When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions ... Read allWhen an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 14 wins & 20 nominations total
Chieko Baishô
- Sophie
- (voice)
Takuya Kimura
- Howl
- (voice)
Tatsuya Gashûin
- Calcifer
- (voice)
Ryûnosuke Kamiki
- Markl
- (voice)
Mitsunori Isaki
- Page
- (voice)
Yô Ôizumi
- Turnip Head
- (voice)
- …
Akio Ôtsuka
- King
- (voice)
Daijirô Harada
- Heen
- (voice)
- …
Haruko Katô
- Suliman
- (voice)
Jean Simmons
- Grandma Sophie
- (English version)
- (voice)
Christian Bale
- Howl
- (English version)
- (voice)
Lauren Bacall
- Witch of the Waste
- (English version)
- (voice)
Blythe Danner
- Madame Suliman
- (English version)
- (voice)
Emily Mortimer
- Young Sophie
- (English version)
- (voice)
Josh Hutcherson
- Markl
- (English version)
- (voice)
Billy Crystal
- Calcifer
- (English version)
- (voice)
Jena Malone
- Lettie
- (English version)
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Howl's Moving Castle' highlights Miyazaki's signature themes of magic, strong female leads, and detailed worlds. Sophie's transformative journey and self-discovery are central. The animation is lauded for its breathtaking visuals and meticulous detail. However, some find it less original, with familiar elements and a simpler plot than Miyazaki's earlier films. Nonetheless, it is appreciated for its imaginative narrative, engaging characters, and the director's unique fusion of fantasy and reality.
Featured reviews
What an amazing achievement! This is by far the best example I have ever seen of animated characterization. The expressions and the nuances and the emotion captured in this film are truly breathtaking. I love all of Miyazaki's work, but in Howl's Moving Castle he has managed to take it to a level that to me sets the standard.
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
(first of all: sorry if my English is not the best out there, but it's not my native language)
I was lucky enough to see the world premiere (at Venice Film Festival, September 5, 2004).
Not only the art and animation is breathtaking (with almost no CGI), but the story is also above Miyazaki standards.
The characters are wonderful, each one with his (or her) own personality. Among them the best is for sure Calcifer, the Fire Demon, who is actually an almost all-powerful being, but is often underestimated by the other characters ("If you don't obey, I'll pour water on you!").
The music is one of the best parts of the movie. Even if you don't notice it, it is always there, always conveying the right feeling.
Bottom line: this is an excellent movie. If you liked other movies by Miyazaki (such as Mononoke Hime, Spirited Away, Laputa Castle in the Sky...) you cannot miss it.
I was lucky enough to see the world premiere (at Venice Film Festival, September 5, 2004).
Not only the art and animation is breathtaking (with almost no CGI), but the story is also above Miyazaki standards.
The characters are wonderful, each one with his (or her) own personality. Among them the best is for sure Calcifer, the Fire Demon, who is actually an almost all-powerful being, but is often underestimated by the other characters ("If you don't obey, I'll pour water on you!").
The music is one of the best parts of the movie. Even if you don't notice it, it is always there, always conveying the right feeling.
Bottom line: this is an excellent movie. If you liked other movies by Miyazaki (such as Mononoke Hime, Spirited Away, Laputa Castle in the Sky...) you cannot miss it.
I went to see this film with my anime and Diana Wynne Jones-loving teenage daughter. And while I enjoyed the film immensely due to its excellent animation, story and overall sense of fun, it was also interesting to see how much my daughter hated it! It was as if we saw two entirely different films. Why? Well, she is a huge Diana Wynne Jones fan and has read and re-read just about everything she ever wrote. And, according to her, the story was so different and so inferior to the book that she disliked the film and said some very nasty things about director Miyazaki. However, my advice is DON'T read the book and just go and see the movie. Then, after enjoying it, read the book ONLY if you are 100% sure you can do this without freaking out because they are so different!! I didn't know the difference and had a great time seeing the film!
It's hard to make any movie that follow after 'Spirited Away' So, when you watch, you have to try and keep an open mind....which is hard to do since the characters, and the whole feel of the film seems so much like his previous works.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
A very cinematically beautiful film with characters you just fall in love with. I won't lie, the plot is very hard to follow. If you've read the book, you can tell that miyazaki focused less on following the plot, more on making the film beautiful to watch, and as a result we are left with a story that has huge chunks missing and frankly doesn't make a lot of sense in places. But I'm not mad, because it is very, very beautiful to watch.
Did you know
- TriviaUpon seeing Spirited Away (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- GoofsSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Quotes
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- ConnectionsEdited into Miyazaki Dreams of Flying (2017)
- SoundtracksSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- El increíble castillo vagabundo
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $9,173,958
- Opening weekend US & Canada
- $427,987
- Jun 12, 2005
- Gross worldwide
- $241,534,231
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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