The Conclave

This movie has been on our "to watch" list since we read writer Pauyl Donovan's self-review of his own film on Amazon Prime last year. His "review" was actually a fascinating summary of his film's post-production travails.

We watched it Easter Sunday, and yet we're still discussing aspects late Monday evening. Outstanding piiierformances and writing in this tense period drama. Even though the bulk of the movie consists mostly of dialogue amongst the cardinals, somehow, the writers managed to convey the impossible mix of religion and politics, man and god, power and money that influences these men as they choose their next Pope.

It's a sparse production that might not appeal to all, but we found it to be an enjoyable drama with the added benefit of a well-researched historical anchor. A sincere thank-you to Paul Donovan for making this jewel available by uploading it to Amazon Direct for all of us to see, despite the film's distribution challenges.

Quite the mixed bag with this. I came across it whilst hunting out the brilliant but terribly flawed recent movie 'Conclave'.

The production is somewhat cheap. The CGI and the sets are poor, as are the lighting and direction.

As good as the script and most of the acting is, the big problem with the film is that it lacks gravitas. The ending, for example, is quite anti climatic. Where was the drama? The build up was there, kind of, but the payoff was sadly lacking.

And all this was shame because, other than that, it had me hooked. Why choose this conclave? I am sure some other must have had some murder, mayhem and intrigue.

I saw this last night by chance on the TV. It was excellent! It was wonderful to see a totally absorbing movie, with breathtaking suspense based not on endless explosions and car chases, but brava performances by talented actors with a great and insightful script.

The historical setting is very well done showing both the grimy violent of the time, and the contradictions of politics and faith in the inner workings of the Vatican.

But the main joy is the intelligent acting and clear characterizations of the contending cardinals.

Just a note: for those who don't know their history, the main character, Rodrigo Borgia went on to became Pope Alexander VI, the father of Cesare and Lucrezia Borgia by the woman portrayed as his mistress in the film. He was the most controversial of the secular popes of the Renaissance.

Wonderful film, see it if you can.

A treat for history buffs who like their movies to absorb rather just entertain. The combination of sophistry and brutality paints a picture of the age in which it is set. Cardinals with mistresses, and low scruples in arm-twisting confrontation over the election of the new pope pits the shrewd but earthy Piccolomin (played in character by Brian Blessed) against the ruthless and brilliant D'Estouteville (James Faulkner). The plot includes promises of royal patronage, rival families asserting threats, and anti-Spanish killing. Should be familiar to all politicians with promises to make and break.

It is a 15th Century "12 Angry Men", in this case 18.

The movie opens with a gratuitous (some might say obligatory) sex scene that seems out of step with the rest of the film. Once it gets going though the film is a good watch. This is not a movie for action enthusiasts, as the real action is in the politicking of high stakes, winner-take-all diplomatic drama. Acting was believable from almost all quarters with Brian Blessed as Piccolomini being my favorite. I was waiting for some major plot twist, but before I knew it the credits were rolling.

In the end, the movie was a straightforward account that I enjoyed for the history more than the storytelling.