The Greatest Game Ever Played

I saw this film on September 1st, 2005 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture "...explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

This is a story of golf in the early part of the 20th century. At that time, it was the game of upper class and rich "gentlemen", and working people could only participate by being caddies at country clubs. With this backdrop, this based-on-a-true-story unfolds with a young, working class boy who takes on the golf establishment and the greatest golfer in the world, Harry Vardon.

And the story is inspirational. Against all odds, Francis Ouimet (played by Shia LaBeouf of "Holes") gets to compete against the greatest golfers of the U.S. and Great Britain at the 1913 U.S. Open. Francis is ill-prepared, and has a child for a caddy. (The caddy is hilarious and motivational and steals every scene he appears in.) But despite these handicaps, Francis displays courage, spirit, heroism, and humility at this world class event.

And, we learn a lot about the early years of golf; for example, the use of small wooden clubs, the layout of the short holes, the manual scoreboard, the golfers swinging with pipes in their mouths, the terrible conditions of the greens and fairways, and the play not being canceled even in torrential rain.

This film has stunning cinematography and art direction and editing. And with no big movie stars, the story is somehow more believable.

This adds to the inventory of great sports movies in the vein of "Miracle" and "Remember the Titans."

FYI - There is a Truly Moving Pictures web site where there is a listing of past winners going back 70 years.

An emotive tale of triumph and redemption , being based on a true story . Sport film with sentimental story and intelligent character studio . Classic story rings true because of Shia Labeouf's complex and adequate acting and stunningly realized by director Bill Paxton . Exceptional Shia Labeouf displaying a first rate performance reaching an important milestone and a terrific Stephen Dillane as his upright as well as serious contender . In the 1913 US Open, 20-year-old Francis Ouimet (Shia Labeouf) gets a chance as he played against his idol, 1900 US Open champion , Englishman Harry Vardon (Stephan Dillane) . Amateur player Francis gets to achieve for big time , thanks to the coach , as he triumphs over by odds , but sheer determination helps them attain their dream . Ouimet dreams of playing final Open , as he gets the chance to participate in the International Golf Championship against his idol , no matter how far-fetched the dream . Meanwhile , he falls in love for a rich young girl called Sarah Wallis (Peyton List) . But he has an intelligent skill to no match for the class boundaries ; however , being pressurized by his father (Elias Koteas) .

From the studio that brought you ¨The rookie¨ , ¨Miracle¨ and ¨Remember the Titans¨ is realized this agreeable tale based on the 1913 USA Open in which took part famous international champs , it contains a classic plot and deals about a slice of American history , and is plenty of good feeling , heartfelt, interesting characters and formidable performances . However , sometimes is some sentimental and predictable but is still pretty amusing . Correctly based on real events as the actual Francis Ouimet and Eddie Lowery remained life long friends . When Ouimet died in 1967, Lowery was one of the pall-bearers . Likable and enjoyable plot about a young golfer and his coach and caddie , both of them face the dual challenge to win a world championship and redeeming themselves . Splendid film from the filmmaker Bill Paxton and writer/producer Mark Frost of another David beats Goliath sports movie , similarly to ¨Rudy¨ with Sean Astin and ¨Hoosiers¨ with Gene Hackman , and it is even better than ¨The legend of Bagger Vance¨ with Will Smith and Matt Damon . Sentimental plot stretches Hollywood manipulation , but is still entertaining . Shia LaBeouf delivers an engaging acting as Francis Ouimet ; he is backed by a good supporting cast such as Luke Askew as Alec Campbell , Stephen Marcus as Ted Ray , Peter Firth as Lord Northcliffe , Len Cariou as Stedman , Elias Koteas as his stiff father Arthur Ouimet and special mention to Stephan Dillane as Harry Vardon , protagonist's idol as well as contender .

Spectacular and rousing musical score by Brian Tyler , fitting perfectly to action . Fine production design and good sets , filmmakers had trouble filling the fields with extras for the final game, and needed to move people around when shooting different angles ; extras were given 1910's hairstyles and their clothing was checked for anachronisms . Colorful and evocative cinematography by Shane Hurlbut ; filmed at the Kanawaki Golf Club outside Montreal, Quebec, producers had the club house painted yellow for the film from its original white. Members so liked the change that they kept the color following filming. The motion picture was compellingly directed by Bill Paxton , he's a notorious producer/director and especially actor ; being this one his second film , the first one was a nice terror film titled ¨Frailty¨ with Matthew McConaughey . Rating : Better than average , worthwhile seeing .

As you know "The Greatest Game Ever Played" is about golf. I used to snicker at the over-dramatic title, but through great visual display credited to director Bill Paxton (better known for his acting in Twister and hilarious supporting roles in Aliens and True Lies) we find out that this has much more meaning than a game.

Though the movie is about golf, it seems as though the sport is just the framework for what is really going on. What is really going on is a story of individuals being told they can't fulfill their dreams, be it age or social status. A conflict between a son's wishes and a father's demands. An English golf legend looking to bring the title home with the country breathing down his neck.

Shia LaBeouf (Even Stevens) plays Francis Ouimet, a caddy with a God-given talent who was never permitted to play golf in the first place. Despite the resentment of the upper class "gentlemen," it was undeniable that Francis had a gift. What posed a greater threat was the discouragement of his father played by Elias Koteas (Sugartime, Teenage Mutant Ninja Turtles) who felt that playing a mere game will never improve their poor living conditions. With the continued support of his mother, Francis eventually comes face to face with his idol, the golf legend Harry Vardon (Stephen Dillane).

More impressive than the game itself, was the movie's cinematic achievement. This proved that storytelling is successful through pure cinema. The entire movie could've been told without dialog. There are scenes in the movie that build strong suspense and powerful emotion with only pictures. In one particular scene, Francis Ouimet swings and the entire crowd turn their heads to watch the ball fly into the distance, all but the face of Harry Vardon looking intensely at Ouimet without a flinch. The ways in which the golfers visualize the course offer more aesthetic enjoyment.

A pleasant supporting cast completes the whole. Peyton List plays the love interest and looks worth playing for, and Josh Flitter plays a lovable caddy that keeps Ouimet focused as the pressure bogs him down. Golf fan or not, you'll appreciate the film for its beauty and its reminder that cinema can be a great medium to tell any story.

Bill Paxton has taken the true story of the 1913 US golf open and made a film that is about much more than an extra-ordinary game of golf. The film also deals directly with the class tensions of the early twentieth century and touches upon the profound anti-Catholic prejudices of both the British and American establishments. But at heart the film is about that perennial favourite of triumph against the odds.

The acting is exemplary throughout. Stephen Dillane is excellent as usual, but the revelation of the movie is Shia LaBoeuf who delivers a disciplined, dignified and highly sympathetic performance as a working class Franco-Irish kid fighting his way through the prejudices of the New England WASP establishment. For those who are only familiar with his slap-stick performances in "Even Stevens" this demonstration of his maturity is a delightful surprise. And Josh Flitter as the ten year old caddy threatens to steal every scene in which he appears.

A old fashioned movie in the best sense of the word: fine acting, clear directing and a great story that grips to the end - the final scene an affectionate nod to Casablanca is just one of the many pleasures that fill a great movie.

Actor turned director Bill Paxton follows up his promising debut, the Gothic-horror "Frailty", with this family friendly sports drama about the 1913 U.S. Open where a young American caddy rises from his humble background to play against his Bristish idol in what was dubbed as "The Greatest Game Ever Played." I'm no fan of golf, and these scrappy underdog sports flicks are a dime a dozen (most recently done to grand effect with "Miracle" and "Cinderella Man"), but some how this film was enthralling all the same.

The film starts with some creative opening credits (imagine a Disneyfied version of the animated opening credits of HBO's "Carnivale" and "Rome"), but lumbers along slowly for its first by-the-numbers hour. Once the action moves to the U.S. Open things pick up very well. Paxton does a nice job and shows a knack for effective directorial flourishes (I loved the rain-soaked montage of the action on day two of the open) that propel the plot further or add some unexpected psychological depth to the proceedings. There's some compelling character development when the British Harry Vardon is haunted by images of the aristocrats in black suits and top hats who destroyed his family cottage as a child to make way for a golf course. He also does a good job of visually depicting what goes on in the players' heads under pressure. Golf, a painfully boring sport, is brought vividly alive here. Credit should also be given the set designers and costume department for creating an engaging period-piece atmosphere of London and Boston at the beginning of the twentieth century.

You know how this is going to end not only because it's based on a true story but also because films in this genre follow the same template over and over, but Paxton puts on a better than average show and perhaps indicates more talent behind the camera than he ever had in front of it. Despite the formulaic nature, this is a nice and easy film to root for that deserves to find an audience.