IMDb RATING
6.3/10
11K
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A drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever aske... Read allA drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.A drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.
- Won 2 Primetime Emmys
- 7 wins & 46 nominations total
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- Production, box office & more at IMDbPro
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The movie left me flat. I was interested in the history and intrigued to see how it was portrayed. Skipping back and forth between the sepia, black and white and colour formats was disruptive. Further I don't think that the two principals did their roles justice. Like Hemingway they tried, almost painfully at times, to be larger than life and it resulted in inconsistent portrayals of these remarkable characters....both are good actors...probably a function of bad direction. The love affair didn't work at all....I guess a combination of things got in the way of my enjoying the movie. Several times I commented "this is not a very good flick" as we watched...and yet we watched it to the end...knowing how it would end....a strange viewing experience. I wanted it to be better and it had such potential to be so.
I was really disappointed in this movie. The build up and anticipation for it was great. I had high expectations. With Clive Owen and Nicole Kidman leading the charge, it was Kaufman's to screw up, and screw it up he did.
The characters were shallow, but they fit right in with the ankle deep script. I thought the historic film gimmick was overplayed and laughable at times. Clive Owen tried his hardest to bring life to Stahl and Turner's straw-man. Hemingway never had any real motive and when it appeared that he might, it was abandoned. Nicole Kidman did a fine job as well, but it had to be long days and frustrating nights with the stiff dialogue. The supporting cast was lifeless, filled with assumptions, and caricatures of an era. Watching this film was like watching an artist that promised to paint you a masterpiece then he pulled out a mop. This was sloppy film-making and it started with the script and ended with the director. A poor showing for such a rich subject.
The characters were shallow, but they fit right in with the ankle deep script. I thought the historic film gimmick was overplayed and laughable at times. Clive Owen tried his hardest to bring life to Stahl and Turner's straw-man. Hemingway never had any real motive and when it appeared that he might, it was abandoned. Nicole Kidman did a fine job as well, but it had to be long days and frustrating nights with the stiff dialogue. The supporting cast was lifeless, filled with assumptions, and caricatures of an era. Watching this film was like watching an artist that promised to paint you a masterpiece then he pulled out a mop. This was sloppy film-making and it started with the script and ended with the director. A poor showing for such a rich subject.
Visually, a cinematic masterpiece on the big screen (San Francisco Castro Theater, May 27, 2012). The old, historical footage blended artistically and imaginatively with the new. The music! Moving and memorable. Nicole Kidman is beautiful as ever. (Can I get the name of her plastic surgeon?) The opening immediately catches your attention, with Ms. Gellhorn telling the story, as a woman of a certain age who is looking back.
On the other hand, I was disappointed to learn so little about their life together and their professions, especially hers. The in-your-face sex left nothing to the imagination. I simply got tired of watching Nicole Kidman and Clive Owen faking it.
On the other hand, I was disappointed to learn so little about their life together and their professions, especially hers. The in-your-face sex left nothing to the imagination. I simply got tired of watching Nicole Kidman and Clive Owen faking it.
Two great actors and a good rea life story, but it just doesn't work. For me it was how artificial and americanized it felt. The Spain they paint is clearly a set, not at all Madrid but a romantic idea of someone who doesn't know it. Everyone speaks in English, then the cliché of the gorgeous flamenco singer, etc. It just didn't feel authentic at all. It's hard to get into the story which has a lot of common places - and Hemingway is such a macho that he makes it really hard to root for their relationship.
Nice Movie, and excellent performance by all the actors, and Nicole Kidman is another story, i was stunned by her performance, i mean she is a really talented actress, and she keep impress me say after day, so i think she deserve an EMMY, specially for the older Galhorn part. its a bit long but not boring so it was a movie to watch. And Clive, he was good. and Rodrigo and all of the other actors. Lars Urich of Metallica surprise me so much. I think Kaufman deserve a life time achievement award for his life work, and i think the film should get more high rates. so i advice everyone to watch it, because it talks about two important American literatures.
Did you know
- TriviaRobin Wright was originally cast to play Martha Gellhorn.
- GoofsActors are seen smoking filtered cigarettes. These didn't become widely available until the 1960s.
- Quotes
Martha Gellhorn: I do not see myself as a footnote to someone else's life.
- ConnectionsFeatured in The 64th Primetime Emmy Awards (2012)
Details
Box office
- Budget
- $19,500,000 (estimated)
- Runtime2 hours 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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Top Gap
By what name was Hemingway and Gellhorn (2012) officially released in Canada in English?
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