The Wild Dogs

Don't be fooled, Bucharest is far from what is being portrayed in this movie. There are less beggars than here, in Montreal, there are some stray dogs, but not 1000's of them. Picking the most dramatic beggars and with continuous exaggeration, the movie convinces the audience that Bucharest is a city full of poor mutilated beggars and 1000's of stray dogs. How far from truth, but director and actor Thom Fitzgerald can only rely on this sensation to create any positive interest in his movie. Putting down Bucharest also looks like a hidden denial, here at home in Canada, where one wonders how this country is now so behind even when compared to an ex-communist Eastern block country such as Romania. Bucharest is far more civilized than any Canadian city. (look up civilized in the dictionary) One should wonder what is a Canadian child-pornographer doing in Romania? Hmmmm....

It is not easy to watch a movie about Bucharest, after living for 5 years in Canada as an emigrant.Honestly, I have cried a lot. Why? I love my born country and I respect and appreciate my adopt country. I experienced,in my own way,all the suffer and changes happened with my country,with my people in communism time and after the communism fell.

In this movie,Thom Fitgerald exposed a cruel reality not fictional at all as some of us could consider it.Therefore, I believe that many Romanians share a common trauma about the events which are happening now in our society.However,in the past,Bucharest was known as " little Paris ", nowadays even we could still discover beautiful things there, the ambiance is more and less as we can see in "Wild Dogs".For this reason,it is very hard for somebody from outside to discover and why not to show the discrepancy between horrible and unbelievable facts and the amazing spirituality, the deep philosophy of life, the great values which still exist in Bucharest-Romania, East Europe or other places around the world.

On the other hand, I was so shocked to see again in this movie the phenomenal paradox regarding Bucharest' dogs during the end of 20th century and at the beginning of 21 century.I remember that I could not rest because of their barking in the middle of night,I was attacked by many of them during pregnancy,I was tired and desperate avoiding the shits,I was afraid to walk in a lot of spots where they behave like the animals in the wildness,I fed them and I played with their puppies, my daughter also had her canine friends or her canine enemies which bite her twice,it broke our heart when we saw them poisoned, etc.The conclusion is:I felt sorry for them and I despited them in the same time.

In Bucharest case,both for human beings and animals has been created a desperate situation which is still waiting for a kind of miracle to solve it.It seems like slices from Gabriel Garcia Marquez's novels embodied into Bucharest world.

Finally,this movie is a precious gift for me,I am very thankful to Thom Fitzgerald and his crew and I will recommend it to all of us who still have hope in humanity, who still have compassion, sensibility and the belief that all the living things are the children of only one mother, the Earth ;also I will recommend to all my compatriots who are living in diaspora and who could see again our capital tortured in an absurd an chaotic way even in a new century.

The Wild Dogs gives us a glimpse of poverty and cruelty that very few North Americans have ever been exposed to. I left the theater shaken by what I had seen. All the same, there is evidence of the compassionate side of the human spirit evident as well, which makes the film as a whole more stirring. It is at the limits of what cinema is capable of conveying emotionally, and well worth seeing.

In making "The Wild Dogs", Thom Fitzgerald made no pretense in his sentiment towards a number of his associates. This is very evident in the portrayal of Victor (the diplomat) and Colin (Geordi's boss). As much as people would like to say or think otherwise, Fitzgerald's intentions of making "Dogs" were purely reactionary. He wanted the whole world (okay, the viewers) to see how frustrated he was, that people at the right places -- the Victors and Colins in real life -- weren't stroking his ego the right way. So, here is something a hair short of slander.

Fitzgerald wants to send a powerful message, but he confused power with shock. Shocking, this film is, but powerful it is not. He wants to show how we, the supposedly civilized people, behave no better than a pack of wild dogs. After he switched back and forth from people to dogs, I couldn't help myself but wonder, "Thommy boy, I get your point, but, you know, so what? Do you think you're going to make your point stronger by rubbing it into my face harder?"

Besides, on the parallel between the dogs and the humans is the weakest link of the whole film (hence the need to rub it in the audience even harder). It almost seemed that the subplot of Bogdan and the strait dogs was some kind of afterthought, hastily put together to make the film "feature length" (for one I am not convinced by Bogdan). Most of the characters are so one-dimensional, that they are better made out of cardboard.

The only redeeming factors are (1) the relationship between Brenda (Victor's wife) and Dorutu (the human torso), (2) Radu (the midget) -- man Radu rules, and (3) the final meeting between Victor and Geordi in an undisclosed location. If Geordi were truly a representation of the real Thom Fitzgerald, I somehow lost any sympathy towards him. "Dogs" was reduced to an excuse for Fitzgerald to vent his anger. Too bad, he didn't keep his ego on a short leash. We, the viewers, had to take his bite.

In a stunning turn from his previous films, the director of the magnificent THE HANGING GARDEN plunges himself into the ethical morass of the sex trade and poverty of Bucharest, Romania. In a remarkably successful bit of casting, Fitzgerald himself plays a pornographer sent to Romania to exploit the young, inexpensive female labor there. Upon his arrival he befriends an equally corrupt Canadian diplomat, as well as several of the poor and outcast of Bucharest society. Fitzgerald skillfully ties this lives of the poor outcasts with the hundreds of wild dogs that roam the city, and a young man with a temperament ill-suited for his job of catching them for disposal. And with his character, Fitzgerald creates a morally ambiguous man who keeps surprising the viewer in this powerful and wonderfully made film.