A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
- Awards
- 1 win & 6 nominations total
Shiek Mahmud-Bey
- Sergeant Saad
- (as Sheik Mahmud-Bey)
Noah Lee Margetts
- Rothfuss
- (as Noah)
Featured reviews
This is my favourite film of 2003. Why they waited two years before releasing this superb movie in the UK is anyone's guess - although it may have had something to do with its total lack of respect for the U.S. Army. I'm not sure this would have went down too well in the aftermath of 9/11. Regardless, Buffalo Soldiers is an absolute gem. It is nasty, intelligent and hilarious. It is critical of American values, specifically capitalism in the 80s and it takes no prisoners. This is an outsider's perspective on the American occupation of West Germany in 1989: Jordan is Australian and as a result he brings an Australian aesthetic to his work. But it is also a tender film that is structured around a touching central romance between Elwood and Robyn. I love their scenes in the pool, it is such a warm, intimate location - a perfect setting for the heart of an otherwise deeply cynical film. Jordan is a director of considerable talent and Buffalo Soldiers is magnificent.
Without an enemy to fight, an army will fight itself or find its own enemies. In the tradition of "Sergeant Bilko" (the Phil Silvers TV show, not Steve Martin's ghastly remake) "Buffalo Soldiers" shows what happens when soldiers with nothing to do but wait for war begin to think for themselves and exploit the system.
In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.
The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.
Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.
Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.
To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?
Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.
In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.
The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.
Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.
Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.
To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?
Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.
Ray Elwood is a soldier stationed on a base in West Germany. With no war to fight the men become bored but Elwood has enough going on the side to keep him busy, whether selling off excess cleaning supplies or dealing drugs. When he lands two trucks worth of weapons he thinks his day has come, however at the same time a tough new officer, Sergeant Lee, is stationed on the base with the aim of cleaning it up - starting with Elwood dealings.
Of course, we all know that this film practically vanished after 9/11; suddenly America didn't want anything that seemed to be attacking America or the dedicated American soldier. This was unfortunate as the film isn't as blatantly anti-war or anti-American as I had been led to believe. Rather it is a dark comedy that looks at the reality of army life during peacetime. In fairness though it does show the soldiers out for cash, high on drugs and certainly not fitting the image that made Time magazine pick `the American soldier' as man of the year for 2003.
The basic plot makes MASH look like some sort of kids game - where Hawk-Eye made drink in his tent, Elwood cooks coke and deals in stolen weapons. The story works quite well although some of it didn't totally work and some of the characters and action didn't really make sense. It was amusing without being laugh out loud funny, although this wasn't so much of a problem as I certainly didn't expect it to be an out and out comedy. The drama works better than the comedy and it is for this reason it is a better attack on the ideal of the military. The upper levels of the military also take a knock; being shown as focused on rank climbing rather than keeping a sharp military machine well oiled!
The cast is good on the whole - both on paper and on the screen. Phoenix leads the film really well and delivers a likeable character that is still abhorrent enough to be seen as an attack rather than a spoof. Harris is OK but he only has a small role and it doesn't totally fit in with the main narrative very well - likewise McGovern. Pacquin is pretty cool but her character was a bit of a mystery to me but Glenn is well cast and he is able to deliver the goods in a borderline nuts character; only problem with his performance was that I didn't totally understand his character's aims by the end of the film. Both Leon and Pena were good in support and Dean Stockwell has an OK cameo.
Overall this was a good film despite the fact that it had a plot that was a little weakened by the side issues and characters who aren't totally clear in terms of what they're all about. Aside from this the film is pretty entertaining and is actually quite matter of fact in it's portrayal of military life rather than being scathing - coming from Northern Ireland, I have seen all sorts of stuff done by squaddies and am well aware of how true this can be! But to label it anti-American is just plain daft!
Of course, we all know that this film practically vanished after 9/11; suddenly America didn't want anything that seemed to be attacking America or the dedicated American soldier. This was unfortunate as the film isn't as blatantly anti-war or anti-American as I had been led to believe. Rather it is a dark comedy that looks at the reality of army life during peacetime. In fairness though it does show the soldiers out for cash, high on drugs and certainly not fitting the image that made Time magazine pick `the American soldier' as man of the year for 2003.
The basic plot makes MASH look like some sort of kids game - where Hawk-Eye made drink in his tent, Elwood cooks coke and deals in stolen weapons. The story works quite well although some of it didn't totally work and some of the characters and action didn't really make sense. It was amusing without being laugh out loud funny, although this wasn't so much of a problem as I certainly didn't expect it to be an out and out comedy. The drama works better than the comedy and it is for this reason it is a better attack on the ideal of the military. The upper levels of the military also take a knock; being shown as focused on rank climbing rather than keeping a sharp military machine well oiled!
The cast is good on the whole - both on paper and on the screen. Phoenix leads the film really well and delivers a likeable character that is still abhorrent enough to be seen as an attack rather than a spoof. Harris is OK but he only has a small role and it doesn't totally fit in with the main narrative very well - likewise McGovern. Pacquin is pretty cool but her character was a bit of a mystery to me but Glenn is well cast and he is able to deliver the goods in a borderline nuts character; only problem with his performance was that I didn't totally understand his character's aims by the end of the film. Both Leon and Pena were good in support and Dean Stockwell has an OK cameo.
Overall this was a good film despite the fact that it had a plot that was a little weakened by the side issues and characters who aren't totally clear in terms of what they're all about. Aside from this the film is pretty entertaining and is actually quite matter of fact in it's portrayal of military life rather than being scathing - coming from Northern Ireland, I have seen all sorts of stuff done by squaddies and am well aware of how true this can be! But to label it anti-American is just plain daft!
Well, in reality, I suspect the story behind Buffalo Soldiers has picked up a bit of embellishment along the way from modern folklore to big screen, but that's hardly surprising. What is surprising is that such a basic story can be turned into such a funny film. It's not so much ha-ha funny as it is just ironic funny. Indeed, the story about one woman screaming protests about the so-called anti-American sentiment of the film and flinging a bottle at the screen tells me that some people still expect their comedy to be spoonfed to them.
If anything, this film reads like a celebration of the things that the citizens of Western societies take for granted. With soldiers situated far from home, and having nothing better to do than play games of indoor gridiron at times, it's a small wonder that soldiers turn to drug abuse or other such illegal activity in order to stave off boredom. Stir craziness is a problem in any army during peacetime, although one can't help but wonder if we're not being shown a rather extreme example here.
The basis of this black comedy is in the solid performances of the principal cast. Joaquin Phoenix shows once again that he has a great talent, while Ed Harris and Scott Glenn do an admirable job of playing the straight arrows. But it is another moderated little-girl-lost type of performance from the ever-wonderful Anna Paquin that at least kept this viewer engaged. This woman could make a ninety minute film in which she reads the telephone book, and I'd probably enjoy it.
The corruption shown in this film is hardly surprising, given how little soldiers seem to be paid in comparison to the stress they endure. If there is indeed any truth to the depicitions of drug abuse, then it's not surprising anymore that employers are currently employing random drug testing. Dr. Strangelove couldn't get more spot-on about how the human element of the military is generally its undoing. After one memorable sequence involving drugged tank drivers, I'll never be able to catch sight of an army vehicle without getting the urge to run away, screaming.
I gave Buffalo Soldiers an eight out of ten. Under normal circumstances, I would have given it a seven, but it has Anna Paquin in it, and any film with Anna Paquin in it can earn a bonus point. If you like your comedy without obvious prompts of when you're meant to laugh, then you can't go wrong with Buffalo Soldiers.
If anything, this film reads like a celebration of the things that the citizens of Western societies take for granted. With soldiers situated far from home, and having nothing better to do than play games of indoor gridiron at times, it's a small wonder that soldiers turn to drug abuse or other such illegal activity in order to stave off boredom. Stir craziness is a problem in any army during peacetime, although one can't help but wonder if we're not being shown a rather extreme example here.
The basis of this black comedy is in the solid performances of the principal cast. Joaquin Phoenix shows once again that he has a great talent, while Ed Harris and Scott Glenn do an admirable job of playing the straight arrows. But it is another moderated little-girl-lost type of performance from the ever-wonderful Anna Paquin that at least kept this viewer engaged. This woman could make a ninety minute film in which she reads the telephone book, and I'd probably enjoy it.
The corruption shown in this film is hardly surprising, given how little soldiers seem to be paid in comparison to the stress they endure. If there is indeed any truth to the depicitions of drug abuse, then it's not surprising anymore that employers are currently employing random drug testing. Dr. Strangelove couldn't get more spot-on about how the human element of the military is generally its undoing. After one memorable sequence involving drugged tank drivers, I'll never be able to catch sight of an army vehicle without getting the urge to run away, screaming.
I gave Buffalo Soldiers an eight out of ten. Under normal circumstances, I would have given it a seven, but it has Anna Paquin in it, and any film with Anna Paquin in it can earn a bonus point. If you like your comedy without obvious prompts of when you're meant to laugh, then you can't go wrong with Buffalo Soldiers.
It's difficult to sum Buffalo Soldiers up. On one hand you have the comedy aspect, particularly from Ed Harris, on another you have the romance, from Anna Paquin, and then you have the violence...from just about everybody. The story is set in Germany, 1989, just before the fall of the Berlin Wall, and is based on a unit of the US army called the Buffalo infantry (Or something) who aren't exactly above board and legal with what they get up to. Truth is this movie really isn't to do with army combat, it's to do with the corruption of the vast majority of the soldiers who'll do anything to make a buck, such as drugs and weapons.
Dark comedy in many places, it seems many have taken great offence to Hollywood's portrayal of their 'heroes' - for goodness' sake don't take it so seriously. I'm jewish and don't care when I see my religion mocked on screen. So why should anyone be offended by this?
It's funny in places, dramatic in places, dark in places and risque. But what it is is a good movie which *will* entertain.
Dark comedy in many places, it seems many have taken great offence to Hollywood's portrayal of their 'heroes' - for goodness' sake don't take it so seriously. I'm jewish and don't care when I see my religion mocked on screen. So why should anyone be offended by this?
It's funny in places, dramatic in places, dark in places and risque. But what it is is a good movie which *will* entertain.
Did you know
- TriviaPremiered at the Toronto Film Festival on September 9, 2001. The events that happened on 9-11 effectively killed the film's chances of distribution within the United States.
- GoofsWhile making the heroin, the characters eat lots of meat to stop themselves getting high off the fumes. This wouldn't work in real life.
- Quotes
Ray Elwood: [voiceover] "When there is peace, the warlike man attacks himself." That's Nietzsche, and his point is that there really is no peace. There's always some war, somewhere, with someone. And there are no winners or losers either. Just those who are still around to fight another day.
- Crazy creditsThe end credits include the citation: 'The red cross emblem is an international symbol of neutral protection during armed conflicts, and its use is restricted by law. The purposes for which the red cross emblem is used by the characters in this film are clearly improper. The filmmakers wish to stress their support for proper use of the emblem, which has saved millions of lives throughout the world'.
- SoundtracksFight the Power
Written by Chuck D (as Carlton Ridenhour), Eric Sadler & Keith Shocklee
Published by Universal Music Publishing Limited and Reach Global Inc./Hammer Musik c/o Bucks Music Limited
Performed by Public Enemy
Courtesy of Def Jam/Mercury Records Limited (London)
Licensed by kind permission from the Film & TV Licensing Division
Part of Universal Music Group
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Солдати Буффало
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $354,421
- Opening weekend US & Canada
- $30,977
- Jul 27, 2003
- Gross worldwide
- $2,300,684
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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