Machete

Before you watch this movie, take a look at the director's name again. Its a Robert Rodriguez movie through and through. Its one of those movie that has zero logic and purely comes under the tag of guilty-pleasure.

Watch it for stupidly beautiful action sequence, beautiful girls like Michelle Rodriguez, Jessica Alba and Lindsay Lohan being hot. Let me mention Michelle Rodriguez separately once more, not just because I always had a celebrity crush on her, but also because of her appearance in the climax scene. Pure Wow moment.

In short this a guilty pleasure movie, supposed to make no sense whatsoever. Shout out to Robert De Niro. He was... interesting..

As I was in the theater watching "Machete", I could not help but see certain scenes and keep a list in my head of people who would hate this movie. When Machete (Danny Trejo) takes out the knife whose nickname he bears and cuts people's heads off, "people who hate violence in movie" made my list. When Sartana (Jessica Alba) takes a shower and leans against the wall in a way that millions of men probably fantasized about, "most, if not all, women" found its way onto my list. When Padre the Roman-Catholic priest (Cheech Marin) says "God has mercy. I don't." to a guy before blowing his brains out with a rifle, I couldn't help but mentally pencil in two other groups of people: Catholics, and people who hadn't seen "Grindhouse" (2007) when it came out in theaters three years ago.

Well, I love violent action films, I think Jessica Alba is gorgeous, I am Catholic but am not easily offended, and I was one of a surprising few who saw the aforementioned ambitious tribute to B-movies of the 70's and 80's. Therefore, I enjoyed "Machete" a lot, but I imagine others would have to take it with a grain of salt.

"Machete", based on a fake trailer made exclusively for "Grindhouse" that director Robert Rodriguez decided to expand into a feature-length film, is not meant to be taken seriously. If anything, it's a clever film with a lot of great action sequences, intriguing characters, many interesting subplots, and a good story at its base. For starters, it also has an impressive roster of talented actors in it. There is an interesting mix of the usual Rodriguez players (Danny Trejo, Cheech Marin, Jeff Fahey), really good actors (Robert De Niro), notoriously bad actors (Steven Seagal, Don Johnson), and talented players that have made some bad film choices over the last few years (Jessica Alba, Lindsay Lohan). The funny thing is that, good or bad, most of these actors seem perfect fits for this movie, and work well off each other.

Trejo may have been an action star if he came to fame in 1970's cinema. Nowadays, it's not unusual to see good looking celebrities like Tom Cruise and Ryan Reynolds headline action films. Thankfully, Rodriguez, like Quentin Tarantino (who co-produced this film, but for some reason, remained uncredited) saw something in this 66-year-old ex-convict, because Trejo makes a great lead for an action film. Just one look at him, and you may want to start running. He's rugged, doesn't take any crap from anyone, and it is what action stars should be. It's just too bad the villains in this movie are not aware of that fact, and there are many villains.

There's Torrez (Steven Seagal), a drug kingpin who betrayed Machete while he was a Federale in Mexico. There's Booth (Jeff Fahey) who hires Machete to assassinate a Republican senator (De Niro) who's staunchly against illegal immigration. There's also a corrupt border patrolman (Don Johnson) who kills illegal immigrants with no mercy. Although Jessica Alba plays an INS agent, you really can't stay mad at her for long.

Although "Death Proof" and "Planet Terror" found a separate following on DVD, "Grindhouse", which combined the two films along with fake previews, did not do well at the box office despite rave reviews. So the timing may have been bad for "Machete" had it not been for the controversial Arizona immigration law that coincidentally coincided with this film's release. Whether or not this movie can be seen as a Hispanic-American revenge fantasy is not up to me to decide, although Michelle Rodriguez's turn as Luz, who is suspected of aiding illegal immigrants, raises some interesting questions. The film does seem to forget that it's a parody of exploitation films of years past at times, but never ceases from being fun. Just as Rodriguez brought "Machete" from a coming attraction to a feature film, I hope Rob Zombie does the same for his "Werewolf Women of the SS" preview.

Padre Benito del Toro: It's not safe for you to be here. Machete: I'm not looking for "safe." Padre Benito del Toro: No, I mean it's not safe for me for you to be here!

When you can sit back and relax with a Grindhouse satire like Machete, then you are a cinema devotee who accepts outrageous violence and a bit of skin in a Mexploitation fun house.

Robert Rodriguez (whose El Mariachi started his career) is the co-writer/co-director (with Ethan Maniquis) of arguably his best production since Sin City—Machete. Or maybe his and Quentin Tarantino's cult fav, Grindhouse (2007). At any rate, Rodriguez has become synonymous with outright bloody business reminiscent of cheap B movies in the '70's, and he's the best at it.

Machete, played by Danny Trejo, is as ugly as you could hope for in an unstoppable warrior with restless knives. He is a Mexican federale seeking revenge for his family slaughtered by drug lord Torrez (Steven Seagal with a bad toupee). Although the hearty laughs don't last the whole film (after all, too many severed limbs are not sustainable comedy), Rodriguez has other moments to keep us interested, such as a bare-breasted Lindsey Lohan in a pool scene and in another with a machine gun in nun's garb.

All of this fun is in the service of a message, albeit too obvious for my tastes as it slows the latter part of the film with stagey speeches about the crimes against illegal immigrants. The bad guys promote a tougher border presence to deter the aliens, not because they are doing anything immoral, but because tighter borders mean higher prices.

Machete puts an amusing end to a tepid cinema summer (with the exception of the challenging Inception)—after all, if Robert De Niro, Jessica Alba, Jeff Fahey, Cheech Marin, and Don Johnson can have fun in this mayhem, so can we.

Machete is Robert Rodriguez's film based on his mock trailer made for the double grindhouse release of Quentin Tarantino's Death Proof and his own Planet Terror. B-Grade superstar Danny Trejo stars as the title character. Those that have seen the mock trailer, or the grindhouse films, know the style of yester-year that Machete is representing. Cheap, nasty, and funny is the order of the day for this kind of film. Rodriguez clearly knows his genre and audience. He goes all out with this over-the-top action flick. The story is, of course, ridiculous. Machete is betrayed by some "above the law" dudes and has to get revenge by slicing and dicing whoever gets in his way. The film does what it says on the cover. Don't go in expecting a glimmer of subtlety or characterization. Go in expecting action, titties, action, blood, titties, oh and action. This would be all well and good except for some slight problems. The unashamedly preachy messages against the Mexican/United States border does get a bit tiring, as does the repetitive nature of the violence (after some interesting action set- pieces they all become similar, except towards the end). Also, this kind of film needs to be much snappier and shorter. It's around twenty minutes too long so that the humor and overall style tends to drag on a bit. Machete holds it's tongue permanently in cheek and Danny Trejo milks every scene as much as he possibly can. Jessica Alba, Michelle Rodriguez and Lindsay Lohan all make for good eye candy and there are some very funny moments. All in all, this exercise in grindhouse excess should keep the fans of this style very happy, even if it can slightly bore others.

This film is what it says it is. Nothing less. And perhaps a little more.

Most of Machete's critics that have given overall negative reviews, have fallen into a trap of their own devices. Machete is an exploitation film and was advertised as such. By definition, and exploitation film will include excessive violence, gore, nudity, and be high on intentional corny lines while low on plot devices and character development. To give low ratings to Machete because of one's distaste for the genre, would be like saying "The Shinning was awful because I don't like horror."

This is one of Rodriguez best films to date, side by side with Sin City (2005). Machete delivers on all accounts of action, gore, nudity, and corny lines. The plot is simple, but honestly, that's how it should be. The thing that sets this apart from other exploitation films is that the acting is top notch. I personally found that the three main female characters to be the most intriguing and diverse.

Jessica Alba plays the part of an ICE agent struggling with her loyalty to her nation and her people. She slowly begins to question her own logic on if people should follow law simply because they are laws. We see this struggle immediately, when she approaches a taco stand (apparently once every week) to by a coffee and lunch, despite her own people feeling from her site. Why does she continue this ritual? She says it is to check the papers of the character Luz, but really it is to try and hold onto a sliver of identity among her people.

Michelle Rodriguez plays said Luz (aka She) as an underground leader of illegal immigration. The character of Luz is a simple woman who believes in not bending to the broken system, but fighting for her people (the mirror image of Alba). "She" is only a myth on which Luz has built a cult following, understanding that sometimes being a myth can do more damage than flesh and blood. By the end of the film, Luz is reborn as the mythical She, just in time for the bloody battle.

Finally, the actress that surprised me the most was Lindsay Lohan. Despite only receiving 10-15 minutes of screen time (most are which she is undressed), she plays her character perfectly and flawlessly. The role seems to be written specifically for her and I applaud her for stepping up and taking on such a mature role. One of her first scenes is a tongue-in-cheek conversation about how she needs to give the people of the internet what they want, and that is more of her. Lohan played the part beautifully (in all aspects) and specks of talent are clearly visible. I hope that filmmakers and audiences (as well as herself) continue to allow her opportunities to showcase that talent.

Machete is an exploitation film at its finest. And, for the most part, if you are the type of cinema attendee who wants to see a movie called Machete in the first place, chances are you will be thoroughly entertained.