Divergence

Just like its Hollywood contemporary, the fabled jewel of the east, also known as Hong Kong, shovels mouthfuls of filler in the general direction of its loyalist audiences. And similar to fluff done anywhere else, HK's variety also comes in the irritating form of polished, well-supervised products with at least acceptable technical merits and yet little beyond.

We recently had two mega-stars like Andy Lau and Jacky Cheung suffer through mediocre episode Jiang Hu, further thrashing the over-strained underworld genre, and here comes a Benny Chan flick to additionally burden the cops and crooks theme with uninvited baggage. At least in Chan's case the memory of capable actioner New Police Story still lingers, so we'll forgive him the helming of Divergence and its, in essence, vacuous content and pretty embarrassing conclusion. You'd be right in expecting more from Chan and his writer cohort Ivy Ho (who previously penned classic July Rhapsody), but nonetheless both failed to come up with any worthy goods this time around.

Presumably, Divergence gets its moniker from the three main personages operating inside the film's confused and unfulfilled promise. Suen (Aaron Kwok) is a sarcastic police officer working various, rather high-profile cases, at least one of which we witness going bad with the baddie under Suen's protection buying the farm in a gruesome fashion courtesy of the second main character, a hit-man known simply as Coke (Daniel Wu, who lost some weight and much appeal in a role that's beginning to smack of typecasting). Coke's success and Suen's misfortune set in motion a series of events that supposedly want to point out the ironic nature of life, the universe, and whatever the people counting box office returns happen to report.

The terminated criminal Suen was sheltering leaves a mean triad boss (Gallen Lo) feeling a whole lot better about things, but ultimately lands everyone in more trouble since the latter's enemies soon move to equalize by retaliating against his family. This sort of complication doesn't make Suen's life any easier as he tries to focus on capturing renegade Coke and his sultry female accomplice (done by mainlander Ning Jing).

Defending the underworld elements is attorney To Hou Sung, done by our favorite hunk Ekin Cheng, and here completing the triumvirate of male leads. Although silent and reserved, To quickly gets on Suen's nerves, and not just for his application of the law as an excuse for things one would sooner sweep under the floorboards. There's another element figuring in, further showing us how intertwined the trio is and why even minute occurrences can have repercussions much later down the line, hence Divergence. The factor in question is naturally a woman, and one who perhaps has been missing for the better part of a decade. It's the apple in the eye of cop Suen, an ex called Fong, portrayed with minimal gusto by gorgeous Angelica Lee. The disgruntled cop obsesses over his former lover and her vanishing all those years ago, even though we don't see much of their relationship other than contrived, hokey memory sequences and Kwok's miserable cry fest moments as fortified with extra-dumb instances of pseudo-animalistic howling. Was there really a need for such mundane clichés?

As if that wasn't enough, someone had the brilliant idea of encumbering Suen with several idiotic attempts at self destruction, resulting in him miraculously surviving and changing cars about as often as you do socks. Must have been quite the improvement in HK auto insurance since we last looked into the matter. Plus, the music people, bless their souls, thought it prudent to include one of the cheesiest collections of sentimental overtures one has heard in a long, blissfully quiet time. It's all enough to make you reach for the hurl bag.

And as we sit through the travails of Suen and his struggle with shadows of the past, it becomes apparent none of the main characters gets enough space to mature and grow, thus the various pieces never click. This trickles down to supporting figures like Ning Jing and too-prolific Eric Tsang as a jolly, noodle-slurping police medical examiner who never loses his appetite no matter how grisly the stiffs. Ha ha but not all that funny, thank you.

Not even the action itself lives up to whatever high expectations you may have of this project, if any. Fighting's pretty lame and basic, there's little gunplay, and the car chases seem to use the same beat up Mazdas you've seen in scores of older HK movies. But probably the biggest disappointment comes when the thing finishes, with characters coming out of nowhere to reach an easy, convenient and utterly ridiculous ending that somehow explains the various "enigmas" you were supposed to fuss over during the plot. But of course there was no fussing at all, seeing as how can anybody care about a story lacking in so many departments to begin with?

At least for Divergence Angelica Lee looks her best yet, so for all thus inclined mayhap there's some incentive to watch yet. On all other counts, Divergence misses the mark big time, leading down paths of inadequacy any film buff needn't even consider following.

Rating: **

"Divergence" ("Saam Cha Hau") is a fairly average action thriller from director Benny Chan. So don't expect any major revelations or eye-poppers here.

That being said, then "Divergence" is still a good movie, because it takes a well-used formula and manages to get something good out of it, and the movie is entertaining.

The story is about policeman Suen (played by Aaron Kwok), assassin Koo (played by Daniel Wu) and lawyer To (played by Ekin Cheng) whose paths are intertwined and get trapped in a race against time.

Initially, there is nothing new to the story, but Benny Chan still manages to tell a story that is entertaining and thrilling. And there are some pretty good visuals throughout the movie.

As for the acting, well Daniel Wu really carried the movie here, and far outshone both Aaron Kwok and Ekin Cheng. As for Aaron Kwok, then he really didn't shine through in this movie and sort of just seemed to be running on autopilot. And Ekin Cheng wasn't really given enough time on the screen to fully make an impact.

"Divergence" is good entertainment if you enjoy action thrillers, just don't expect to get dazzled.

After Aaron Kwok won the Golden Horse, the Taiwan's equivalent of the Oscar, for best actor, I got interested in this movie to try to figure out how this pop star who was considered a long shot by many people won the prestigious award. The first impression I got after I finished was, and I remembered clearly, sitting at my sofa, staring at the blank TV screen for a couple of minutes, and saying, "What just happened?" No, I was not blown by it. The opposite occurred. I was confused.

The movie was a typical Hong Kong movie, with the usual grittiness and stylishness. It had its moments, but sometimes, for some strange reason, it felt slow. Maybe there was not the ridiculous amount of gunfire, car chases and explosions that we viewers of Hong Kong thriller films are most familiar with and what I am most fond with. Maybe the love line story was so unnecessary that it dragged the movie down. Whatever the case, the mysteries and the search for the truth got my attention and got me excited...till I reached the twist. The twist right before the ending was a little surprising, but in retrospect it became obvious because too many clues were given that even a 2 year old could guess it (not recommended for 2 year olds- they are too young to be subjected to bad films). Still, it could be forgiven because an effort was made and it was a decent twist, no matter how predictable it was. However, here was what killed the moving- the ending. Nothing good could be said about it. It felt like they were trying to make this movie sophisticated by leaving so many questions unanswered. The problem was, those questions were not rhetorical or philosophical questions that might make one reexamines one's life. Instead, those questions were questions about the plot; the ending made the writers look stupid and left the movie feeling unfinished. Not enough clues were given in the film to help the viewers to try to answer the questions that were left. I tried to answer those questions, but after a few moments of pondering, I gave up and started swearing at the writers for wasting almost 2 hours of my time and the favors I have to pull to borrow this movie. There was no way to answer them and it was dumb to even try.

I could not say nothing good came out of this film. I finally understood the formula for the voting panel at the Golden Horse Awards. 2 words: star power. The guy was once part of the legendary 4 kings of Hong Kong pop music and even though the status had became history and he was struggling for the past few years, he still have draw power. Letting him win would be a feel good story and let people talk about it for days; it could boost popularity for the show, which saw its ratings down from last year and had been on the down side in recent years. This was not to put down Mr. Kwaok. He did a good job and it might arguably be the best performance of his career. However, compared to the other nominees, his performance still felt weak. I guess everything was for the ratings.

My only advice: do not watch it just because Aaron Kwok won the Golden Horse for it. It is a meaningless piece of work and your time would be better devoted elsewhere.

I give it 6/10, because an effort was made and only the ending sucked.

Not the slam bang police action of Infernal Affairs (the original, not the ripoff), but there is enough action to make it worth your while.

It focuses more on the characters and their relationships: the cop, Suen Siu Yan (Aaron Kwok, the hit man, Koo (Daniel Wu), and the lawyer, To Hou Sun (Ekin Cheng).

Suen has been looking for his girlfriend Amy for 10 years. To's wife Su Fong (Angelica Lee) looks like her and actually plays two parts, one in flashback. He acts like a stalker as he follows her everywhere.

Eric Tsang from Internal Affairs is here, but he is a cop in Missing Persons, not a mobster.

Kwok and Wu are great, and the action is good at times, but there just doesn't seem to be something that brings it all together.

The movie Divergence is about three men who have their lives brought together by their jobs. The movie makes it seem like there will be some very profound and mind-blowing brilliant connection among these characters when there really isn't. However the movie does create an interesting dynamic with the jobs of the three main characters, and how each character takes on the job of another (I won't spoil it for you). The characters have a good amount of development and its likely you'll make some sort of connection with Aaron Kwok's character at the very least. The action scenes are good, definitely better than the usual fare from HK recently. The cinematography of the movie really impressed me, if you pay attention there are a lot of subtle things that are done to foreshadow things in the movie. The director really knew what he was doing. The rating that the movie has right now (floating around 5.5) is definitely too low, this is an entertaining movie and impressed me since I have been a little indifferent to HK cinema recently. At the very least the this movie shows their is still room for the thriller movies in HK, despite the recent barrage of brainless comedy flicks.