The Finale
- Episode aired May 14, 1998
- TV-PG
- 56m
After George and Jerry land a production deal with NBC, the four head out for Paris on NBC's private plane and are waylaid in a small Massachusetts town.After George and Jerry land a production deal with NBC, the four head out for Paris on NBC's private plane and are waylaid in a small Massachusetts town.After George and Jerry land a production deal with NBC, the four head out for Paris on NBC's private plane and are waylaid in a small Massachusetts town.
Having just just finished watching all 9 seasons for the first time. I had a few difficult moments trying to figure out the humour in the first few seasons, but finally realised how Seinfeld set the bar so high for every sitcom that followed in its footsteps, including Friends.
The finale was the perfect culmination of madness, offbeat storylines and a particular moving way to conclude nine groundbreaking seasons of no-holes barred, intelligent, brilliantly ordained and industry-shattering comedy.
Sure there will be some people who felt the ending was weird, disappointing or leftfield. But that was the whole point of Seinfeld - to leave everyone scratching their heads and wondering what the heck just happened, just like in most other episodes.
However the finale was more than just that. Every subcharacter or memorable plot who received their encore was given a final bow as a tacit recognition of how they had managed to make an impact alongside the almost omnipotent presence of four immensely talented actors: Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards.
Bravo Seinfeld - the finale had the perfect blend of craziness, one-liners and above all, chutzpah!
Storyline
Did you know
- TriviaThe U.S. West Coast airing of the finale of Seinfeld coincided with the death of Frank Sinatra. Sinatra's ambulance was able to arrive at his home and then to Cedars-Sinai Medical Center very quickly in light traffic, due to many in Los Angeles being indoors to watch the show.
- GoofsWhen the prosecutors are preparing to try the group for breaking the Good Samaritan Law, the D.A. says that the main issue in the trial will be "character". Under the rules of evidence in criminal law, it is expressly forbidden for a prosecutor to initiate an attack on the defendant's character unless the defendant first attempts to offer evidence of good character.
- Quotes
Jerry Seinfeld: [the conversation from the pilot episode of 'Seinfeld'] See now, to me, that button is in the worst possible spot.
George Costanza: Really?
Jerry Seinfeld: Oh yeah. The second button is the key button. It literally makes or breaks the shirt. Look at it, it's too high, it's in no-man's land.
George Costanza: Haven't we had this conversation before?
Jerry Seinfeld: You think?
George Costanza: I think we have.
Jerry Seinfeld: Yeah, maybe we have.
- ConnectionsFeatured in The 56th Annual Primetime Emmy Awards (2004)
- SoundtracksSeinfeld Theme Song
Written by Jonathan Wolff