Good

An easily Seduced Academic is separated from His Wife and His Conscience by a Flirtatious Blonde Student and a Allure of an Easy Life from the Nazis. A Weak Intellectual Type is probably an Easy Mark for both. The "Good" Man who does nothing while Evil is all around Him is the Heart and Soul of the Film, Subtly and Methodically showing how it can readily happen.

The Movie is so easily paced that it lacks a few Hard and Disturbing Scenes to jar the Viewer into some sort of Urgency. Nothing here seems at all Desperate until it is too late and that's the Thesis. But in Cinematic Terms it all just sort of happens and the Impact of the Implications and the Fingerpointing gets smothered in a Lethargic Pace and the Exclamation Points become Periods.

Not a Bad Movie, it is quite Good. However, the Profound Warnings it attempts to Reflect with its Historical Mirror are never given enough Hutzpah to be anything more than a Muse. A Sincere and Important Muse to be sure, but it fails to use its Fiction and its Medium to bring Home its Message. Apathy is nothing but Self-Preservation at the Expense of Everything Else.

Germany 1933, at the raising Nazi Regime, John Haider (Viggo Mortensen) is a good man, a brilliant professor of literature who has to care his ill mother (Gemma Jones), wife and sons. The professor suffers interruption of some radicals students who burn books in his University's courtyard . He writes a book that defends the euthanasia as method to sure a dignity death to ills. His novel is a upright success in the III Reich hierarchy (Mark Strong, Steven Mckintosh), including Hitler who takes his novel as justifying oneself the dreadful crimes against Jews. The Nazi authorities press and threaten Haider to collaborate with Gestapo and write about legalize euthanasia. Haider is going into the spiral of Nazi savagery. Meanwhile he falls in love with a student (Jodie Whitaker)and his Jewish friend (Jason Isaacs)being besieged by the Nazi pursuers.

This is a splendid drama set on Nazi epoch with thoughtful plot and slick direction .From the sage play by C.P. Taylor, as the producers wish to thanks Royal Shakespeare Company and the original cast and crew of the play. It packs a colorful and appropriate cinematography by Andrew Dunn. Enjoyable musical score by Simon Lacey and including Mahler songs . The flick is well produced by Miriam Segal , as the film is made in memory of his father Ronald Segal whose life's work was dedicated to the betterment of the rights of the others. The motion picture is professionally directed by Austria-Brazilian director Vicente Amorim.

The movie talks about various historic events as happens ¨The night of the broken glass¨ well re-enacted in the film, as the night of November 9, 1938, when terror attacks were made on Jewish synagogues and stores. Two days earlier, Vom Rath, Third Secretary of the German Embassy in Paris , had been assassinated by Grynszpan, a Polish Jew. In retaliation, Himmler (though doesn't appear at the movie is continuously appointed) and Reinhard Heydrich, chief of the SD, ordered the destruction of all Jewish places of worship in Germany and Austria.The assault had been long prepared , the murder provided an opportunity to begin the attack. In fifteen hours 101 synagogues were destroyed by fire and 76 were demolished. Bands of Nazis (one of them is our starring Viggo Mortensen, though unaware) destroyed 7.500 Jewish-owned stores. The pillage and looting went on through the night. Streets were covered with broken glass , hence the name Kristallnacht. Three days later Hermann Goering along with Dr. Paul Joseph Goebbles ( played by Adrian Schiller) called a meeting of the top hierarchy at the Air Ministry to assess the damage done during the night and place responsibility for it. Goebbles proposed that Jews no longer be allowed to use the public parks. It was decided that the Jews would have to pay for the damage they had provoked.

it is not good, it is not bad. it is a mirror. the subject is delicate and old. the action is not amazing. the innocence is a not interesting stuff. and yet, it is a beautiful story. a real beautiful story. as a lake in evening. as a rain in park. because, in fact, its subject is not Nazi regime, limits of friendship, need of refuges, relation with political circle but art of survive. way to be yourself. that is axis and purpose is not create a masterpiece but occasion to meditate. the central character is a crumb of family, job or events. innocent, frustrated, for who each door may be escape by himself. he is not a hero. and price of desire to not be hero is sufferance in many nuances, more heavy. in concentration camp he discover color of reality. not the reality. because reality is a mirror who presents his face.

So many tired themes about these times. This one, particularly, stands apart. I just liked it. WATCH THIS MOVIE.

If you're looking for a war flick with a lot of action, artillery and things blowing up, you might want to move on. "Good" is a slow moving, subtle, intellectual film that may bore many filmgoers, but if you're looking for more than the typical Hollywood action/war flick then definitely check this one out.

A reasonably faithful adaptation of the famous 1981 play (using much of the same dialogue, scenes and characterizations), this film is about an honest, moral, "good" family man who gets passively caught up in the pro-Nazi movement. All the while, he denies culpability and defends his moral fiber by writing off the movement as a passing phase that's no big deal, but gradually his involvement deepens to the point that he's materially assisting in the worst atrocities that humans have ever committed against one another. For this, the film is deliberately slow because that's the point it's making: that the conversion from "good" to "evil" is not a sudden snap like getting bitten by a vampire and turning into one overnight. Rather, it's a very imperceptible shift that's akin to starting a temp job in the mail room and slowly working your way up the ladder to the executive board before you've realized that you've sold your soul to the corporation.

Viggo Mortensen plays "Halder", a college professor who hates the Nazi party but reluctantly agrees to write a paper for them because he needs the money. Perfectly acceptable choice, right? Well, this leads to another choice which is equally understandable. Then another and another. His Jewish best friend "Maurice" (Jason Isaacs) is the voice of reason, warning him quite forcefully about the seduction of the Nazi party, but like a worsening drug addict, Halder insists that he's doing nothing wrong and he's in control of his moral fiber. At the same time there's another seduction going on: a pretty young student of his (Jodie Whittaker) is slowly drawing Halder away from his wife & family. The story keeps building momentum, and as an added surreal element, Halder begins having hallucinations of strangers singing different Mahler pieces.

The acting is fantastic, not just Viggo's performance but particularly Jason Isaac's portrayal of the friend. The two of them have some great dialogues, and the dynamic of their relationship is really interesting to watch as it changes. This also leads to a very powerful climax at the end of the film.

Far more than a war flick or even a historical piece, "Good" is a powerful, realistic explanation of human nature and how good people can do bad things. And it doesn't matter how moral we may feel about ourselves and our life choices, I guarantee that each of us is at some level guilty of the same insidious hypocrisy shown here. If you accept this and take a sober look at your own life, then this film may make you a better person.

"Good" is one of those films that will sit in your mind for a long time afterwards. I can't think of too many movies that compare, but the pacing and slow buildup to a stunning conclusion remind me of the classics "The Spy Who Came In from the Cold" (1965), or even "Streetcar Named Desire" (1951). If you're looking for other unusual spins on the holocaust, look for the Czech film "Protektor" (2009) or the Italian feel-good holocaust flick (huh?) "Life is Beautiful" (1997). And if you really want your mind blown about human nature, Naziism and the power of authority to turn normal people into killers, go to YouTube and watch the 1962 documentary "The Stanley Milgram Experiment".