Mrs Caldicot's Cabbage War

This film shows just how people are regarded over the age of 60, and unfortunately because generations are getting older, it will only get worse. Everyone in this film shows just what can be achieved if you don't have to sit & eat cabbage and be doped up to the eye balls.

Pauline Collins, plays her part so well, to be put into a home, just because her son (Peter Capaldi) and his wife want her home after his father dies, and now his mother has become "past it." The film shows just how in a position to either be putting someone in to a care home, or being made to go into a care home should be aware of, because this certainly is an eye opener. People are not "past it" just because they don't work, or have lost their partners.

A daring title that may well put a lot of people off but this film is definitely worth a look.

The movie starts with strong overtones of 'Shirley Valentine' (though not as good) as an older Pauline Collins again plays the part of a much put upon not to say bullied wife and mother with no life of her own. There is a small undertone of rebellion even before the fateful day when her husband is laid out for duck or should I say for want of a duck.

Mrs Caldicot finds she does indeed have a mind of her own and starts a small rebellion in the twilight rest home where she has been parked by her son, baulking at the harsh regime and standover tactics of the management.

The story then moves on to an oft repeated scenario of old folks locked away, drugged to the eyeballs to keep them subdued as selfish offspring fulfil their own needs at the expense of the parent. Unfortunately it wont prick the conscience of those guilty of these deeds in real life for two reasons, they wouldn't be able to see themselves up there and they probably wouldn't watch or appreciate a movie of this calibre.

It was fun to see John Alderton up there as an antagonist of Pauline Collins which would have made for some interesting and fiery rehearsals at home I'm sure. Parts of the movie were a little far fetched but added to the overall fun of it. I hope the message got through to viewers about the quality of life for the older generation because there are going to be a lot more of them in the future with the improved health habits and mobility of most aging people. I certainly plan to be one! It may be distressing of course for those who don't have any choice about the long term care of their aged relations, knowing that they may be experiencing these same degrading practices.

Overall a very pleasant 100 minutes of humour, pathos and reckoning and I shall be heartily recommending that my own aged in-laws go and see it.

Entertaining - as what might happen to us all in many ways. On the other hand the awful prospect of life in an institutional setting is horrible. There are many versions of State sanctioned deprivation of liberty - each designed to enhance community well-being that might be compromised by health, behaviour and stranger status. There many stories of abuse in each - to children, aged and ... The fact that she managed to lead an escape is entertaining and even encouraging as we approach 'that' age. But could we? Maybe we should do something before we get there. Just like Yes Minister. Government and public administration is occasionally hilarious. But shouldn't we do something about it? I loved it and have helped many friends work through it as entertainment and as a warning.

A truly terrible film, it's an embarrassment to British comedy.

This could only be a topping up the bank account acting job for those involved in this travestry. Nothing about it is worth watching even the advert breaks are more entertaining.

This could have been a chance to shine a light on how the elderly are treated in uncaring care homes in a light-hearted way.

There aren't any laughs to be found in this rubbish. Considering the cast assembled the script is poor and formulated from various sitcoms with the humour removed. This is even worse than the later Carry on films, a sad waste of celluloid that could of been put to better use.

The best comedy is often based on something real. This gives the audience something it can relate to and can provide a real bite to the comedy. The topic may not be funny, as is the case in this movie about how we can mistreat our elderly. But by finding the humour in the subject and poking fun at it, it makes the audience acknowledge the topic, even if only briefly.

The movie is the story of Mrs Caldicot and her fight against bullies for the right to be her own person. It is about the triumph of the 'little woman', that is in the sense of common ordinary folk, although it is also the sort of condescending description that her late unlamented husband may well have used to describe her.

The movie is, however, a caricature, with no shades of grey. The bad guys are so completely bad, the rest home is so horrible, and Mrs Caldicot wins so overwhelmingly. She even ends with a romantic interest. The film makers had evidently decided that as the movie had moved well away from reality, much like several of the inmates at the rest home, they felt no need for any restraint in devising a happy ending. The saddest thing about the film is that even though rest homes are not, I hope, as bad as portrayed, we often do not treat our elderly as well as we could, and in real life there is no happy ending.

However, the movie does not pretend to be anything but a light-hearted comedy. It was always amusing and at times extremely funny. Who would have thought that seeing one of the characters placing a newspaper over his fac e could have been so funny, and there was a delicious irony in the situation he had found himself in. Many of the people in the audience I shared the theatre with were on the mature side of life (alright, old) and they found the movie highly amusing, perhaps because it had a particular resonance for them. They also laughed at several jokes that went right over my head. Never mind, my time will come soon enough.