A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight a... Read allA ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Christian Dunkley-Clark
- Lieutenant Malthus
- (as Christian Michael Dunkley Clark)
Samuel Roukin
- Marcus Kane
- (as Sam Roukin)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Solomon Kane' does twice as much with half the budget of similar genre films such as 'Van Helsing', 'Season of the Witch' and the recent 'Conan the Barbarian' (Which, like 'Solomon Kane', is based on a character created by Robert E. Howard). Unfortunately, doubling up those films still only adds up to average.
For a while it feels as if 'Solomon Kane' might actually be something special. Anchored by James Purefoy (channeling Hugh Jackman), and supported by strong performances from Rachel Hurd-Wood and the late Pete Postlethwaite, the first act firmly establishes a character and stakes that we care about. But around the half way point it begins to run out of steam, settling for generic genre conventions executed with little of the flair and none of the human focus evidenced earlier in the film.
'Solomon Kane' had all the pieces to be something special. That it ends up merely being a serviceable time-waster is ironically more frustrating than if it were simply a bad film.
For a while it feels as if 'Solomon Kane' might actually be something special. Anchored by James Purefoy (channeling Hugh Jackman), and supported by strong performances from Rachel Hurd-Wood and the late Pete Postlethwaite, the first act firmly establishes a character and stakes that we care about. But around the half way point it begins to run out of steam, settling for generic genre conventions executed with little of the flair and none of the human focus evidenced earlier in the film.
'Solomon Kane' had all the pieces to be something special. That it ends up merely being a serviceable time-waster is ironically more frustrating than if it were simply a bad film.
If you took the time to find it, then you wont be disappointed with this solid, old fashioned sword and sorcery movie.
The tales of Solomon Kane have been around longer than most, the character first appearing in mass market print back in the late twenties, but they've not been filmed. Many others, borrowing from it have been filmed so you will be quite familiar with the twists and turns having seen them elsewhere. The saving grace here is that it's all done quite well. James Purefoy is every part the tortured warrior and it's good to see Max Von Sydow and the legend that is Pete Poslethwaite up on the big screen. It's a creepy, dark movie at times and the extra effort they've put into the set design and cinematography really helps to set the scene. The story nips along to a satisfying conclusion. The fight choreography is very well done and FX are good as well.
The tales of Solomon Kane have been around longer than most, the character first appearing in mass market print back in the late twenties, but they've not been filmed. Many others, borrowing from it have been filmed so you will be quite familiar with the twists and turns having seen them elsewhere. The saving grace here is that it's all done quite well. James Purefoy is every part the tortured warrior and it's good to see Max Von Sydow and the legend that is Pete Poslethwaite up on the big screen. It's a creepy, dark movie at times and the extra effort they've put into the set design and cinematography really helps to set the scene. The story nips along to a satisfying conclusion. The fight choreography is very well done and FX are good as well.
I found the "Solomon Kane" DVD in the local secondhand DVD store for about $2, so I bought it without knowing what it was about. Truth be told, then it was the cover that convinced me. And now having seen it I can only say wow, I have been missing out on something great.
This is a dark fantasy movie with lots of action, a deep storyline, great characters and good special effects. And I must admit that I was more than pleasantly surprised with this movie.
The story is about Solomon Kane, a man who left his past and heritage behind; a master of war, destruction and terror. His very being is cursed and is bound for Hell, and the Devil is sure to collect. But having changed his wicked ways, Solomon Kane seeks redemption, but can he find it with Hell's forces in hot pursuit?
I found the various aspects of the storyline to be interesting and nicely tied together. Director Michael J. Bassett managed to put together an interesting movie containing a good combination of action, fantasy and adventure.
James Purefoy was phenomenal in the role of Solomon Kane. I can't claim to be familiar with the work of James Purefoy prior to "Solomon Kane", but this movie sure did make a lasting impression.
"Solomon Kane" is an entertaining movie that you should watch if you enjoy the fantasy movie genre.
This is a dark fantasy movie with lots of action, a deep storyline, great characters and good special effects. And I must admit that I was more than pleasantly surprised with this movie.
The story is about Solomon Kane, a man who left his past and heritage behind; a master of war, destruction and terror. His very being is cursed and is bound for Hell, and the Devil is sure to collect. But having changed his wicked ways, Solomon Kane seeks redemption, but can he find it with Hell's forces in hot pursuit?
I found the various aspects of the storyline to be interesting and nicely tied together. Director Michael J. Bassett managed to put together an interesting movie containing a good combination of action, fantasy and adventure.
James Purefoy was phenomenal in the role of Solomon Kane. I can't claim to be familiar with the work of James Purefoy prior to "Solomon Kane", but this movie sure did make a lasting impression.
"Solomon Kane" is an entertaining movie that you should watch if you enjoy the fantasy movie genre.
The criticisms of this film are inevitable, and not entirely incorrect. But for me, Solomon Kane rises above the usual formula in numerous ways.
First, the character: much darker and more conflicted than your average action hero. Second, a story that gives that character time to breathe and grow, instead of becoming lost in a morass of action sequences and CG effects. Third, a gritty, uncluttered, near-monochromatic look that's perfectly suited to the character and story, and frequently a sheer wonder to behold. The visuals are evocative of great fantasy artists like Frank Frazetta and Jeff Jones; there are numerous shots in this film I'd happily hang on my wall.
Of course, Kane himself is the film's dominant image - and it is a memorable one. But Kane not only looks striking in the flat hat and dark cloak, he has the dour personality to match. And a fighting style that for once fits the mood, and suggests a human adventurer with limited abilities, as opposed to the usual samurai-ninja superhero.
IS this truly "Robert E. Howard's" Solomon Kane? Y'know what - I don't care. Howard didn't write a lot of Kane stories, and although I did read them years ago, they left very little impression on my memory. What's more, I have nothing against films that are happy to be 'inspired by' literary works, without slavishly transferring every word to the screen. What Solomon Kane, the movie, DOES get right is the SPIRIT of Robert E. Howard's work - the dark vision, the creepy situations, the sense of a man struggling against forces only dimly understood and much larger than himself.
The slow pacing? This is the film's BEST point. Early on, the film focuses on Kane's personality, and his relationships with others. It sets a mood. Too many action films are in too much of a hurry to get to the action. Solomon Kane doesn't cater to the ADD-addled audience, and if that's a mistake it falls in the area of marketing, not creativity. I particularly liked the ending... instead of lingering endlessly over the climactic fight, the film just gets on with the story.
Solomon Kane isn't exactly a classic, but it has an appealing simplicity and an inner strength that bigger-budget spectaculars could learn from. I guess a sequel is too much to hope for at this point, but I'll definitely be looking forward to Michael J. Bassett's next creation, whatever it may be.
First, the character: much darker and more conflicted than your average action hero. Second, a story that gives that character time to breathe and grow, instead of becoming lost in a morass of action sequences and CG effects. Third, a gritty, uncluttered, near-monochromatic look that's perfectly suited to the character and story, and frequently a sheer wonder to behold. The visuals are evocative of great fantasy artists like Frank Frazetta and Jeff Jones; there are numerous shots in this film I'd happily hang on my wall.
Of course, Kane himself is the film's dominant image - and it is a memorable one. But Kane not only looks striking in the flat hat and dark cloak, he has the dour personality to match. And a fighting style that for once fits the mood, and suggests a human adventurer with limited abilities, as opposed to the usual samurai-ninja superhero.
IS this truly "Robert E. Howard's" Solomon Kane? Y'know what - I don't care. Howard didn't write a lot of Kane stories, and although I did read them years ago, they left very little impression on my memory. What's more, I have nothing against films that are happy to be 'inspired by' literary works, without slavishly transferring every word to the screen. What Solomon Kane, the movie, DOES get right is the SPIRIT of Robert E. Howard's work - the dark vision, the creepy situations, the sense of a man struggling against forces only dimly understood and much larger than himself.
The slow pacing? This is the film's BEST point. Early on, the film focuses on Kane's personality, and his relationships with others. It sets a mood. Too many action films are in too much of a hurry to get to the action. Solomon Kane doesn't cater to the ADD-addled audience, and if that's a mistake it falls in the area of marketing, not creativity. I particularly liked the ending... instead of lingering endlessly over the climactic fight, the film just gets on with the story.
Solomon Kane isn't exactly a classic, but it has an appealing simplicity and an inner strength that bigger-budget spectaculars could learn from. I guess a sequel is too much to hope for at this point, but I'll definitely be looking forward to Michael J. Bassett's next creation, whatever it may be.
I was familiar with the 'Solomon Kane' character before I watched this film, both from the original stories and the Marvel Comics incarnation of the 1970s. The film is based on Robert E. Howard's creation, not on any later story and is all the better for it. The characters and their actions are believable, the atmosphere is great and the special effects are fine. There are copious amounts of sword play as well as sorcery - something that other R. E. H. adaptations in film have been sadly missing (notably 'Conan the Barbarian'). Michael J. Bassett manages to make an exciting film out of what could have been just another good-versus-evil story. Recommended for all fans of gritty fantasy.
Did you know
- TriviaTo prepare for the role of Solomon Kane, James Purefoy read the entire oeuvre of Robert E. Howard as well as researching extensively the lifestyle and attitudes of Puritans.
- Goofs(at around 1 min) In the film, ships are shown flying the British Union Jack flag with the caption "North Africa: 1600". However, the first variant of the Union Jack (the one shown) wasn't used until 1606, with the current version of the flag not seen until 1801.
- Quotes
Solomon Kane: If I kill you, I am bound for hell. It is a price I shall gladly pay.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Chiến Binh Thế Kỷ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $45,000,000 (estimated)
- Gross worldwide
- $19,652,185
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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