressed and Cuddled, Shocked and Stunned, all at the Same Time, this is Just the Thing.
An Under Appreciated Masterpiece of Manipulation, with No Pull Back along the Road Trip Search for Enlightenment.
The A.I. Child, Prays and Searches for, the "Blue Fairy" His Whole "Life". Organic Types Frequently do the Same Thing. Orga = Mecha = Orga
Steven Spielberg and Stanley Kubrick, Two of the most Admired Directors, combined Visions and worked Together until Kubrick's Death. Spielberg Took Over the Project but did Not Cheat on Kubrick's more Cynical and Pessimistic Approach.
The Result is this Great Film that is an Emotionally Exhausting, Visually Exciting Fairy-Tale. It is Disturbing and Delightful. Basically it is "Pinocchio", Restyled and Revisioned in a Sci-Fi-Horror-Cautionary-Allegory for Modern Times.
Not for Everyone, it may be too Unsettling at times for very Young Viewers. It is Heartwarming and Heart-Wrenching and Deeply Depressing. The Futuristic Visual Template is Amazing.
Only the most Hardened of Hearts could be Unmoved by its Sentimentality seen through the Eyes of a Robot Child. The Parallels and Direct Links to Real Children are Painful to Watch as the Artificial Boy must go through Parental Rejection and some of Real-Life's Horrifying Realities.
A Good Cast all Deliver Searing Performances in Difficult Roles. Overall the Movie is Not a very Pleasing Entertainment for those Wishing for the Usual Spielberg Scrubbed Suburbanism.
Although the Movie does have an Abundance of Heart. The Viewer will find His/Her Heart Warmed and then Frozen, Filled with Love then Broken and Drained, only to have it Filled Again.
For some it may be just Too Much of an Emotional Roller-Coaster Ride, but for others Willing to be Shaken and Stirred, Caressed and Cuddled, Shocked and Stunned, all at the Same Time, this is Just the Thing.
An Under Appreciated Masterpiece of Manipulation, with No Pull Back along the Road Trip Search for Enlightenment.
The A.I. Child, Prays and Searches for, the "Blue Fairy" His Whole "Life". Organic Types Frequently do the Same Thing. Orga = Mecha = Orga
- LeonLouisRicci
- May 31, 2015
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- I.A. Inteligencia Artificial
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $78,616,689
- Opening weekend US & Canada
- $29,352,630
- Jul 1, 2001
- Gross worldwide
- $235,926,635
- Runtime2 hours 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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