Eden's Curve

The film has the merit of showing how coming out stories just recently became less problematic, even if in some environments they are still a problem not only for youths. The film is set on Virginia, US, not so long ago, 1972. Peter (Samuel A. Levine) is not properly the mostly shy young boy, being visited by the police right at the beginning of the film for sunbathing in the nude at the roof of his parents' home. Soon he'll be in college, engaging in a sex three-way story with is roommate Joe (Trevor Lissauer) and Joe's girlfriend Bess (Amber Taylor) But things will soon get bad, for the jealousy of Joe, who attacks Peter, rescued of a not very good reputed poetry professor Ian (Julio Perrilán), recovering at his place at the Eden's Curve of the title. The story's sad development can be an adviser that backlashes are always possible, for it happened only 40 years ago. True story, according to the writer. I myself was coming of age at those times, and can assure you things were not that different, even keeping out tragic endings. The film is not a must see for an already over exposed to bad ends gay community, but should remind us that things were not very good until very recently, and we must keep an eye open to have not a coming back of homophobia not so difficult at all.

This movie had so much going for it, I guess, if you saw it in a theatre. But the DVD is a challenge. The sound quality is so poor, even with my stereo surround equipment, that total scenes are inaudible, just mumbling. The blackouts between scenes are too long, making you feel that the movie has stopped. Then occasionally, you get to see a complete scene, well-lighted, and audible and you discover that the acting is quite good and the script is more than passable. It's unfair to rate this film by the lack of quality in the transfer from screen to DVD video. It's a mess...and it shouldn't be! Wait for another Gay Film Festival and hopefully someone will revive it. But if you're seeing it for the first time at home...forget it and rent "Latter Days", "The Man I Love", or "The Trip" instead.

I happened across this movie at the video store. I'd never heard of it and thought I'd give a shot. Turned out to be a good story about a guy getting a lot more out of his first semester in college than he anticipated. He's a nice guy that doesn't seem to have much direction and gets into a relationship thats great (from my point of view), but he really doesn't know what he's getting into. That's pretty much his character in a nutshell. His attitude in the opening scene is pretty much what you see throughout his experiences (and you'll want to see his experiences). I really liked this movie as I found it refreshingly different. It's set in the sixties during the war, but you really don't get the feel for that, so much, with the exception of some of the music and a story or two being told by other characters in relationship to the war. The cinematography was great. I loved the campus setting and the wooded area in which one of his professors presided.

There's a lot more I want to say, but I don't like telling too much as it destroys the experience for some. But, if you like the independent film feel you'll like this movie. If you like what Hollywood cranks out all the time then you may not like this movie. It has a small, but impacting, feel.

This film reminded me a little of, "Dreamers", with less fun and more intimacy between certain characters.

I saw the world premiere of 'Eden's Curve' at the London L&G Film Festival on 6 April & was hooked. The film has a lush distinctive visual style all its own which stays in the memory long after you walk out of the movie theatre. Apparently based on real-life events in a backwoods Virginia University in the early 70s, it succeeds in conveying the spirit & look of the time with exactitude (think a grainier more sepia-tinted version of "The Ice Storm"), Ang Lee meets Jim Jarmusch.

Framed around a bisexual menage-a-trois & a young man's coming-of-age, the film is actually "about" much wider themes of identity, commitment & the limits of romanticism. Sam Levine is excellent as the lead character, a blank page waiting to be written on. Viewed from Europe though, the "real" subject of the film is the Virginia landscape, how the enormity & relative emptiness of America provoke a conflict between 'pioneer' independence & bourgeois conformity unimaginable on this side of the pond.

This is a film about mood & longing, more than about narrative or even characterisation. That means it deserves a wider audience & a good US distribution deal. It would be a tragedy if work of this quality doesn't get seen beyond the "gay film festival circuit", valuable though that is. Go See!

Others have remarked that the video quality on the DVD is poor. No argument there. I thought at first maybe I'd been spoiled by a recent visit with a friend's HDTV, but I had to squint the whole time. The sound is sub-average too. Discounting that, the film itself is quite deep, quite surreal, and the sort that will keep you very quiet while watching.

The pace is slow, which I normally despise, but in this case it enhances the whole impression. Watch it when you're NOT in a hurry.

Bryan Carrol as Billy has a screen presence I can't begin to describe. I'll want to see anything else he does.

9/10.