The Smell of Success

a nice film about a special product. pure hilarious comedy with perfect end, good actors and without great expectations script about competition, revenge, s.h.i.t. and a strange love story. it is easy to enjoy you about a very delicate subject and its fight against miracle. childish in many parts, it could be a good choice for the fans of actors - the metamorphose of character by Tea Leoni is one of seductive details. a film about smells. not ordinaries but useful. about a project and about solutions to a deep crisis. not great. but nice. strange. but seductive for its chaotic solutions. and, maybe, for options for revenge.

Walk on by folks, nothing much to see here.

The bad: the story sounded promising and funny. Inheriting a cow's manure company (with big debts to the mob). BUT the execution of this story never becomes really funny. The many sh(t jokes that just keep on coming, are really tiring.

Not any good? Good actors. That's about it, because these actors cant save this "comedy" from drowning slowly. Not entirely bad, simply not hitting the mark.

As soon as I saw the start of this film I asked myself, "Why the sepia tones?" Later, I asked, "Is this a play? Finally, when unsure of the answers to either question, I turned to IMDb. Oh, I see! It's shot on digital! Now, the RED camera is capable of super-realistic colour reproduction. On the other hand, RED format can sometimes even pass off masquerade as film - for a while. Given time, we audiences will possibly come to accept its particular look as being worthy of filmic drama. But not yet. Until that day, those film-makers who are unsure of their screenplay, talent or the financial certainty of their venture are likely to seek the cost-savings which digital acquisition can offer.

One day too, some brave cinematographer will use the RED's hyper-colour potential, starting an exciting, new genre. Until then, cut-cost producers will try vainly to disguise RED's inability to actually look like film. Usually these DOPs rely upon under-exposing and heavily back-lighting their scenes, with often a touch of rim-lighting to dazzle and sparkle. It's sort of like every lady's best trick: the little black cocktail dress. -But all day? Every day??

With The Smell of Success, the producers have gone all the way and hidden the colour altogether. It's sepia! only the faintest hint of skin-tones. We are treaated to yellow skies, hospital doctors in beige lab-coats, beige teeth and lots of brown. I'm afraid the whole film reminds me of the nicotene-stained Czechoslovakian cafes of the Soviet days. An aesthetic mistake. Bad taste. Please take the whole thing back to the colourists and undo that last, desperate decision they made in an attempt to save a picture they had no confidence in: Lose the sepia. Re-release the original, un-colourised film. If we want modified colours we can probably tweak the settings ourselves.

I read the preceding review before I saw the film and I was compelled to return to IMDb, register and drop a few lines of my own. With all due respect to the Sundance attendee, I laughed at the portion of the review that described how the Q&A session fizzled after a few minutes. The film reminded me of Samuel Beckett's "Happy Days". What more is there to be said? Téa Leoni is simply heroic in her pratfalls and Thornton wears the brown suit like a snake. Strangely enough, Ed Helms doesn't fit in the cast since his elephant through a pinhole style is too familiar. I'm sorry I had to stumble upon this piece. What can "brown do for you" when it's competing with self-centred angst, car crashes and CGI monsters for the attention of simpletons.

Anyone that has seen a movie by Mark and Michael Polish should come to expect something unusual. Their latest film, Manure, delivers in spades (yeah, that was a pun). Actually, this movie might best be seen under the influence of drugs. Being straight and sober, I'm not sure I appreciated it. Or understood it. Or perhaps I fell asleep and dreamt this.

Starring Billy Bob Thornton and Tea Leoni, the story is about a woman living in New York (Rosemary Rose) who inherits her father's manure company after his untimely passing. Thornton is the lead salesman (Patrick). Together they try to save the company from bankruptcy. That's the sane part.

Here's the silly stuff: Unfortunately, making Rose Manure profitable involves selling a lot of s___ (only one of maybe 200 excrement jokes and puns in the movie). And there's no better bulls____ than Patrick (trust me, they never stop).

No, no, that was the sane part. This is what's zany: Turns out there's new competition in the form of a chemical fertilizer company entering the market, actually by parachuting in countless crates of chemical fertilizers as well as black-suited salesmen who land carrying briefcases.

Hold it, that's still pretty tame compared to the psychedelic mushrooms they eat which causes them to vomit voluminously onto one another and hallucinate, or dressing up the Rose salesmen as Indians to burn at the stake, or the 48 Triple-D breasts one of the salesmen grows when he eats some fertilizer, or the vegetable masks. And there's plenty more where that came from.

The plot is as silly as you can imagine, and like all the acting (except Thornton), way over the top. The sets typically include backdrops, with everything (EVERYTHING) in various shades of brown. You could not conceive of a more ridiculous movie. Which would be perfect if you were in the right mood (know what I mean?). But passing joints is not allowed at Sundance screenings, so most of the crowd was left shaking their heads and wondering what it was they just witnessed.

Notes from Sundance The cast was all present on opening night. Thornton and Leoni were sitting right in front of me. They were both very gracious with fans, allowing their photos to be taken and being great sports. After the movie, Thornton was very funny and clever. But the Q&A quickly fizzled. The audience was too shell-shocked to think of intelligent questions. And no one had the audacity to ask Mark and Michael Polish what was on everyone's mind: "What the heck were you guys thinking?!!!"