Josefine Mutzenbacher - Wie sie wirklich war: 5. Teil

Josefine Mutzenbacher - Wie sie wirklich war: 5. Teil, directed by Gunter Otto, is the fifth installment in the Josefine Mutzenbacher series, and it continues the erotic adventures of the eponymous Josefine, a young woman with an insatiable appetite for pleasure. This 1983 adult film embraces its explicit nature, delivering a gratuitous and unapologetic portrayal of Josefine's sexual exploits, ensuring that viewers are treated to a raunchy and entertaining experience.

The movie opens with Josefine (played by Renate Huber) and her friends enjoying a day out. However, things take a naughty turn when Josefine feels the urge to relieve herself. She nonchalantly urinates by the roadside, standing up, with her male companions, Sascha Atzenbeck and Ralph Wieck, looking on. This act sets the tone for the rest of the film, as it embraces a certain carefree and shameless attitude towards sex and bodily functions.

One of the most memorable scenes in the film involves Josefine and her friends embarking on a joyride. As the car speeds down the road, Josefine, in a bold and daring move, climbs onto the trunk of the moving vehicle. She spreads her legs wide, revealing her most intimate areas, and engages in passionate sex with Ralph Wieck while the car is still in motion. It's a jaw-dropping moment that blends danger and eroticism seamlessly.

But Josefine isn't the only one seeking pleasure. The beautiful Gaby (played by Gaby Borck), a stunning blonde with a body to die for, finds herself in a steamy threesome with Gunter Weissmann and Willi Montana. As they explore each other's bodies, the scene becomes increasingly intense and explicit. Renate Huber and Ralph Wieck, who witness this erotic encounter, can't help but join in on the fun, making it a truly memorable orgy.

Renate Huber, as Josefine, delivers a fearless performance, embracing her character's uninhibited nature. A standout scene featuring Huber occurs when she performs a striptease for her male companions. As she slowly removes her clothing, her body becomes a canvas of desire, with every curve and contour revealed in exquisite detail. She teases and tantalizes, using her eyes to seduce, before engaging in a frenzied sexual encounter that leaves her breathless and begging for more.

The production values of the film are typical of the era, with a focus on practical locations and natural lighting. The sex scenes are shot with a sense of realism, often utilizing wide angles to capture the action in its entirety. The film's score is playful and adds to the light-hearted tone, though at times, it can be a bit repetitive.

In terms of the cast, they embrace their roles with enthusiasm and a certain amount of skill. While the acting may not win any awards, it serves its purpose, ensuring that the focus remains on the eroticism and the story's progression.

... and again ... well you get the point. And as with the previous installments, always with some humor to it. So no pun intended - I have missed out on the fourth one. Which I have not seen at all - I had seen the first three previously ... especially the first one is quite the classic. But this continues another tradition with a new actress portraying the tit..ular character ... too cheesy/cheap? Well I still had to go there.

The cinema introduction seems like a feverish day dream some might have ... goes on for a bit ... but we do have other locations and we also have another one of those "memorable" scenes the movies seem to conjure ... in this case you have it on a car ... that is sort of speeding. The horse riding thing still is better ... but a fun idea.

Well this pretends to be in the now - as in Mutzenbacher and how she would be acting now ... I mean we know ... but anything to make up a lose thread ... so this can swing from one sex scene to the other ... quite explicit too ... it might make you chuckle too.