The Year That Trembled is a 1970 coming-of-age story set in the shadow of Kent State that focuses on a group of young characters facing the Vietnam Draft Lottery.The Year That Trembled is a 1970 coming-of-age story set in the shadow of Kent State that focuses on a group of young characters facing the Vietnam Draft Lottery.The Year That Trembled is a 1970 coming-of-age story set in the shadow of Kent State that focuses on a group of young characters facing the Vietnam Draft Lottery.
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Sascha Stanton Craven
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Helen Gardner (Marin Hinkle) teaches at a high school near Kent State University. She is an activist against the war in Vietnam, as are some of her students. On May 4, 1970, they hear news of the shootings at Kent State. As a result of her activities, Helen is fired from her job. She marries a young aspiring lawyer (Jonathan M. Woodward) who throws his energy into a legal suit on behalf of those students who were shot.
Four of Helen's senior students (Jonathan Brandis, Charlie Finn, Sean Nelson, and Lucas Ford) graduate and rent a farmhouse next door to their former teacher and her husband. We follow these people, as well as others they become involved with, for the next year as they stave off the law, protest the war, and try to make some beginning in life while facing the likelihood of being drafted and sent to Vietnam.
The title comes from a poem from Walt Whitman's "Leaves of Grass".
"YEAR that trembled and reel'd beneath me!/ Your summer wind was warm enough-yet the air I breathed froze me;/ A thick gloom fell through the sunshine and darken'd me;/ Must I change my triumphant songs? said I to myself;/ Must I indeed learn to chant the cold dirges of the baffled?/ And sullen hymns of defeat?"
Jay Craven captures in drama the times and the concerns that "Hair" captured as a musical, as he focuses on one of the pivotal events of that time--the shooting of students at Kent State--and how that event and the war that spawned it, affected others in the surrounding communities.
He skillfully interweaves stock footage of film and tv broadcasts from that period, with the fictional lives of some young people (and some old) who were closely connected with those events and were trying to figure out how to relate to a society that seemed to have lost its way.
But the film is not abstractly political, keeping its attention on the personal concerns of the characters in all their ambivalence. Jonathan Brandis, in particular, brings a strong screen presence to his role as the point-of-view character in an ensemble cast, and Charlie Finn provides engaging comic relief as the goofy, but believable, Jim "Hairball" Morton. Henry Gibson, Fred Willard, and Martin Mull show the sympatheticif not altogether trustworthyother side of the generation gap that had split along some fault-line in time.
The film is somewhat structurally unfocused in its early part. It took a while to get a sense of each characterlonger than can be afforded in a feature film, I'd say. Hairball, for example, at first seemed simply awkward as an actor, rather than goofy as a character. Jay R. Ferguson was excellent in his crucial role, but could have gotten the same effect with less screen time. Others could have been given shorter shrift or perhaps no shrift at all.
But once the film zeroes in on the main characters and plot events, it grabs your attention and hangs on.
Four of Helen's senior students (Jonathan Brandis, Charlie Finn, Sean Nelson, and Lucas Ford) graduate and rent a farmhouse next door to their former teacher and her husband. We follow these people, as well as others they become involved with, for the next year as they stave off the law, protest the war, and try to make some beginning in life while facing the likelihood of being drafted and sent to Vietnam.
The title comes from a poem from Walt Whitman's "Leaves of Grass".
"YEAR that trembled and reel'd beneath me!/ Your summer wind was warm enough-yet the air I breathed froze me;/ A thick gloom fell through the sunshine and darken'd me;/ Must I change my triumphant songs? said I to myself;/ Must I indeed learn to chant the cold dirges of the baffled?/ And sullen hymns of defeat?"
Jay Craven captures in drama the times and the concerns that "Hair" captured as a musical, as he focuses on one of the pivotal events of that time--the shooting of students at Kent State--and how that event and the war that spawned it, affected others in the surrounding communities.
He skillfully interweaves stock footage of film and tv broadcasts from that period, with the fictional lives of some young people (and some old) who were closely connected with those events and were trying to figure out how to relate to a society that seemed to have lost its way.
But the film is not abstractly political, keeping its attention on the personal concerns of the characters in all their ambivalence. Jonathan Brandis, in particular, brings a strong screen presence to his role as the point-of-view character in an ensemble cast, and Charlie Finn provides engaging comic relief as the goofy, but believable, Jim "Hairball" Morton. Henry Gibson, Fred Willard, and Martin Mull show the sympatheticif not altogether trustworthyother side of the generation gap that had split along some fault-line in time.
The film is somewhat structurally unfocused in its early part. It took a while to get a sense of each characterlonger than can be afforded in a feature film, I'd say. Hairball, for example, at first seemed simply awkward as an actor, rather than goofy as a character. Jay R. Ferguson was excellent in his crucial role, but could have gotten the same effect with less screen time. Others could have been given shorter shrift or perhaps no shrift at all.
But once the film zeroes in on the main characters and plot events, it grabs your attention and hangs on.
4=G=
"The Year That Trembled" is a low budget indie drama full of has-beens and never-wases with poor execution and nothing going for it save the hot button issues derived from the deep gash in the American civilian population caused by the Vietnam conflict (circa 1970). Considering the whole matter of Vietnam has been examined countless times from all angles in much better formats and forums than this film from documentaries to dramas to all manner of hybrids, it's difficult to find a reason to recommend a film with such severe limitations and deficits as this one. Pass. (C-)
Movie was very interesting. Would have been even better if the DVD had captionings or subtitles, which it didn't have. Otherwise I thought the movie was well done. The actual footages throughout the movie were very interesting! And I enjoyed Jonathan Brandis' performance (hard to believe he's gone for good).
"The Year That Trembled" creates a memory of a time of another generation... the May 4, 1970 shootings at Kent State University when four students were killed by Ohio National Guard, and the Vietnam war draft lottery that followed. Starring Martin Mull, Fred Willard and Henry Gibson in supporting dramatic roles, the story follows students who actively oppose the war, then are faced with the decisions of how to respond to their personal destiny with the war. A wonderful film that recalls a different time that we should never forget. Bravo to Jay Craven, Scott Lax and the filmmakers of "The Year That Trembled."
This movie was filmed in my hometown. Well, some of it was. During the filming, the town was in very high spirits -- a movie, on our streets! Hell, even I was happy, cynical as I may be. Jonathan Brandis? Yes, please.
About two months ago, I finally found a VHS copy at the local library. And I watched it. And it went on. And on. And on. And on.
The film has a semi-decent beginning, but the constant usage of "flashbacks" (which in this case are long, dreary segments of stock footage circa 1970) made me want to take a long nap. The acting isn't spectacular, but it's okay. Brandis in particular did pretty well.
The dialogue is very cheesy at times. The plot is somewhat hard to follow, with characters you simply don't care about and begin to hate halfway through for getting a movie to their boring selves.
It's sad when the only thing I got from it was "oh, look! That.. that street I played on when I was ten!" It's just an incredibly tedious experience. The settings are drab, the cinematography is boring, the story is sleep-inducing, the characters are .. uh, I don't know. I need another adjective.
Watch something else. Unless below mediocre boring stuff is your cup of tea.
About two months ago, I finally found a VHS copy at the local library. And I watched it. And it went on. And on. And on. And on.
The film has a semi-decent beginning, but the constant usage of "flashbacks" (which in this case are long, dreary segments of stock footage circa 1970) made me want to take a long nap. The acting isn't spectacular, but it's okay. Brandis in particular did pretty well.
The dialogue is very cheesy at times. The plot is somewhat hard to follow, with characters you simply don't care about and begin to hate halfway through for getting a movie to their boring selves.
It's sad when the only thing I got from it was "oh, look! That.. that street I played on when I was ten!" It's just an incredibly tedious experience. The settings are drab, the cinematography is boring, the story is sleep-inducing, the characters are .. uh, I don't know. I need another adjective.
Watch something else. Unless below mediocre boring stuff is your cup of tea.
Did you know
- TriviaAt the Cincinnati International Film Festival in 2002, the movie won both the People's Choice Award and the Best Regional Film Award.
Details
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was The Year That Trembled (2002) officially released in Canada in English?
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