Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays thr... Read allWill the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.
- Awards
- 9 wins & 11 nominations total
Gudmundur Thorvaldsson
- Ellert
- (as Guðmundur Ingi Þorvaldsson)
Featured reviews
Iceland is a strange country, isolated from the rest of the world and with a strong sense of its traditional identity; but also affluent, liberal and with a reputation for hedonism. '101 Reykjavik', named after a district of its capital city famed for its nightclubs, takes a wry and jaundiced look at that society, viewing it through the perspective of Hlynur, a depressed, childish and insular young man living at home with his mother. Hlynur seems a very Icelandic sort of anti-hero, and the link between the nature of the characters and their place of abode gives this quirky comedy a distinctive and authentic feel, although it seems slightly surprising how much female attention the socially defective Hylnur is able to attract. There are more sophisticated movies out there, but '101 Rekjavik' is always entertaining and certainly worth watching, especially to anyone who's wondered what it really must be like to live in such a peculiar outpost of the western world.
This is one of the funniest movies I watched recently. A 30 years old guy, still living with his mother, refusing to get a job and quite retarded in regard to any relation with the opposite sex, runs into one crazy situation after the other, and his complete disability to handle them simply makes you scream out laughing. Yet, the humour in the movie is not of the dumb slapstick or nonsense kind, but, with some exceptions, actually quite intelligent, as social issues like sexual orientation, identity and general problems of way of living are dealt with. The spanish girl, as an intruder in the rather decadent and boring scenario of small Reykjavik, raises questions and perturbs the world of the small family perfectly by first seducing the son and then the mother, though unwillingly. Great acting. If this movie had a broader audience, it could really have become a big hit; now it encants only a limited number of spectators with its (very un-nordic) warm, easy and comfortable atmosphere and leaves you very satisfied. Big recommendation!
This film is a fresh look at life itself. Being set in an unfamiliar environment, it gives the viewer a chance to see what might be an otherwise familiar story with a fresh set of eyes. Well, okay, strictly speaking, the story IS a little unusual, but that's not my point.
There are a few things you should probably know about Reykjavik before you see this movie. It's not really very cold, for one thing. Sitting out at the end of the Gulf Stream, it has very temperate weather, rarely above 72F (20C) in summer and typically around 30F (-2C) in winter. You could probably get by in a sweater most of the year, at least in the city. (Far away from the city, in the uninhabited middle of the country, you'll find a couple of active volcanoes and the largest glacier in Europe.) For another thing, it's an amazingly alcoholic place. When we were there, beer (well, weak beer, anyway) was sold in soda machines. People drink until they pass out in public, especially when getting primed for 3-day weekends (bank holidays), and it's not considered shameful -- their more conscious drunken friends just help carry them to the bus/airplane/car. People line up around the block to get into discos, even in the summer when it's light 22 hours a day. These people party hearty. If this seems like a conflict with what is supposed to be a predominantly Lutheran country, it might be, but nobody seems to let it bother them too much. But, back to the movie...
This movie is both a frank look at this gleefully debauched ambiance, and a more personal look at our hero, Hlynur. For the sake of discussion, let's call him a fully-grown bird yet to leave the nest. You could describe this movie a number of glib ways, none of which would be truly accurate. "Coming-of-age." "Self-discovery." "Rebirth." "The meaning of life." "Sex, drugs, and Rock 'n Roll."
What it is is funny. Really funny. Hlynur is sort of an existential being, and the world mostly happens to him. He's not sure why and not sure what it means. Should he find it tragic, incomprehensible, or just funny? For him, comfortable in the ennui of his unchallenging existence, these disturbances are a bit of a challenge. For us, the audience, what it is is seriously entertaining!
The directing is terrific. The acting is excellent. Victoria Abril is a treat, as usual, but the rest of the mostly Icelandic cast manages to keep up. And the endless "Lola" remixes are hilarious. A lot of fun, highly recommended.
There are a few things you should probably know about Reykjavik before you see this movie. It's not really very cold, for one thing. Sitting out at the end of the Gulf Stream, it has very temperate weather, rarely above 72F (20C) in summer and typically around 30F (-2C) in winter. You could probably get by in a sweater most of the year, at least in the city. (Far away from the city, in the uninhabited middle of the country, you'll find a couple of active volcanoes and the largest glacier in Europe.) For another thing, it's an amazingly alcoholic place. When we were there, beer (well, weak beer, anyway) was sold in soda machines. People drink until they pass out in public, especially when getting primed for 3-day weekends (bank holidays), and it's not considered shameful -- their more conscious drunken friends just help carry them to the bus/airplane/car. People line up around the block to get into discos, even in the summer when it's light 22 hours a day. These people party hearty. If this seems like a conflict with what is supposed to be a predominantly Lutheran country, it might be, but nobody seems to let it bother them too much. But, back to the movie...
This movie is both a frank look at this gleefully debauched ambiance, and a more personal look at our hero, Hlynur. For the sake of discussion, let's call him a fully-grown bird yet to leave the nest. You could describe this movie a number of glib ways, none of which would be truly accurate. "Coming-of-age." "Self-discovery." "Rebirth." "The meaning of life." "Sex, drugs, and Rock 'n Roll."
What it is is funny. Really funny. Hlynur is sort of an existential being, and the world mostly happens to him. He's not sure why and not sure what it means. Should he find it tragic, incomprehensible, or just funny? For him, comfortable in the ennui of his unchallenging existence, these disturbances are a bit of a challenge. For us, the audience, what it is is seriously entertaining!
The directing is terrific. The acting is excellent. Victoria Abril is a treat, as usual, but the rest of the mostly Icelandic cast manages to keep up. And the endless "Lola" remixes are hilarious. A lot of fun, highly recommended.
Others have rehearsed the plot so here are some general comments.
The best thing about this film is Victoria Abril who is not so much a woman as a force of nature. I must admit I've not seen any of her work with Almodovar, but I was surprised to learn from the DVD filmography that she's been working in European cinema since as long ago as Richard Lester's 1976 "Robin and Marian". She was 40 when this film was made, so hardly a 'toygirl' for the fiftyish mother (although quite a catch, it must be said).
I guess Lola was changed from an Icelandic character to Spanish to draw in the European art-house audience but it's still a decision which works well as she personifies an outside force which arrives and turns Hlynar's world upside down.
The film feels very much like the novel adaptation it is - quite a lot of voice-over and exposition - but there are a number of deadpan cinematic jokes of the Kaurismaki variety, combined with sexual outrageousness in the Almodovar vein. Some of the humour only becomes apparent on repeated viewings; in all the fusion of styles works surprisingly well.
Overall, this probably won't change your life but it's a lot of fun.
The best thing about this film is Victoria Abril who is not so much a woman as a force of nature. I must admit I've not seen any of her work with Almodovar, but I was surprised to learn from the DVD filmography that she's been working in European cinema since as long ago as Richard Lester's 1976 "Robin and Marian". She was 40 when this film was made, so hardly a 'toygirl' for the fiftyish mother (although quite a catch, it must be said).
I guess Lola was changed from an Icelandic character to Spanish to draw in the European art-house audience but it's still a decision which works well as she personifies an outside force which arrives and turns Hlynar's world upside down.
The film feels very much like the novel adaptation it is - quite a lot of voice-over and exposition - but there are a number of deadpan cinematic jokes of the Kaurismaki variety, combined with sexual outrageousness in the Almodovar vein. Some of the humour only becomes apparent on repeated viewings; in all the fusion of styles works surprisingly well.
Overall, this probably won't change your life but it's a lot of fun.
I have been living in Iceland for a year and a half and got a picture of the country, its people and its capital, Reykjavík (I actually even lived in the 101 postal code in Reykjavík). This movie is really highlighting a type of persons that I have met quite often in Iceland. I think it is a clear and accurate picture of an important part of the young population. The main actor, Hilmir Snær Guðnason (Hlynur), is really expressing this disillusion that you can feel while enjoying Reykjavík's night life. If you want to go to this marvelous country or if you just interested how one can survived after a few months winter night, this is the movie to go watching. But do not worry, there is more than that in Iceland.
Did you know
- Trivia101 is the zip code for Reykjavik's town center, the oldest part of town, this part of town is home to Iceland's cultural elite.
- ConnectionsReferenced in I'm Tired of Killing Your Lovers (2002)
- SoundtracksLola
Written and Performed by Ray Davies
- How long is 101 Reykjavík?Powered by Alexa
Details
Box office
- Gross US & Canada
- $126,404
- Gross worldwide
- $546,459
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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