Shot in beautiful coastal Washington weeks after the 9/11 attack on America, this hip and stylish film focuses on a group of friends dealing with their passage to adulthood and their destruc... Read allShot in beautiful coastal Washington weeks after the 9/11 attack on America, this hip and stylish film focuses on a group of friends dealing with their passage to adulthood and their destructive buddy, Harper, pitted at the center.Shot in beautiful coastal Washington weeks after the 9/11 attack on America, this hip and stylish film focuses on a group of friends dealing with their passage to adulthood and their destructive buddy, Harper, pitted at the center.
- Directors
- Writers
- Stars
- Awards
- 3 wins total
Jude Herrera
- Paige
- (as a different name)
Gregory Fawcett
- Chaz
- (as Greg Fawcett)
Ashley Martin Bias
- Woman in Car
- (as Ashley Martin)
Jeff Fitzpatrick
- Allen
- (as Jeff Carlson)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's nice that the characters are interesting and that the entire cast is very good. And it's nice that I did enjoy watching this film. It's photographed beautifully, and the music is very original. But the thing that gets me is how poignant the underlying story is. It's tough for a lot of people in this day and age to grow up and become a responsible adult - especially if the hurdles that life has set up in front of you are pretty high. Coming to terms with who we are, where we come from, and where we are going is very real for all of us, and this film examines what this is like for characters that I think everyone can relate to and care about. Bravo for allowing a good story to take place.
I liked this film very much; it struck me as beautifully crafted and full of subtle emotion. Although the main characters initially seemed different from most of the people in my own life, I found myself very interested in their lives and stories. A few months after seeing this movie, another movie with a similar story line was more broadly released and more critically acclaimed- yet of the two films, I much preferred "The Flats", which seemed to be the prototype for the other. By the end of the movie I felt that I understood the people portrayed, especially the main character; their drama felt so real. Did I mention that I loved the ending?
Breathtaking in its cinematography and compelling in its story, The Flats is a great first effort for the Requa brothers. Kelly and Tyler do an excellent job of portraying a coming of age tale with subtly and compassion. Far from depicting the damaged Harper as a one-dimensional character, which would have been easy to do, the Requa brothers craft a multi-faceted portrait of a man forced to come to terms with his past, his reckless behavior, and his entrance into adulthood. Chad Lindbergh does a fantastic job of playing Harper with the subtly and skill he has become known for. It is clear that he is poised to break through into super-stardom. That said, however, this film would not have risen to such comedic heights without the able assistance of Greg Fawcett in the role of Chaz. For me, he stole the show. If you consider yourself an independent film buff, your resume will not be complete without seeing this film. I highly recommend it.
Chad Lindberg gives his finest performance to date as Harper in the Requa Brothers' under-seen film, "The Flats" and to call it outstanding is no exaggeration. He embodies an over-the-top drunk without acting that way. He is profoundly loyal, wise about people and particularly the friendships he navigates, and loves to learn about life through experience using his contagious, magnetic personality. He's also profoundly sad, unwise about responsibility as well as how to handle undesirable conformity and sacrifice, and can be a shameless womanizer. Lindberg always makes the character his, from convincing drunkenness to convincing friendship.
As easy as it could be to pick apart a low-budget debut film like this, "The Flats" is unique. It may have some rough edges in terms of its script (dialogue and forced and/or clichéd events) and some of its peripheral actors, but it's more than the sum of these parts. In terms of movies about American youth, "The Flats" has heart and more closely resembles the emotional subtlety of "The Last Picture Show" rather than trying to be one of the numerous brainless movies about superficial youths living superficial lives in typical cities. And it's not lacking humor either.
These are all characters who come together organically with believable chemistry as a group of close friends but all face a certain isolation: from societal norms, from taking chances outside of them, from family, from finding love, or even from their own heritage and ancestral culture. The film uses its unique geography as another character (also like "The Last Picture Show") as well as its unique subcultures to elevate itself to uniqueness, authenticity, and heartfelt emotion despite its imperfections. This film took me by surprise. Hopefully the Requa Brothers will take another stab at a film, and hopefully Chad Lindberg (who seems usually relegated to roles in either small films like "The Flats" or smaller roles in poor ones) finally gets the chance to show his talent to a larger audience to get the appreciation he deserves.
As easy as it could be to pick apart a low-budget debut film like this, "The Flats" is unique. It may have some rough edges in terms of its script (dialogue and forced and/or clichéd events) and some of its peripheral actors, but it's more than the sum of these parts. In terms of movies about American youth, "The Flats" has heart and more closely resembles the emotional subtlety of "The Last Picture Show" rather than trying to be one of the numerous brainless movies about superficial youths living superficial lives in typical cities. And it's not lacking humor either.
These are all characters who come together organically with believable chemistry as a group of close friends but all face a certain isolation: from societal norms, from taking chances outside of them, from family, from finding love, or even from their own heritage and ancestral culture. The film uses its unique geography as another character (also like "The Last Picture Show") as well as its unique subcultures to elevate itself to uniqueness, authenticity, and heartfelt emotion despite its imperfections. This film took me by surprise. Hopefully the Requa Brothers will take another stab at a film, and hopefully Chad Lindberg (who seems usually relegated to roles in either small films like "The Flats" or smaller roles in poor ones) finally gets the chance to show his talent to a larger audience to get the appreciation he deserves.
This rural tale of troubled teen boys trying to find a future in their small Northwest town avoids being sappy and trite but it never finds it's soul nor does it require the audience to care about the two lead. Harper has problems, often getting into trouble with the law and drinking too much. He comes home only to create problems with his friend Luke's life and relationship with his girlfriend. Unfortunately the story never creates enough dramatic tension between Luke and Harper. The Requa brothers do a good job capturing the juvenile behavior of teen males and Chad Lindberg is fun to watch, but nothing interesting is going on beyond jokes in the bathroom and rants at diners and parties. One scene even forces some bad philosophy on the audience via a card game at the local hangout house. I don't know of any teens who hang out and play cards when they could be partying and drinking. The cinematography and the soundtrack are feature-worthy but the story needed a lot more work to interest an audience beyond the local crowd.
Details
Box office
- Budget
- $500,000 (estimated)
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