Geoffrey Wright, who did Romper Stomper and brought Russell Crowe to the attention of the world, brings Shakespeare's Scottish play up to date by setting it in the under world of Melbourne (or is it Sydney?). the speeches are there and so is the flashy trash of Silk Stalkings or one of the other cable (before cable was cool) series that surfaced in the wake of Miami Vice. Its an odd mix of guns and iambic pentameter, which works as well as that description. Not "bad" as such, the mix just doesn't work and the result is more grating then ingratiating. Part of the problem is the need to fit the plot into a new surroundings while retaining the language. the result is some odd sequences with no dialog and music that are suppose to get things across the dialog really can't because it doesn't pertain to now. The longish opening sequence before Macbeth meets the witches (Goth School girls in Catholic School Girl Uniforms) sets up the scenario which is changed from battling lords to battling crime families. This leads into the awkward meeting in an empty disco where Macbeth is holding a hostage. Turning on the lights and fog machine- for no real reason, Macbeth finds the girls coming out of the fog. My interest began to wane almost immediately and the scene where Macbeth's friend tells the drug lord of Macbeth's heroics kind of sealed the deal and I stopped watching and instead began to listen rather than watch(or were the scenes reversed, I don't know I don't care). despite its awards down under the film just doesn't really work especially when the idea isn't a new one with earlier films like Joe Macbeth and Men of Respect floating around. If you must see it it wait for cable.
