On New Year's Eve, the luxury ocean liner Poseidon capsizes after being swamped by a rogue wave. The survivors are left to fight for their lives as they attempt to escape the sinking ship.On New Year's Eve, the luxury ocean liner Poseidon capsizes after being swamped by a rogue wave. The survivors are left to fight for their lives as they attempt to escape the sinking ship.On New Year's Eve, the luxury ocean liner Poseidon capsizes after being swamped by a rogue wave. The survivors are left to fight for their lives as they attempt to escape the sinking ship.
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- Nominated for 1 Oscar
- 7 nominations total
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The characters (for want of a better word) are a bit thin and cardboard and the plot really is just a long string of reasonably predictable set pieces but at least it entertains. The best bit is the special effects which are absolutely top drawer. For some reason Hollywood can do some really good FX and CGI when it comes to boats and the CGI rendition of the Poseidon itself in the opening scene is incredibly well done.
Top marks also to the Producers for making sure the Poseidon is a proper British flagged Southampton registered ship and not some Americanised tub.
Much like its predecessor though I fully expect this version to become stable Bank Holiday afternoon television filler material for the next twenty years. Just a pity a remake of 'Beyond the Poseidon Adventure' can't be done from this.
This is a modern remake of the 1972 'The Poseidon Adventure'. I do not remember the original, but I think this one live up to its name. It is like 'Titanic' meets 'The Towering Inferno'. There is a lot of intense action that keeps one on the edge of their seat.
There is not much drama and I do not think it will add too much to the original story. I also noticed that the movie is just over an hour and a half, it is not very long. However, I think audiences will enjoy the intensity of this film.
A remake of the classic disaster movie The Poseidon Adventure, this tells much the same story with a small group of passengers trying to escape a doomed ocean liner after it capsizes due to a freak wave. Given the beloved status of the original, besting it was going to be tricky from the start so how to do it? Bestow the characters with as much depth and humanity as possible, arrange it so that you don't want any of them to die just as the original film did? No. That isn't the 21st Century Studio Approach to blockbusters at all, the trick is explosions! Lots of explosions! And dangerous stunts that happen in very quick succession with no set up whatsoever.
As a result, things happen very quickly. We've hardly got to know anyone on the ship before the wave strikes and sends their world tumbling upside down in a hail of glass and debris. Trapped beneath the waves, there is no debate on the best means of survival but instead a bull headed rush to escape as soon as possible and before you know it, barely any time has elapsed before we have our luckless nobodies dangling from lift shafts, diving through burning oil slicks or scrambling up air vents rapidly filling with water. This could all be very entertaining if it wasn't so empty and if only they'd eased back on the throttle a little bit, we could have had a much more successful film.
Kurt Russell for instance is wasted. As an ex firefighter and former Mayor of New York with a failed marriage behind him, they could have crafted the image of a troubled man going through a midlife crisis who finds himself tested beyond his limits. Instead, the only hints at any characterisation are him protesting his daughter's cleavage bearing dress to leave no doubt that theirs is a strained relationship. Then there is Richard Dreyfuss (who has finally found a bigger boat), whose character might as well be listed in the credits as "depressed, elderly gay man." Everyone else is just as vacuous and while Josh Lucas is certainly a charismatic focal point, it cannot make up for the two dimensional stereotypes of Kevin Dillon's gambler Lucky Larry or Mike Vogel's performance as Christian, the fiancée of Russell's daughter who manages to put in perhaps the worst attempt at acting you will see in a blockbuster this year.
It does have a few commendable points though. One death scene involving a lift shaft, jagged metal spikes and an explosion is an adrenaline pumping crowd pleaser and the aforementioned scramble through the flooding ventilation shaft is really quite tense, the ensemble cast squeezed together in a claustrophobic nightmare as the water bubbles up around them. Ultimately though, it is not enough to save it. Poseidon may make for a diverting hour and a half but Hollywood needs to learn a valuable lesson about plotting: bigger explosions and insane stunts are nowhere near as impressive if we don't care about the people involved. The original version made an entire generation terrified of getting on a boat with Ernest Borgnine, this is just laughable.
'Poseidon' is an action adventure survival thriller, with the focus on the survival element. It doesn't spend much time on character introductions and jumps right into the chaos, so we get to know the characters once their quest for survival begins. Excellent visual effects and a fantastic production design help bring this film to life, making it realistic and conceivable. The capsize scene, especially, was incredibly well done.
The film does follow the same pattern as most disaster films of this genre, with stereotypical characters, and it's always easy to spot the dispensable ones. Essentially, this is a slasher movie - just a different kind of slasher. Due to the film's short running time (94 minutes), it is fast-paced and entertaining throughout and doesn't waste a minute of screen time.
The film features a stellar cast, but I don't think I would have cared who the actors were, as the story was interesting enough and well executed. It is a nail-biter with one primary focus: survival. In my humble opinion, the film succeeded in that aspect. I've watched the movie a few times and enjoy it every time. 'Poseidon' is a disaster movie that delivers.
This high budget remake mingles action, intrigue, disaster spectacle , suspense and quite entertaining though plenty of clichés. Our heroes get stuck in the ship before it sinks and suffering risks, dangers and death. The protagonists spend most of their time devising grisly ways for avoid to die like in the original picture based on a novel by Paul Gallico.The movie isn't bad but the events were also spectacularly filmed in classic version, previously winner several Oscar Academy Award.Introductory sequences are a little boring but one soon gets caught in the tale when the vessel is capsized by tidal wave.The explosions, pyrotechnics and floods are sensational but the movie is just another habitual blockbuster product and resulted to be a box office flop, in spite of a million dollars production. Furthermore, displays a sensational soundtrack by Klaus Badelt and enjoyable cinematography by John Seale.The picture is professionally directed by Wolfgang Petersen. It's a rehash of the previous disaster movies and fairly watchable story.
Did you know
- TriviaMany members of the cast and crew came down with minor infections due to being in dirty water for so many hours a day.
- GoofsScrew type propellers designed to work in water, are very poor at moving air, as they are not aerofoil type propellers like the ones used on airplanes. Therefore they would not be able to cause a huge pressure difference in a bow thruster pipe.
- Quotes
Dylan Johns: Does your husband...
Maggie James: oh, does that work much?
Dylan Johns: What?
Maggie James: The tentative mention of a husband I'm supposed to correct, even though you clocked my wedding finger twice already.
- ConnectionsFeatured in Rogue Waves: The Sinking of Poseidon (2006)
- SoundtracksWon't Let You Fall
Written by Fergie (as Stacy Ferguson), Will.i.am (as Will Adams), Keith Harris (as Keith Harris), Byron McWilliams and Ron Fair
Produced by Will.i.am
Arranged, Conducted by and Vocals Produced by Ron Fair
Co-Produced by Ron Fair
Performed by Fergie
Fergie appears courtesy of A&M Records, a division of UMG Recordings, Inc.
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- Also known as
- Poseidon: The IMAX Experience
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Box office
- Budget
- $160,000,000 (estimated)
- Gross US & Canada
- $60,674,817
- Opening weekend US & Canada
- $22,155,410
- May 14, 2006
- Gross worldwide
- $181,674,817
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1