The Missing

I'm typically not a fan of Westerns - being female may have something to do with it. But I liked this one. It has a good story, along with superb character development that causes you to care what's going on in the film.

The most stand out aspect for me was the villain played by Eric Schweig. He totally creeped me out. I looked up his IMDb photos and he looks nothing like he did in the film - so the makeup department had a lot to do with making his face as ugly as they did. It really adds to the evil nature of this man.

Jones is quite convincing as a white man wanting to be Indian. His face looks so aged and weathered - you believe he has lived out in the harsh western wilderness all his life. I'm a big fan of his and could watch him do his thing all day.

The director and writers did a good job of creating tension and suspense in the film. There are numerous fight and chase scenes that had me on the edge of my seat. There is quite a bit of explicit violence so this isn't one for young kids to watch.

I think the movie weaves a good tale of hardship, tragedy, failings, forgiveness and redemption. The title, I think, refers to not only her daughter that is missing - I think it refers to several themes missing in the life of Cate Blanchett's character. First, there is the missing dad that abandoned her. There's the missing trust of men in general since she apparently was the victim of rape - and that subsequently resulted in the birth of her daughter. There are also the fathers of her daughter's who are no where to be seen - so that her daughters are having to grow up without a dad as well. No husband either (just a live-in boyfriend). She is totally alone and has to fend for herself and her girls. Blanchett does a great job of bringing the steeliness of her character to life.

Without giving away what happens, I found the ending very touching.

Maggie Gilkeson is a single mother working as a doctor in New Mexico. She is hardy and seemingly strong. When an old man with Indian looks shows up seeking treatment, she finds that he is her father, whom she has blamed for her mother's death when he abandoned them as a child. She rejects his attempts to apologise and sends him on his way. When an Indian raiding party kidnaps Maggie's eldest, Lily, she has to turn to Samuel for his ability to track them.

With so few westerns being released to our multiplexes it is important not to go crazy with hype when one is released. In the UK we will have this film and Open Range released within a few weeks of one another and nearly every review you read can't help but draw attention to that as if somehow the recent Westerns we've had are some sort of golden age. I watched this just as I watch any film of any genre, whether the western happens to be neglected recently or not. The plot here is basically the journey and Jones' attempts at a sort of redemption. The film is perhaps a touch long, but it still fills the running time well. The action stuff is good but it is also well complimented by the more emotional core. It isn't perfect of course, but it does well and makes for an engaging and entertaining film. Of the things I'd like to have seen gone, the whole black magic side of the film didn't work for me and gave the story a mysticism that I didn't think it actually needed.

The cast are very good though. Jones manages to actually play an unexplained white man who was `with the Indians' without it being unbearably laughable. He is a more interesting character than the writing would have done alone or with a lesser actor. Blanchett makes up for her dire work in LOTR with a gutsy performance that gradually transforms as the film goes. Schweig is a great baddie despite his low screentime. It is good that the PC brigade didn't mean that this character had to be twisted in keeping with the modern cliché that all Indians are moral and upright. Boyd is much better here than in that terrible Dickie Roberts thing. She does have to do a little too much screaming at times but generally is up to the task. Support from Kilmer, Clint Howard and others are welcome in support and there is not really a weak link in the cast.

Overall this is not a great western, and wouldn't really stand out in the genre. However it is one of the better films out in the cinema right now. It has a good central story with reasonably good characters and it is only the mystical stuff and some weaknesses in the script that stops it being better.

Ron Howard directs Cate Blanchett, Tommy Lee Jones, Evan Rachel Wood, and Val Kilmer in "The Missing," a 2003 western.

Cate Blanchett plays Maggie Gilkeson, a medical woman in 1885 New Mexico, where she lives with her daughters and a ranch hand Brake (Aaron Eckhart), who is also her lover. One day, her father Samuel (Tommy Lee Jones) shows up after 20 years. She wants nothing to do with him as he left the family to go live with the Indians.

He finally gets the message and takes off, only to become drunk in town and land in jail. Meanwhile, Maggie's daughter Lily has been kidnapped and Brake murdered, apparently by Indians. Unable to get help from the sheriff, Maggie reluctantly has her father released from jail and asks for his help in finding her daughter.

Lily and other girls have been kidnapped with the intention of selling them into prostitution. The kidnappers are a combination of renegade Indians and whites who are working with them. Maggie, her father, and her young daughter, who refuses to be left behind, set out on their trail.

Glorious-looking film that points up the brutality of life in the west, as well as the filth, and the strength that people had to have to survive. A woman had to be able to use a rifle, hunt, skin a deer, and do all the things that the men had to do.

My understanding is that this film bombed; I'm not sure why. It has wonderful performances and no expense was spared, and also, as far as the violence, seems realistic.

Cate Blanchett gives a magnificent performance as Maggie, a determined woman made of steel, who doesn't care what her father does for her - she still hates him. Tommy Lee Jones is a no-nonsense faux Indian (he might be part-Indian - this isn't made clear, but it seems unlikely) who knows his way around and believes in all the Indian lore. In one striking scene, Maggie becomes extremely ill -- according to Samuel, the brujo (Indian witch) put a curse on her. He calls in one of the Indians helping them to break the spell; meanwhile, her daughter reads the Bible out loud.

"The Missing" is reminiscent of "The Searchers" but here, the relationship between Samuel and Maggie goes a little deeper than thqt of Martin and Ethan. Maggie slowly moves from dislike to an uneasy alliance to a limited understanding of Samuel and finally, acceptance and gratitude, even if it's without total understanding. For Samuel, he is doing what he was told to do by a medicine man -- return to his family and protect them.

Truly excellent film, an old-fashioned western in many ways, intertwined with a strong relationship story and suspense.

It's 1885 New Mexico, Samuel Jones (Tommy Lee Jones) has return to reconcile with his estranged daughter Maggie Gilkeson (Cate Blanchett). He had abandoned her 20 years ago, and she rejects him right away. When her oldest daughter Lilly (Evan Rachel Wood) is kidnapped by Indian outlaws, Maggie must seek his father's help.

This is a departure from the usual Ron Howard fare. It's moody atmosphere can be attributed mostly to Tommy Lee Jones' performance. It's a fascinating side note to Howard's career and great to see him imitate 'The Searchers'. There is a lot of ugliness being shown but the ending is too traditional for this stark dark tale. I think Howard couldn't really go to the lower depths in the end. It's a great effort for an accomplished director to go outside his comfort zone.

God, how this film touched me. I saw something in Ms. Blanchett that I have never seen before; she actually became the character from the book and I was moved. After seeing the movie I tracked the book down ( it was difficult believe it or not ) and finished it in six hours. I am wondering why the screen writers changed the final scenes. Don't get me wrong, Ron Howard makes good to great movies ( this is a solid film from the historical point of view as well ) but I am left with more questions for him than I feel I will ever get answers.