Days of Glory

I was happy to see this film. After all, practically every WWII film about the war in Europe focuses on the soldiers from the major combatants--Americans, Brits, Germans or the French. However, this one is about men from the French colony of Algeria--folks you seldom ever hear about and I am sure many people from my country had no idea these folks fought for the Allies. In fact, now that I think about it, the only film where I can remember North African troops was "Two Women" and the Moroccan soldiers who raped the two ladies in the film! So, fortunately, these brave men get their due in "Days of Glory".

"Days of Glory" focuses on four men in particular. These four volunteered to free their mother country in 1943. However, they soon saw that they weren't quite regular soldiers. Instead of receiving accolades or rank for their efforts, the men noticed that the white Christian French soldiers received these honors and the job of these Algerians was to shut up and die. Other examples of prejudice against these men were shown throughout the film as well as many incidents where they proved themselves in action.

While I am thrilled that the men in this film finally get their due, I only give the film a 7. This means the film is good and worth seeing, but it had room for improvement. My problem with the film is that despite being a heart-moving topic, the film, strangely, was a bit bland. Much of this is because you never really felt that you learned who these men were since the film felt quite episodic. I wanted to see more humanity and individual stories. Still, it's quite a good film despite this.

Days of Glory (Indigénes) can boast that it was the most important if not the most successful of the five films in the Oscars' Best Foreign Film category. After French Premier Jacques Chirac saw the film, he agreed to compensate all North Africans who fought in World War II by unfreezing their pensions, a result the director Rachid Bouchareb worked hard to achieve. Though conventional in its technique and lacking in any real character development, Days of Glory, a French Moroccan Algerian co-production, is an involving and heartfelt film whose outstanding ensemble cast won the award for Best Actor at the 2006 Cannes Film Festival.

The film depicts a group of North African volunteers who enlist in the French army to support the French resistance against the Nazis during World War II. The fact that they are fighting for a lesser group of colonial oppressors against a more virile one does not enter their mind and they are ecstatic with the thrill of being on French soil for the first time. Their shabby treatment, however, by bigots in the French army who deny them the privileges that they take for granted becomes the centerpiece of the film. Unlike the French, the North African recruits are not granted leave to visit their families, are not promoted, and are not even allowed tomatoes with their dinner.

The film opens in 1943 as the enlisted men say goodbye to their families in Algeria, Morocco, and Senegal to join the fight against the Germans. Bouchareb follows four men: Said (James Debbouze), a young Algerian is moved to enlist by a recruiter's sloganeering and his own desire to escape his economic hardship; Yassir (Samy Naceri) who joins in Morocco even though he cannot help being bitter toward the French government that killed his family in the name of pacification.

We later meet Messaoud (Roschdy Zem), a solid marksman who falls for a young French woman but their correspondence is intercepted and censored by the French and his "no luck" tattoo on his neck turns out to be prophetic. The strongest character in the film is Abdelkader (Sami Bouajila), whose outspokenness against the injustice shown to North African soldiers keeps him from being promoted but earns him a strong following. Said develops a close relationship with Sergeant Martinez (Bernard Blancan), a by the book Captain who nonetheless speaks up for the dedication of his men but when Said happens to suggest that Martinez is part Arab, their relationship ends swiftly and dramatically.

The high point of the film is the battle for a village in Alsace. It is a tense, emotionally harrowing sequence that is the equal of anything in Saving Private Ryan. Days of Glory has a strong point of view but is not didactic. It simply lets us see the face of discrimination against Arab soldiers during the war and the tension that arose in the French army because of it, a harbinger of colonial wars and urban tensions to follow. While the film unfortunately ends on a clichéd note, it is still quite moving and makes sure the brave soldiers from North Africa are acknowledged for their contribution, sadly overlooked these many years.

It's 1943 Algeria. Muslims are recruited to fight for France. They go to Morocco to train and then arrive in Italy in 1944 to fight with the Allies. Saïd Otmari is poor illiterate mountain goat herder. Messaoud Souni is well spoken and falls for a French woman. Sergeant Martinez is a hardened leader willing to send the green recruits into suicidal charges but he hides his personal Arab connections. The men face racism in many blatant ways and Abdelkader gives voice to getting more equality.

This is an interesting part of the war that has been white-washed. The movie does struggle with a simple message as the men themselves have infighting about the war and their cause. Some of them fight for the money while others bought into the slogans. There is some good action and a solid final battle.

There's two types of French film .

1 ) The sort that is beloved by Cahiers Du Cinema that often feature people standing about talking about existentialist themes and often don't find a market outside France

2 ) The sort that is despised by Cahiers Du Cinema that often feature action and plot and appeal to an international market

DAYS OF GLORY is certainly in the second camp . The problem is that it's a bit too international . The theme of colonial soldiers fighting for the mother country could have easily have featured British dominion troops fighting in the Boer war , of Indian troops fighting at El Alamein or even of black Americans fighting in the second world war . Some people on this page have criticised this movie as not being a Gallic version of GLORY and you can see their point . There's little in the way of an idiosyncratic voice

Worse still despite the subtitles you could easily be watching a war film that was made in Hollywood . Much of the plot could have easily been lifted from Sam Fuller's THE BIG RED ONE as the story jumps from North Africa , Italy and eventually France . It's also impossible not to notice that the final climatic battle owes a lot to the climax of SAVING PRIVATE RYAN . Perhaps that's why DAYS OF GLORY received high praise down to its familiar story that English speaking fans of war films have seen so many times before ?

It could have been much worse though . On a technical level it's a competent enough movie and it doesn't go overboard that the Goumier troops are some how slaves press-ganged in to joining the Free French forces but it does effectively ignore the sometimes horrendous reputation Goumier troops had in Axis territories where women are concerned . The 1960 Italian film TWO WOMEN goes in to this in detail and you can imagine that's why the protagonists service in Italy is skated over very slightly . One wonders if the producers might have been worried about an international audience being alienated by bringing up the subject in any length ? As it it stands DAYS OF GLORY is a good enough war film though very traditional

I did not know what to expect from this movie starring guys like Djamel Debbouzze or Samy Naceri, more used to non sense jokes and wrong way taxi driving, but I must say I was astonished.

First pictures are beautiful, dialogs and pace slow but efficient.

Second the way the four main characters perform is great (although Naceri is maybe not quite as good as the three others). All moved by different motivations, they have a sole dream: to be a real part of it, a part of the French country they have been fighting for. And they make you believe it. Not only because they fit perfectly into their roles, but also because the suffering and the inequalities they undergo in the war fields of the movie still exist six decades after in their every day life.

"All animals are equal, but some are more equal than others". True it was in Provence or in Alsace, true it is in today's France.

To me this film is more than the French Private Ryan, it is a subtle way to ask: "how much more is it going to take before we can all be on the same boat ?" Go and see it.