The Blues

I really enjoyed this series overall, but on the "Red, White & Blues" piece, I was absolutely dismayed and disgusted to see Tom Jones (and hear him sing) portrayed as ANYONE who had ANYTHING to do with the blues movement. Why no George Harrison (this being the British related blues) and why so little of Keith Richards (among many other British blues artists omitted)? There was plenty of Clapton, Beck, Mayall and a few others that were and are truly blues-oriented guys. Mr. Figgis ruined this one with Jones. What a turn off. I give all the others in this series a 10/10 and a 5 for Figgis version and only that much because he did include, although way less than he should have, a small sampling of the blues excellence that came out of Great Britain beginning in the '60's.

Not all the documentaries are on the same depth level, but generally speaking is one of the best series on any subject, in the whole... Some are excellent movies, and above all I place the piece by Wim Wenders: I quite believe the man is really a better documentarist than a 'movie' director; I mean, watching his film on blues, using actors and cinematography at the highest level, you forget about documentary, and just feel like you're watching ages lost films (just to contradict my first statement about this director: but I'm also thinking about the excellent Tokyo Ga from the same man!). Besides he is the one who is most successful, in my opinion, in communicating the great love he feels for this music and for the 'heroes' involved: well, he is also the most experienced director on this kind of subject, after his other great 'film' Buena Vista Social Club. In general the other documentaries are quite informative and well made too, but I also sense a kind of 'lack of a styling signature' from such otherwise GREAT directors (Eastwood and Scorsese above all); given that, surely it's worth seeing and hearing this whole piece of work.

I found this documentary to be riveting to say the least. As a blues fan for well over 20 years, I learned more from this 10 part mini-series than I have anywhere. It was great to hear some of the original blues artists in rare recordings that I would never have otherwise discovered.

Someone commented that they wished there was "more music and less talking" but then want on to say he/she wished there was more "documentary" as well. I'm not sure how you can do one without the other, but while I too was sometimes disappointed when they ended a tune to cut to someone talking, I think overall, it was a terrific balance. The series is after all, a documentary, not a VH1 music video! Hearing some of the olde thyme greats speaking of the old days, was compelling to say the least.

I highly recommend buying the boxed CD set as well (then you get to hear all the music).

I rated the 7 episodes from 8 to 10 and gave it an 8 overall (The 7th episode getting the only 10). If there had been more music and less talking, I would have enjoyed it better. Fuller biographies would have been nice too. Marshall Chess is a walking encyclopedia of the old time blues and was the best talker. It was still a great mini-series and well worth watching.

Seven 90 minute documentaries on various aspects of the blues by noted film makers, ranging from the disappointing "Godfathers and Sons", "Piano Blues" to the sublime; Wim Wenders "The Soul of a Man" and Martin Scorsese's "Feel Like Going Home". The other three films fall somewhere in he middle.

As a series the overall impact was less than I hoped for, but still very worth seeing. I was surprised by the amount of overlap; not only are a number of songs, and even specific recordings repeated in several of the films, but so are chunks of the vintage footage used.

To my personal taste, I found the series most potent and alive when it examined the roots of the blues on not just a musical, but also a political and historic level. When it just presented little pieces of songs by various artists (especially modern ones) without the benefit of probing context, it could feel predictably shallow. Still, an excellent overview of blues in the 20th century for those who already have a love for the form, and for the newly curious.