In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor and the people around them intersect as they ponder order and happiness in the face of life's cold unpredict... Read allIn New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.
- Awards
- 8 wins & 8 nominations total
- Defendant
- (as Fernando Lopez)
- Cab Driver
- (as Allie Woods)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film's story is inspired by two different head injuries that director Jill Sprecher endured.
- GoofsWalker writes the formula for acceleration incorrectly on the blackboard. It should be f/s2, where he writes (f/s)2. Then, a student says: "Don't you have to assume that the velocity is constant during the deceleration period?", and Walker partly agrees. Deceleration means that the velocity (or rather the speed) diminishes - constant velocity means there is no deceleration or acceleration. A physics teacher should never make these mistakes.
- Quotes
Richard 'Dick' Lacey: I wish, I wish we could see into the future sometimes.
Richard 'Dick' Lacey: That's the problem, isn't it?
Richard 'Dick' Lacey: I mean, life - it only makes sense when you look at it backwards.
Richard 'Dick' Lacey: Too bad we gotta live it forwards.
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- SoundtracksWohl denen die da Wandeln
Music by Heinrich Schütz (as Heinrich Schuetz)
Vocal arrangement by Richard Erickson
Sung by Holy Trinity Lutheran Church Parish Choir
At first I was worried. When the film began, I thought it was going to be an episodic experimental piece, with 13 different scenes each dealing with an aspect of happiness. This bothered me, because the first segment of the film left me wanting more of the same story and I would have been disappointed if the screenplay had never come back to it. However, the first few segments that seem at first to be unrelated begin to mesh in a fluid way (but never in a way that feels forced), and what happens in one begins to illuminate the actions and feelings in another.
Because of it's episodic nature, the actors don't get a lot of room to flesh out their characters, but the performances are still strong. Alan Arkin is especially good (he always is).
This one comes highly recommended.
Grade: A-
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- 13 Conversations About One Thing
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $3,288,164
- Opening weekend US & Canada
- $89,499
- May 27, 2002
- Gross worldwide
- $3,706,652
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1