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A selection of Spanish titles being sold at the European Film Market.

“My Friend Eva,” Cesc Gay

A romantic comedy about Eva, who, after 20 years of marriage, seeks to rediscover love and passion, directed by “Truman” helmer Gay. “Cesc’s films are always highly anticipated. He’s a director who’s given us so much success in the past,” says the film’s sales agent.

S.A. Filmax

*”The Virgin of the Quarry Lake,” Laura Casabé

Set in 2001 Argentina, this film follows Natalia, who uses dark incantations to win back her love, leading to self-empowerment and a dramatic conclusion. A buzz title at last month’s Sundance market.

S.A. Filmax

*”Fury,” Gemma Blasco

A young actress, Alex, grapples with trauma and isolation after a New Year’s Eve assault. Her brother’s misguided support leads them down dark paths, while Alex finds solace in theatre. Headed to SXSW’s global program this year.

Spanish independent sales company Feel Sales has acquired “The Cottage,” Argentine filmmaker Silvina Schnicer’s debut solo feature, and will present it to interested buyers at this year’s European Film Market.

“The Cottage,” “La Quinta” in Spanish, follows an upper-middle-class family in Argentina as they retreat to their vacation home for winter break, only to discover signs of an intruder. The family patriarch, Rudi, tries to convince the other homeowners in the community that Tomás, the gatekeeper, is to blame and should be fired. Meanwhile, the neighborhood kids, unsupervised by their parents, engage in mischief that escalates into an unspeakable act. As the family grapples with the consequences, they are forced to bury a dark secret about the horrors committed by their 12-year-old son.

Feel Sales’ Luis Collar and Yeniffer Fasciani said of their latest acquisition: “We found in ‘The Cottage’ a fresh and unexpected experience. This story explores...

Scandar Copti’s Palestinian drama Happy Holidays took the Étoile d’Or main award at the 21st Marrakech International Film Festival.

The film, a Haifa-set drama in which a minor car accident sets off a chain of events that sow division in a patriarchal society, also received the best performance by an actress prize, shared between Wafaa Aoun and Manar Shehab.

Scroll down for the full list of winners

Happy Holidays is a co-production between Palestine’s Fresco Films, Germany’s Red Balloon Film, France’s Tessalit Productions and Italy’s Intramovies. It debuted in Venice’s Biennale Cinema section in September,...

Scandar Copti’s “Happy Holidays” won top honors at the Marrakech Film Festival on Saturday, capping an emotional and politically resonant ceremony, while adding Marrakech’s Étoile d’Or to a list of accolades for the film that also includes best screenplay from Venice’s Orizzonti and best in show from the Thessaloniki Film Festival.

The acclaimed title also claimed a shared best actress prize for leads Manar Shehab and Wafaa Aoun.

Split into four chapters, the Palestinian film follows an ensemble of characters – Arab and Jewish alike – living in contemporary Haifa. Family secrets and domestic tensions underscore scenes from everyday life as the film traces out an expansive social circle with a novelistic attention to cultural and interpersonal dynamics.

This year’s jury – led by Luca Guadagnino alongside Andrew Garfield, Jacob Elordi, Virginie Efira, Patricia Arquette, Zoya Akhtar, Ali Abbasi, Nadia Kounda and Santiago Mitre – together awarded the winning title with a unanimous vote.

Scandar Copti’s Happy Holidays, Damian Kocur’s Under The Volcano, Silvina Schnicer’s The Cottage and Mo Harawe’s The Village Next to Paradise shared the awards handed out at the 21st edition of the Marrakech Intl. Film Festival. Happy Holidays grabbed the top prize in the Étoile d’Or and the jury led by Luca Guadagnino who also decided to award both actresses (Wafaa Aoun and Manar Shehab) with the Best Actress Award. The Palestinian film was selected for the Orizzonti section in Venice.

Under The Volcano first landed Best Performance by an Actor (Roman Lutskyi) and Kocur also doubled up winning the Best Director Award.…...

Palestinian director Scandar Copti’s drama Happy Holidays has clinched the Étoile d’Or for Best Film at the Marrakech Film Festival.

The Jury Prize was awarded ex aequo to Argentinian director Silvina Schnicer’s The Cottage and Somali and Austrian filmmaker Mo Harawe’s The Village Next to Paradise. Damian Kocur won the Best Directing Prize for his drama Under the Volcano, which is Poland’s Oscar entry this year.

The prize for Best Performance by an Actress was shared by Wafaa Aoun and Manar Shehab for their performances in Happy Holidays, while Roman Lutskyi won the award for Best Performance by an Actor for his work in Under the Volcano.

Happy Holidays is a contemporary Haifa-set drama in which a minor car accident sets off a chain of events, unraveling lies and unspoken truths that sow division within a multifaceted patriarchal society.

The film world premiered in the...

Silvina Schnicer’s debut solo feature, “The Cottage,” screens in competition this week at Morocco’s Marrakech Film Festival.

The film follows an upper-middle-class family in Argentina as they visit their vacation home in a rural neighborhood, only to find that squatters have been using the building and left it in an unpleasant state. The family patriarch, Rudi, tries to convince the other homeowners in the community that Tomás, the gatekeeper, is to blame and should be fired.

Meanwhile, out of sight of their parents, the neighborhood kids wander the streets, engaging in time-honored traditions of mischief, until things go much too far, and they commit an unspeakable act. After learning what his children have done, Rudi’s goals quickly change as he seeks to cover up his children’s misdeeds.

“The Cottage” is written and directed by Schnicer, an accomplished filmmaker who co-directed several successful titles, including Guadalajara best...

The Marrakech Film Festival, which opened Friday with Justin Kurzel’s timely thriller “The Order,” has more than 70 films in its lineup, which, as is customary, mixes known titles and fresh fare.

“The Order” is part of the event’s gala screenings that also comprise French-Moroccan auteur Nabil Ayouch’s feminist musical drama “Everybody Loves Touda,” Walter Salles’ “I’m Still Here” and Mohammad Rasoulof’s “The Seed of the Sacred Fig,” all of which will be accompanied by their directors.

The 14-title competition dedicated to first and second works includes Moroccan director Saïd Hamich Benlarbi’s melodrama “Across the Sea,” about North African exiles in Marseilles, and Hind Meddeb’s doc “Sudan, Remember Us,” which pays homage to Sudanese people and culture by chronicling their 2019 revolution. “Sudan, Remember Us” is among films supported by the fest’s Atlas Workshops industry initiative, aimed at fostering and supporting the emergence of a new generation of Moroccan,...

Marrakech International Film Festival (Miff) is deploying a twofold tactic for its upcoming 21st edition to give a boost to its local theatrical distribution sector, and fuel wider global releases for Moroccan, Arab and Pan-African films.

“The idea is not to launch a market, but to create a platform whereby international distributors can discover films premiering in the festival’s selection and the projects at the Atlas Workshops,” the festival’s artistic director Remi Bonhomme tells Screen of the bespoke initiatives spanning both the festival(November 29 – December 7) and its parallel talent incubator the Atlas Workshops (December 1 – 5).

For the first time in its history,...

The Marrakech Film Festival unveiled its 2024 lineup on Thursday and set that Luca Guadagnino would replace Thomas Vinterberg as its jury president. The other jury members will be Andrew Garfield, Jacob Elordi, Virginie Efira, and Ali Abbasi. Vinterberg “had to excuse himself for family reasons,” festival organizers said.

The Marrakech fest on Thursday also unveiled the lineup for its competition, 11th Continent, and Moroccan Panorama sections, as well as gala and special screenings. In the competition, 14 films will compete for the Étoile d’Or, or Golden Star.

The 21st edition of the fest in Morocco will also honor Sean Penn, David Cronenberg and, posthumously, pay homage to Moroccan star Naïma Elmcherqui. The Marrakech fest takes place Nov. 29-Dec. 7.

Check out the full lineup for the 2024 edition below.

Competition

Across The Sea (LA Mer Au Loin)

by Saïd Hamich Benlarbi / France, Morocco, Belgium

with Ayoub Gretaa, Anna Mouglalis, Grégoire Colin, Omar Boulakirba,...

Justin Kurzel’s political thriller The Order starring Jude Law will open the 21st Marrakech International Film Festival in the presence of the director and producer Stuart Ford later this month.

The film is among seven films that will be showcased as gala screenings at the Moroccan film festival, which unveiled its line-up on Thursday.

The galas also feature a trio of Best International Feature Film Oscar entries, Nabil Ayouch’s Everybody Loves Touda (Morocco), Walter Salles’s I’m Still Here (Brazil) and Mohammad Rasoulof’s The Seed of the Sacred Fig (Germany), all of which will screen in the presence of their directors.

The festival will screen 70 features from 32 countries across sections spanning the Official Competition, Gala Screenings, Special Screenings, the 11th Continent, the Moroccan Panorama, Cinema for Young Audiences & Families, and films shown as part of the Tributes program.

The 14 first and second films in competition include French...

Marrakech International Film Festival has unveiled the full line-up for its 21st edition which will open with Justin Kurzel’s crime thriller The Order onNovember 29 and run to December 7.

Kurzel’s debut featureSnowtownwon thefestival’s jury prize in 2011, and the filmmaker returned in 2022 to serve on the jury.

This year’s jury will be presided over by Italian filmmaker Luca Guadagnino, replacing Thomas Vinterberg, and will award the Étoile d’Or for best film to one of 14 first- and second-time features in the international competition.

In total, the festival will screen 70 films from 32 countries, including 14 documentaries, 12 Moroccan titles, nine world...

Laurie Metcalf and Eric McCormack have been tapped as guest stars in Season 2 of CBS’ “Elsbeth,” the mystery spinoff of “The Good Wife” and “The Good Fight” starring Carrie Preston as the de facto detective Elsbeth Tascioni.

Metcalf will appear in the eighth episode of the season as Regina Coburn, “the star of a police procedural who yearns for artistic fulfillment after playing a no-nonsense, hardened detective for two decades,” per CBS.

After the showrunner of Regina’s long-running series is “brutally murdered in his office in what appears to be the act of a disgruntled fan,” Regina goes toe-to-toe with Elsbeth as she becomes a prime suspect.

In the ninth episode of Season 2, McCormack will play Tom Murphy, “the charismatic and charming founder of Heiwa Zen Center, an upscale holistic wellness retreat that caters to the one-percent.”

Tom “takes matters into his own hands” after his wellness empire is...

Former Saturday Night Live cast member Alex Moffat is joining the cast of Off Broadway’s The Big Gay Jamboree, the much-anticipated follow-up from Marla Mindelle, co-author and original star of the wildly popular musical comedy Titaníque.

Moffat will appear alongside the previously announced Mindelle, as well as newly announced Paris Nix, Constantine Rousouli (a Titaníque co-creator and original cast member), and Natalie Walker, with Jaden Dominique, Brad Greer, Jeremiah Ginn, Amanda Lee, Jillian Mueller, Olivia Puckett, Melvin Tunstall, Clyde Voce, Cortney Wolfson, and John Yi rounding out the ensemble.

The new casting was announced today by producers Sue Wagner, John Johnson, and LuckyChap. Directed and choreographed by Connor Gallagher, The Big Gay Jamboree, features a book by Mindelle and Jonathan Parks-Ramage, with music & lyrics by Mindelle and Philip Drennen.

Preview performances begin on September 14 at the Orpheum Theatre, with an opening night set for October 1.

The Big Gay Jamboree...

Exclusive: Saturday Night Live alum Alex Moffat and Nancy Drew‘s Kennedy McMann are starring in the independent feature comedy Brewmance.

The movie is the directorial debut of New Mexico native Keagan Karnes off a screenplay by Mary Haarmeyer and Stafford Douglas. Brewmance follows Amber, a headstrong brewery owner and Samuel, a slick marketing strategist, who clash over how to save her failing business. But as they stir up a plan to reinvent the brewery, they unexpectedly ferment their own love story.

Also starring in Brewmance are Steven Ogg (The Walking Dead), Zoe Colletti (Only Murders in the Building), Jamey Maurice Clay (Santa’s Cousin), Caroline Kingsley (The Violet Hour), Kirk Roos

(Santa’s Cousin) and Joel de la Fuenta (Man in the High Castle), plus many actors from New

Mexico area, including Hannah Mosqueda and Jessica N. Jimenez.

The Brass Teapot producer Kirk Roos produced with Ian Simon (All the World Is Sleeping...

When last we left The Veil’s unlikely road-trippers, Imogen had just given Adilah an ultimatum: Choose the right thing and get in the car… or else.

So… does she? And does Adilah ever give up the name of the ship carrying the bomb? While we’re at it, do we ever get clarity on Imogen’s backstory? Find out as you read on for the highlights of the season finale, “The Cottage.”

More from TVLineDoctor Who's Millie Gibson: Haunting '73 Yards' Episode 'Was the Very First Script I Read' - Grade It!TVLine Items: Cristin Milioti Joins Hulu's Hit-Monkey,...

British director Paul Andrew Williams’ next film is psychological thriller The Nest, starring Vanessa Redgrave and Andrea Riseborough.

Paul Andrew Williams is synonymous with gritty, low budget British filmmaking. Bursting onto the scene in 2006 with London to Brighton, he quickly built up an impressive filmography including showcasing the glorious double act of Andy Serkis and Reece Shearsmith in horror comedy The Cottage, home invasion horror Cherry Tree Lane and a change of direction with sweet musical comedy Song For Marion, which starred Terence Stamp and Vanessa Redgrave. He returned to his roots in 2021 with dark thriller Bull, a revenge story featuring a powerhouse performance by Neil Maskell. It’s a tough watch but a terrific film, it is currently streaming on Netflix.

Williams will with Redgrave for his next film The Nest, the synopsis reads as follows:

The Nest will chart the story of two neighbours who strike up an unlikely friendship,...

The 2024 Tony Awards nominations were announced on Tuesday, April 30. Out of all the nominees spread across 26 categories, 23 fascinating facts, stats, trivia and achievements stand out as particularly noteworthy.

1. The following shows only received one Tony nomination: “The Great Gatsby,” “Gutenberg! The Musical!,” “Monty Python’s Spamalot,” “Patriots” “Uncle Vanya” and “The Who’s Tommy.”

2. The following Broadway productions from this past season were completely snubbed: “The Cottage,” “Harmony,” “The Heart of Rock and Roll,” “How to Dance in Ohio,” “I Need That,” “Once Upon a One More Time,” “The Shark is Broken” and “The Wiz.”

3. The following individuals nominated last year are recognized again this year: Kai Harada, Tim Hatley, Amy Herzog, Brian d’Arcy James, Natasha Katz, Bradley King, Tom Kitt, Gareth Owen, Emilio Sosa, Jessica Stone, and Kara Young.

SEETony Awards snubs: ‘Patriots,’ Steve Carell, Chip Zien …

4. Some noteworthy names who happen to be nominated for producing at least one...

Two of the more anticipated star turns on Broadway this season — Steve Carell making his debut in the Lincoln Center Theater revival of Uncle Vanya and The Sopranos alum Michael Imperioli returning to the New York stage in Circle in the Square’s An Enemy of the People — got no love from Tony Award nominators today, and the West End hit Patriots, written by The Crown‘s Peter Morgan, barely registered on the roster, with only one nom for lead actor Michael Stuhlbarg.

Even more empty-handed than Patriots was The Wiz, the cheery, if rote, revival of the beloved Black retelling of The Wizard of Oz. Despite a star turn by Wayne Brady, it’s possible that Tony nominators saw the Broadway revival for the uninspired road show it is.

Other shows with zero nominations included I Need That starring Danny DeVito, the Barry Manilow-Bruce Sussman musical Harmony,...

With 36 productions eligible for this year’s Tony Awards, there were plenty of names missing when nominations were announced by Jesse Tyler Ferguson and Renée Elise Goldsberry on Tuesday morning. Among the most surprising 2024 Tony nominations snubs was “Patriots.” Peter Morgan‘s history play about Russia earned three Olivier Award nominations last year, including Best New Play, Actor (Tom Hollander) and Featured Actor (Will Keen). In New York, it only scored one for Michael Stuhlbarg, who took over the role played by Hollander in the UK; Keen, who reprises his role as Vladimir Putin, did not score a nomination in a category stuffed with “Stereophonic” performers.

The revival of “The Who’s Tommy” also significantly underperformed. Gold Derby users predicted it would land three nominations for Best Musical Revival, Best Actor for Ali Louis Bourzgui and Best Choreographer for Lorin Latarro, but it only earned one bid in the top revival category.

Nominations for the 2024 Outer Critics Circle Awards were announced on Tuesday, April 23. The stars of the hit Broadway revival of “Merrily We Roll Along,” Jonathan Groff, Lindsay Mendez and Daniel Radcliffe, read off the nominees live from the Museum of Broadway.

Off-Broadway productions ultimately out-paced Broadway with this critics group. The new David Yazbek musical “Dead Outlaw” led the pack with nine nominations. It was followed by “The Connector,” another Off-Broadway musical, and “Stereophonic,” a lauded Broadway play, with seven nominations each.

While there are no Tony nominators in the Outer Critics Circle membership, these nominations can provide some clues as to how theater aficionados are thinking about this season’s Tony race. Of the five productions cited for Best New Broadway Musical, only “Days of Wine and Roses” and “Suffs” made the cut in the all-important Best Score category. They were joined by two Off-Broadway entries, as well as...

This year’s Tonys will be held on June 16, so the American Theatre Wing will likely be announcing its lifetime achievement award recipient in the near future. Who do you think should take home this prestigious trophy? It has gone to veteran stage performers, directors, choreographers, playwrights, songwriters, producers and designers. In some years we get multiple recipients.

Last year these honors went to legendary actor Joel Grey and composer John Kander. The following living female Broadway vets have also received this award in the past and thus won’t be chosen again: Jane Greenwood, Rosemary Harris and Graciela Daniele. Here are 10 possible women the Tonys could award, all veterans over the age of 65. Vote to let us know who you’d like to see honored.

Sign UPfor Gold Derby’s free newsletter with latest predictions

Debbie Allen

Two-time Tony nominated actress for her performances in revivals of “West Side Story...

“It is a pretty great crop of plays this year, several that have become big commercial hits,” declares Sam Eckmann about the many dramas and revivals in contention for nominations at the 77th Tony Awards. Sam and I met for the very first time this season to discuss the 15 productions eligible for nominations, reviewing our picks in seven of the 11 play categories. Watch our 2024 Tony Awards slugfest above.

In the top category of Best Play, we overlap on four of our five predicted nominees: “Stereophonic,” “Prayer for the French Republic,” “Mother Play” and “Patriots.” While I tentatively pick the upcoming “Mary Jane” by Amy Herzog for the fifth slot, Sam backs “Jaja’s African Hair Braiding” by Jocelyn Bioh, saying it “got amazing reviews, enough to break in here.” We also discuss a possible surprise nomination for either “The Cottage” or “Grey House.” The other eligible productions are “I Need...

“I was really looking to create something kind of in the style of Noel Coward, but with a feminist twist,” explains playwright Sandy Rustin of “The Cottage.” She took her first stab at the script for this riotous farce back in 2013 and spent a decade fine tuning the feminist comedy before her Broadway debut this season. Watch the exclusive video interview above.

The play begins with Sylvia (Laura Bell Bundy) and Beau (Eric McCormack) on an erotic escape to their cottage in the English countryside. The audience soon discovers that the pair are not married, and instead having a wild affair. But Sylvia winds up questioning her views on marriage and social status when the deceived spouses arrive at the house with affairs of their own. Given the homage to classic madcap Coward scripts, a murderous ex-lover is also headed to the cottage to stir up some tension (and some...

Exclusive: MGM+ has given the green light to Nine Bodies in a Mexican Morgue. Eric McCormack is the first actor cast in the mystery thriller, playing one of the leads in the six-part ensemble limited series written, created and executive produced by Anthony Horowitz (Magpie Murders) and produced by Eleventh Hour Films, a Sony Pictures Television-backed company.

Spt will distribute worldwide the series, which also will have a British broadcast partner.

Nine Bodies in a Mexican Morgue follows the tale of nine strangers who find themselves lost in a remote Mexican jungle after their small plane traveling from Guatemala to the U.S. crashes. One by one, the survivors are murdered, leaving the remaining passengers to solve the terrifying mystery before they too fall victim to the killer.

McCormack will play Kevin, a former doctor who has been purchasing medical supplies in Guatemala. Casting continues, with...

While Christmas tends to be the default setting for winter horror, 2008’s The Children makes a good argument for terror around the New Year. Many folks would expect leisure and fun after a busy Christmas. However, the chance for relaxation is out of the question in Tom Shankland’s movie. Something terrible has suddenly happened to the kids, and something even worse awaits their parents.

Spending New Year’s Eve with the ‘rents and their relatives is undesirable for most teenagers, but Casey (Hannah Tointon) will have definitely wished for more boring family time after her younger siblings and cousins turn on her and every other grownup nearby. No one past the age of puberty is safe here. As Casey and her closest kin gather at a remote house in the country — a decision that always proves to be as unwise as it is clichéd — The Children steadily reveals its unusual threat.

The Tony Awards Administration Committee met for the first time during the 2023-2024 Broadway season on November 30, to discuss eligibility of 10 productions for the 77th Annual Tony Awards in 2024.

The productions discussed were: “Grey House,” “Once Upon a One More Time,” “Here Lies Love,” “The Cottage,” “Back to the Future: The Musical,” “The Shark is Broken,” “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch,” “Jaja’s African Hair Braiding,” “Merrily We Roll Along” and “Gutenberg! The Musical!”

See‘Here We Are’ reviews: Stephen Sondheim’s final musical is ‘enchanting,’ ‘compelling’ with ‘exceptional’ cast

The following determinations were made:

Briga Heelan and Justin Guarini will be considered eligible in the Lead Actress/Actor in a Musical categories for their respective performances in “Once Upon a One More Time.”

Anna Fleischle (scenic design) and Sven Ortel (projection design) will be considered jointly eligible in the Best Scenic Design of a Musical...

Daniel Radcliffe won’t be competing against his Merrily We Roll Along Broadway co-star Jonathan Groff for a Tony Award next June, and the reason has nothing to do with performance quality: The awards administration committee ruled today that Radcliffe will be eligible in the featured performer category, apparently leaving the lead category to Groff.

Lindsay Mendez, who plays Mary Flynn, the musical’s most prominent female character, will, like Radcliffe, who plays Charley Kringas, be eligible in the featured slot (the Tony’s equivalent to Oscar’s “supporting” categories).

While Groff’s character of Franklin Shepard has traditionally been considered the main character of the Stephen Sondheim-George Furth musical, this year’s hit Maria Friedman-directed revival included the three stars’ names above the title, leaving some wiggle room with regard to the category decisions.

Indeed, audience members might be hard-pressed to decide which actor goes where: While...

Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%).

Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket price of $238.20 pushing the weekly gross to a new Hudson Theatre house record of $1,840,835.

Notable too was I Need That, the new Theresa Rebeck comedy starring Danny DeVito and daughter Lucy DeVito. At 94% of capacity at American Airlines Theatre, the non-profit Roundabout Theatre Co. production grossed $608,910 for seven previews. Opening night is Nov. 2.

Non-prof, subscriber-based Manhattan Theatre Club’s Jaja’s African Hair Braiding filled 99% of seats at the Friedman, grossing $351,235 with an average ticket of $68.95.

Other shows hitting the 99% (or above) capacity mark were Hamilton and The Lion King. Other shows...

Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88.

The figures for the week ending Oct. 15 saw only four productions top Merrily in grosses: Hamilton, Wicked, Sweeney Todd and, besting them all, that long-running powerhouse The Lion King.

Beginning previews was I Need That, the new Theresa Rebeck comedy starring Danny DeVito, a Roundabout production at the American Airlines Theatre. The show’s first three previews filled 95% of seats and grossed $295,641, with a healthy average ticket price of $140.31. I Need That opens Nov. 2.

Last week also saw another opening night: Gutenberg! The Musical!, starring Josh Gad and Andrew Rannells, opened on Oct. 12, and took a hefty $842,159 for the week, filling 95% of seats at the James Earl Jones Theatre.

“Will & Grace” star Eric McCormack appeared on Friday’s “Tonight Show” with Jimmy Fallon to promote his Broadway show, new British farce “The Cottage.” McCormack also talked about his podcast, “Just Jack & Will,” but he had to dance around getting too specific about the show he co-hosts with “Will & Grace” co-star Sean Hayes.

While unable to specifically talk about the show that the podcast talks about — “Will & Grace” — due to the ongoing SAG-AFTRA actors strike, he was able to discuss the podcast itself.

“It’s about a show that I’m not going to talk about, out of respect for the strike we’re on, but they’ve allowed us to talk about the podcast,” McCormack clarified. “And it’s so much fun to be back with my old buddy Sean.”

McCormack explained that Hayes had pitched him doing a podcast about the show during lunch together.

Parade, winner of this year’s Tony Award for Best Musical Revival, ended its Broadway run on a very high note Sunday, grossing a big $1,814,013 and selling out its special nine-performance week. That’s a house record for the Jacobs Theatre.

The Jason Robert Brown-Alfred Uhry musical was among the top earners on Broadway for the week ending August 6, with Back To The Future: The Musical doing better with audiences than critics, posting a strong $1,470,612, and Here Lies Love reporting its best-yet gross of $914,855. Both musicals were near sell-out.

Good Night, Oscar also posted best-yet numbers, grossing $930,030 and filling 94% of seats at the Belasco as audiences snap up tickets to see the Sean Hayes-starrer before the limited engagement ends August 27.

Another production nearing the end of a limited engagement, Just For Us, Alex Edelman’s solo show, also had a good week, grossing $569,002 and filling 94% of seats at the Hudson.

The slasher sub-genre has produced some of the greatest horror movies and the most frightening villains for decades. Plots commonly involve a vengeful or simply psychotic killer adopting the stalk-and-murder approach, resulting in multiple victims rather than one or two homicides.

Today, the most known slasher films are Hollywood productions, but other countries also have gems. The British film industry has specifically contributed heavily to the subgenre. Some even credit it for producing the first projects that laid the foundation for many future Hollywood projects.

Related: 10 Horror Movie Jerks Who Deserved Their Fate

Peeping Tom (1960) Stream on Tubi

Peeping Tom has arguably the best point-of-view shots of any film, and that’s because the killer, Mark Lewis, uses a portable camera to record his victim’s dying moments. Every scene is utterly terrifying since audiences get to see whatever the murderer sees and even feel like they are assisting him.

Vanessa Williams has no intentions on reconstructing or repairing parts of her body.

“No, no, no, no, no, not yet,” the actress, 60, recently told Page Six Style when asked if she has any plans to get plastic surgery or fillers.

When it comes to cosmetic procedures, the “Dance With Me” star stops at “good Botox,” as she previously discussed her love of the wrinkle-reducing treatment last year.

“I don’t do fillers,” she told the outlet at the Broadway opening of The Cottage, adding that undergoing actual surgery is the “very last thing” she’d try.

Read More: Vanessa Williams Opens Up About Living Her Best Life At 60 And How She’s Giving Herself More Grace Than Ever Before

However, Williams is open to trying non-invasive treatments.

“The technology now for lifting, sculpting, tightening, is incredible,” she explained. “And there’s a machine for anything.

“I just got a microcurrent thing for your neck,...

Air-conditioned Broadway held its own as New York City plunged ever deeper into a hot summer last week, with total box office receipts keeping steady at $31,520,593, a tiny increase of 2% over the previous week.

Total attendance for the 30 Broadway productions was 257,204, consistent with the previous week but up nearly 15% over the same period last season.

A trio of shows ending their runs last week – the week ending July 23 – saw box office climb even higher as last-chancers snapped up tickets. Camelot took in $780,457, a boost of $189,142 over the previous week, with attendance at 96% of the Vivian Beaumont’s capacity. Life of Pi closed its run on a strong note, grossing $585,043, with 93% of the Schoenfeld’s seats occupied. And Peter Pan Goes Wrong, struggling in recent weeks after a strong start in the spring, was up by $102,412 to $550,082. Still, the popular West End farce filled only 75% of seats...

Box office for most Broadway shows last week wilted a bit as June’s Tony glow gave way to plain old New York summer heat, though a couple newcomers were among the handful bucking the downward trend, one very impressively so.

In its second week of previews, Back To The Future: The Musical grossed a whopping $1,222,731 for just six previews, filling 99% of seats at the Winter Garden. The stage adaptation of the Michael J. Fox comedy classic starring Casey Likes and Roger Bart opens August 3.

Another recent arrival, Alex Edelman’s Just For Us also made some dollar gains, if on a smaller scale. The well-reviewed one-man show took in $348,998 for the week ending July 9, nearly $20,000 more than the previous week even with attendance down a tad. A higher average ticket price – $64.73 compared to the previous week’s $58.44 – had some impact.

Here Lies Love, which played seven previews last week...

Fans of 28 Days Later and its follow-up 28 Weeks Later have been waiting sixteen years for another entry in the franchise, hoping we’d someday see a movie called 28 Months Later. Way back in 2009, we heard that Paul Andrew Williams (The Cottage) was on board to direct the film… but that didn’t go anywhere. Since then, every once in a while, we hear 28 Days Later director Danny Boyle and screenwriter Alex Garland mention 28 Months Later, say there was a great idea for the sequel, then later say it might never happen. In an interview last year, Boyle said Garland had already written the script, and this might be the time to make it into a movie. Now the collaborators have confirmed to Inverse that they’re having serious talks about the sequel, which may turn out to be called 28 Years Later.

Garland said, “A few...

Former Saturday Night Live cast member Alex Moffat will make his Broadway debut in the upcoming comedy The Cottage, directed by Jason Alexander. Also joining the previously announced Eric McCormack, Laura Bell Bundy, and Lilli Cooper in the cast will be Nehal Joshi and Dana Steingold.

Sandy Rustin’s The Cottage, Alexander’s Broadway directorial debut, will play a limited run at The Hayes Theater from July 7 to October 29, with an opening night of July 24.

Additional casting and creatives are to be announced.

During his 2016-2022 stint on NBC’s SNL, Moffat was known for his impersonations of Joe Biden, Eric Trump, Mark Zuckerberg, Anderson Cooper and Joe Scarborough, among others, as well as his original recurring Weekend Update character, Guy Who Just Bought a Boat. Film credits include Susie Searches and Christmas with the Campbells, and he can be seen on Apple’s Bad Monkey series, an adaptation of...

Exclusive: Cazzie David (The Umbrella Academy), Jon Rudnitsky (SNL), Karan Soni (Deadpool franchise), Oliver Cooper (Red Oaks), Taylor Hill (Babylon) and Jason Alexander (Seinfeld) will lead the heist comedy Stealing Pulp Fiction, marking the feature debut of writer-director Danny Turkiewicz, which has wrapped production in Los Angeles.

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Billed as a love letter to the classic Quentin Tarantino pic and the history of cinema as a whole, the film is based on Turkiewicz’ short of the same name, which he wrote and directed at the height of the Covid pandemic in 2020. It follows friends Jonathan (Rudnitsky), Elizabeth (David) and...

Jason Alexander will make his Broadway directing debut this summer with Sandy Rustin’s comedy The Cottage. Starring will be Eric McCormack, Laura Bell Bundy and Lilli Cooper.

The Cottage, inspired by the works of Noel Coward and set in the English countryside in 1923, begins previews at the Hayes Theater July 7, with an opening night on July 24. The strictly limited engagement runs through October 29.

Described as a “tale of sex, betrayal and love,” The Cottage unfolds when a woman decides to expose her affair to both her husband and to her lover’s wife. The synopsis continues, “The true meaning of fate, identity and marriage are called into question as a surprising and hilarious web of secrets unravels in this ridiculous – potentially murderous – romantic comedy.”

Additional casting and creatives are to be announced.

Jason Alexander said, “To be a Broadway director doing a new and delicious comedy with a team...

Bloody Disgusting’s head critic Meagan Navarro is a huge fan of the thriller Bull, which she recently named as one of The 10 Best Horror Movies Released in the First Half of 2022. Meagan raved in that article, “The latest by Paul Andrew Williams reads like a classic, gritty crime thriller […]

The post ‘Bull’ Heads to Limited Edition Blu-ray With an Essay from Bloody Disgusting’s Meagan Navarro appeared first on Bloody Disgusting!.

From British filmmaker Paul Andrew Williams who we've tracked since London to Brighton and his horror/comedy The Cottage starring Andy Serkis Bull is a revenge thriller like no other.

Ferocious, audacious, and blood-soaked, the latest from BAFTA-winning writer/director Paul Andrew Williams stars Neil Maskell as a vicious mob enforcer seeking revenge on the gang that double-crossed him.

Synopsis:

Ten years after he was last seen, Bull (Maskell) returns home to methodically track down those who betrayed him and find his beloved son. With the ominous warning: “I’m coming for all of them,” Bull stalks his former gang, leading up to a savage showdown betwe...

Benjamín Mirguet’s “Alfredo Larón,” Niles Atallah’s “Celestial Twins” and Silvina Schnicer’s “The Cottage” feature among 16 projects to be presented at Ventana Sur’s 4th Proyecta co-production forum, a wide-ranging showcase of emerging auteurs and new talents to track from Latin America and Europe.

“Alfredo Larón,” for example, marks the feature debut of Mirguet, the editor of Carlos Reygadas’ “Battle in Heaven,” and also a former Cannes Directors’ Fortnight programmer. Its action takes in a 17-year-old Larón syndrome sufferer’s battle for legal compensation from the Ecuador government and, in a turn of fortune, his happy high-school days in Germany.

Atallah caught attention with “Lucia” at San Sebastián’s 2009 Films In Progress, but all the more for 2017 Rotterdam Tiger Award Special Mention winner “Rey,” edited, as it happens, by Mirguet. A vision of the delirious Orllie-Antoine de Tonnens, who proclaimed himself King of Patagonia in 1860, “Rey” was shot...

Fouth edition of co-production sidebar will run in-person and online.

In the run-up to the hybrid 13th edition of Ventana Sur that starts in Buenos Aires later this month, top brass have unveiled the 16 development titles selected for its Proyecta co-production sidebar organised with San Sebastian Film Festival.

Proyecta filmmakers pitch to producers, programmers and sales agents in search of partners to complete financing and international distribution on co-productions between Latin American and Europe.

The fourth edition of Proyecta will run in-person and online and comprises a pitching session by project representatives on November 30 in Buenos Aires followed on December...

Revenge-thrillers tend to lend well to horror, especially if they push the violence far enough into gory genre territory. The latest by Paul Andrew Williams (The Cottage, Cherry Tree Lane) reads like a classic, gritty crime thriller turned vengeance quest but plays like a horror movie in many ways. Bull stuns with its shocking violence, keeps you guessing throughout, then […]...

A snappily written Brit/Aussie co-production that happily juggles the humour of both cultures, Two Heads Creek is a fun frolic of a lightweight horror, pitching itself as a slightly rosier spin on the black comedy of Severance and The Cottage. And while it might not quite prove to be as laugh-out-loud memorable as either of the above, some well-placed heart and a focus on family helps to keep things sunny enough to weather the cringier stretches.

Things kick off in a decidedly racist post-Brexit Britain, with mismatched twins Annabelle (Kathryn Wilder) and Norman (Jordan Waller – who also wrote the script) cutting ties from their apparently false Polish routes, following the death of their adoptive mother. Craving more from their stunted lives (as a failed actor and struggling butcher respectively), the pair head Down Under in search of their long-lost birth mother, only to wash up in the off-grid Two...

Stars: Katie Brayben, Poppy Roe, Sian Clifford, Fiona Glascott, Ben Lloyd-Hughes, Sinead Matthews, Tomiwa Edun, David Newman | Written and Directed by Staten Cousins Roe

[Note: With the film now out on deman, here's a reposting of our review of A Serial Kiler’s Guide To Life, from the films screening at last years London Frightfest]

British comedy horror has taken many forms. From the Abominable Dr. Phibes to Shaun of the Dead to The Cottage. All very different but all equally funny and A Serial Killer’s Guide To Life is another unique horror comedy that feels at home with a lot of recent films and shows from the U.K.

Lou’s life is going nowhere. Working a minimum wage nothing job and living at home with her mum who she also (kind of) looks after. Looking for some direction in her life she searches for a life coach and happens upon Val. A life coach who is looking to take someone on a self help road trip across England and Lou is desperate enough to hop along for the ride.

Ott platforms are ruling the digital medium like a boss; everyone is hooked on to web shows like never before. Amazon Prime Video, Netflix, AltBalaji, Voot, Eros now and many more Ott platforms are running successfully.

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If these apps weren?t enough, there came yet another app Ullu with bold, sensuous, and over the top. In short we can say that Ullu app is no less than soft porn.

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The content on that app doesn?t lead to anything concrete but only focuses on sex and porn. With shows like Black Coffee, Wanna have a good time, Ghapa Ghap, Generation Gap.?

And yet another thrilling drama The Cottage, was released on the app this month and like other shows this one is tad different from other shows.

Starring Rushad Rana of Hip Hip Hurray fame, this show is intriguing and will keep you hooked till the end. Talking about the...

David Arquette returns to the horror genre once again. The star of Wes Craven’s Scream franchise, as well as Bone Tomahawk, The Cottage, The Tripper (which he also directed) and Eight Legged Freaks, is featured in Alex Keledjian’s upcoming High Voltage. Arriving on DVD and VOD November 20th, Bloody Disgusting has a pair of clips and a handful of stills from the film […]...

David Arquette has a handful of horror credits to his name, most notably including Wes Craven’s Scream franchise. Arquette has also starred in films like Bone Tomahawk, The Cottage, The Tripper (which he also directed) and Eight Legged Freaks, and he’s headed back to horror with director Alex Keledjian’s upcoming High Voltage. In the film, previously titled Hollow […]...