Sunshine Cleaning

Just saw the film. I thought I might be let down as I've been waiting with anticipation since I saw the trailer on youtube. I can say that not only was I not let down by this film, but that it superseded them in the most refreshing way possible. There was something I noticed about the movie. It had great comical moments, but it was not the funniest film ever. It had great acting, writing, and was filmed beautifully...and yet I'm sure that it is probably not the best film ever. What I loved about it though was that it was NOT like most films of late that try so hard to be the best film ever. You know the ones with the fancy film work and the melodrama...the lines written that are asking for an Oscar. Sometimes those just irritate me because they are trying so hard to be a great film and they forget to tell a great story. The film makers didn't forget that here. I was not distracted by anything. Everything came together in this film that I felt like I knew the people and I wanted to know what happened to them. I liked it because it reminded me that we're all human. I love that.

A struggling single mom named Rose (Amy Adams in her comedy/drama wheelhouse) gets tired of working for a maid service and boldly decides to branch out into crime scene clean-up with her lay-about sister Norah (Emily Blunt, ironically named) in Christine Jeffs' observant and easy-going "Sunshine Cleaning".

Although it has been marketed as one of those quirky dramedies the studios love to shove down our throats every year, Jeffs' film (from a solid screenplay from Megan Holley) is more in tune with somber yet hopeful indie character studies. The film deals with some dark subject matter and poignantly explores grief and family dysfunction but maintains a positive outlook and contains some solid situational laughs. The combination of an interesting set-up, smart writing, likable characters and winning performances make the film, even when it teeter-totters from dark to sappy, go down smooth. None of the characters seem forced upon us, unlike the overtly quirky family from "Little Miss Sunshine" or the stylized dialog spewing teens from "Juno". These characters talk and interact like real people and there's a naturalism in the way their relationships develop.

It makes for engaged viewing when a film like this doesn't feel the need to explain every detail or tie up every loose end so nicely. Some subplots involving Norah taking a personal interest in one of the clean-up jobs that leads to an awkward friendship with a blood-bank worker (Mary Lynn Rajskub of "24" fame) or a one-armed supply store guy (Clifton Collins Jr.) who takes a shine to Rose aren't resolved in a typical fashion, and some things are never made known or left open-ended. It makes the film feel truer to life. Even when Rose's precocious kid (Jason Spevack) tries to talk to heaven on a CB radio in what would normally be considered a contrived and cutesy moment, you feel like you've grown to know the character and it's just something he would do. Likewise, Alan Arkin as the sisters' scheming entrepreneurial father behaves and acts like a real guy who's had to struggle raising two girls alone and is just trying to help them catch a break.

Amy Adams, of course, is an absolute delight. Something about her girl-next-door good looks combined with her innate talents as a comedienne and her theatrical background that produces some of the best facial expressions and crying-on-cue you'll ever see make her the perfect choice for this type of role. While it's easy to sing the praises of Adams, and she's never been more endearing or relatable than here, Emily Blunt proves to be an excellent foil. It's Blunt's sharp portrayal and her character's story arc that provide the film its emotional weight. Both actresses deserve to be remembered come awards season, and "Sunshine Cleaning" is that rare spring-time bird: a film worthy of buzz.

Greetings again from the darkness. Ahhh, the first 2009 script (by Megan Holley) that has the depth, nuances and multiple sub-plots that keep me addicted to movies. Sure one can view this as a simple story of the emotionally struggling sisters who start a bio-hazard clean-up company to connect not just with each other, but also with those who have been the victim of a profound event involving a loved one. It works just fine on that level.

Of course, I never make things that easy. For this viewer, I was absorbed in the connection the sisters had to their dead mother. The quest for a glimpse of her one movie of the week performance as a waitress had the sisters trained to stop in their tracks whenever a "waitress" scene appeared on TV. The sisters are played exceedingly well by the extraordinarily talented Amy Adams and Emily Blunt. Their performances lift a really good script to greatness.

For most movies, that would be plenty. Not here. Director Christine Jeffs ("Sylvia") gets to play with Alan Arkin as the always scheming father, a quick commentary on the disgusting "solution" of public schools tendency to require medication on less than robotic kids, emotionally empty relationships, and the absolute need of people to connect with others.

The fine acting continues with Steve Zahn as the former high school hero turned local cop, whom Adams' character has maintained a long term "bond". Trouble is Zahn's character picked someone else to marry. Clifton Collins Jr adds a wonderful dimension as Adams' possibly new prospect. Mary Lynn Rajskub is just plain fascinating as the lonely lady Blunt thinks she is helping.

Being promoted as from the creators of "Little Miss Sunshine", this one offers up a nice story complimented by many quirks that make it stand apart from the masses. Hopefully it will find wider distribution as we can never have enough top notch story telling.

I find that when people ask me what this movie is about I have a hard time successfully telling them. Read the synopsis by all means, but like most summaries it barely scratches the surface. It's a story about a mother who leaves her family in the most permanent way imaginable. It's about a father struggling to maintain his unflappable optimism, a sister whose self-esteem leads her into self-sabotaging habits, another who is in complete emotional freefall, a son who is becoming aware of his family's dynamic and how it compares to the rest of the world's and how they manage to regain their footing by pursuing a very unusual profession. At its heart it is always about family. At their best Amy Adams and Emily Blunt are some of the most talented actresses working today and I was happy to see them both in a script worthy of their skills. Both are gifted at line delivery, but some of their most powerful scenes are nonverbal. The dynamic between all the characters is thoroughly real and enjoyable. I found myself very satisfied by all their resolutions. It was an excellent story to watch unfold.

Rose Lorkowski (Amy Adams) was once a popular cheerleader and a person of envy, back in those high school years. However, she has made some questionable choices since then and now works as a home cleaner to support herself and her young son, Oscar. She does a have a back-up system in her wheeler-dealer father, Joe (Alan Arkin) and in her frequently out-of-work younger sister, Norah (Emily Blunt), if she needs babysitters. She calls upon the eccentric Norah often, especially so that she, Rose, can have a late-night tryst with a married policeman, Mac (Steve Zahn). Ouch, she is still going in the wrong direction, it seems. However, Mac does give her a work tip. If she could get into the "crime scene" cleaning business, she would be pulling in large bucks, as removing blood stains is big stuff. Receiving some leads, Rose does begin to get some assignments, like cleaning up after suicide victims and folks that die in their slovenly homes. Reluctantly, Norah agrees to help and "Sunshine Cleaners" is born. But, with Oscar still having trouble in school and with Mac continuing to string her along in the love department, will Rose really rise above her present circumstances? This is a fine film about people who work hard and get nowhere. First, the cast is great, with Adams, Blunt and Arkin delivering terrific performances, ones worthy of honors. Blunt, especially, is a treasure as the unconventional woman, haunted by past circumstances, and having trouble fitting into "modern" existence. The lesser actors are also nice, but Zahn is, unfortunately, given no chances to show off his comedic touch. The setting in New Mexico is also lovely, while the costumes and look of the film are likewise wonderful. That said, special mention should also go to the very fine, sharply worded script and the secure direction. This is a heart-grabbing story, with unusual elements and unsettling realities. If you love films that are not of the typical, churn-em-out variety, this one is definitely a worthy choice. It is as illuminating as sunshine and as touching as they come.