Dylan Dog: Dead of Night

l am a big fan of Dylan Dog comics and this is one of worst adaptation of comics ever.It seems like people who made this movie never read any DD comic, they just got a screenplay and decide to make a horror comedy or something like that. Is it really that hard to investigate, to read, to feel the atmosphere of movie. l guess it is for those moneymakers. l don't know what to think about people who are willing to spit on masterpiece as Dylan Dogs comics are. Whole generation of kids in my country grow reading DD and Alan Ford, Marvel's comics as so many people around a world and You dare to make something stupid and disappointing as this "blockbusterd" is. Shame on You guys

The present rating the move has (5.1) while absolutely understandable, is completely undeserved. I have never ever read a Dylan Dog comic. In fact, I did not even know it was a comic series till a search query told me so.

I watched the movie without any expectations and it was enjoyable. Like most movies of this genre, it was predictable in most places, but that does not take anything away from the movie.

It was a nice blend of comedy and horror. In fact, it is more of comedy and very little horror.

For an easy evening watch (like what I needed) this movie is perfect.

The most aggravating movies, in my opinion, are the ones where the premise sounds like something that could make for a really awesome movie but the actual product falls completely flat. Dylan DOG is not a horrible movie, it's just another movie that might entertain a bit while you watch it...might elicit a chuckle at times...but overall is completely forgettable. It's based off an Italian graphic novel that I'd honestly never heard of, but might be interested in checking out to see if it's better than the movie. Dylan Dog is a private investigator in New Orleans who finds himself confronted by a part of his past that he thought he'd left behind. Before Dog began catering to the city's sleazy human population, he was an investigator for the paranormal citizens of the city: vampires, werewolves, and zombies all living quietly alongside us. When a werewolf appears to have murdered a human, Dog is drawn back in to his old life to investigate and uncovers a plot to unleash an ancient evil that could wreak havoc on the supernatural underworld before ultimately spilling over onto humanity.

I've seen this movie twice now and I can barely remember anything about it. That's not a good sign. I really thought this movie had the potential to be cool, but it feels more like a SyFy original movie. The story wanders and never builds tension. It just sort of meanders from one plot point to another, lazily following the trail of clues until the final confrontation. And the special effects...wow. I realize this film was a lower budget than usual (compared to your average Hollywood effects-heavy film) at $20 million, but come on. I've seen some pretty amazing films created out of budgets this size. DISTRICT 9 was only $30 million and that movie blew my mind with awesomeness. Dylan DOG's got a decent independent budget and the creature effects in this film feel twenty years old! For example, the "tattooed zombie", a major element of the film that couldn't be bothered with an actual identifying name, looks ridiculous. It's mouth barely moves and it's only means of intimidation is waving it's arms around like a weekly villain from the old "Power Rangers" TV show. I love practical special effects and I prefer some real well done practical creature effects over CGI anytime. But if you can't make a creature look like anything more than a bodybuilder in a bad Halloween mask, perhaps you should consider another option.

Dylan DOG is director Kevin Munroe's second film and, seeing as how his first film was the animated TMNT, I really don't know what I should've expected. TMNT was decent, but I suppose it's not hard to look better when the preceding film in the Ninja Turtle series had men in rubber turtle costumes riding horses. I have to wonder if the effects in this film were so poor, where did the budget go? It couldn't have been the cast. The movie is filled with "Hey, I know that guy from somewhere" level actors. Brandon Routh feels as if he should be A-list by now, but his project selections aren't letting him get far. He showed us he could do comedy with some great jobs in ZACK AND MIRI and SCOTT PILGRIM, but he feels flat here. A couple of one-liners, but mostly emotionless. Sam Huntington is the best part of the film as Dog's newly zombified sidekick Marcus. He gets the best parts of the film and I think the filmmakers realized this because he gets more screen-time than his character probably should. Peter Stormare, the actor with the most clout in the film, is wasted as the head of a werewolf clan and Taye Diggs doesn't feel like he's taking this thing seriously.

If I'd known ahead of time the film had given a part to pro wrestler Kurt Angle, at least I would've known what I was walking into. No offense, wrestling fans, but wrestlers suck as actors 99% of the time and Angle is no exception here (made more laugh-worthy when they strap on the lamest werewolf makeup in the last few decades). Dylan DOG feels like a movie where no one was really trying. I'm sure it was just a paycheck to some of those involved, but this has got to annoy fans of the actual graphic novel who might've been excited to see their beloved property brought to film. Dylan DOG is yet another comic property where we just need to hope that, somewhere down the line, a studio decides to reboot the series and...I don't know...try to make an entertaining film.

Let me first say that 90% of the people who will come to this page should ignore most of the bad reviews for this film. After looking through them, they seem to all have one thing in common - anger that this doesn't seem like a faithful adaptation.

I'm willing to bet that most of the US audience for this film has never read the Dylan Dog comics, and, like me, had never heard of Dylan Dog before hearing the title of this movie.

Now, putting aside the negativity that comes from fans of the source material, I think most fans of the genre will like this movie. It is very in the vein of things like Joss Whedons Buffy & Angel as well as sharing some similarities to things like Constantine and the Dresden Files book series. Let's be honest, this is urban fantasy. Most people know if they enjoy the genre or not.

The film does a decent job of keeping a film noir tone, and using noir tropes to it's advantage. Routh is good as the title character, doing a nice job of trying to be the tired detective without being a weary stereotype. Sam Huntington is great as Marcus, who I think ends up stealing the movie because he really has the lions share of memorable moments.

Yes, chances are you'll figure out the who done it before the movie reveals it, and you'll figure out impending double crosses from the moment characters are introduced. That's the danger of being a genre film, but it doesn't detract from the fact that the movie is really fun, and very funny in quite a few places.

If you like things like Buffy, Constantine or Harry Dresden, give this movie a chance cause I think you will probably end up liking it.

Poor Brandon Routh. After snagging the iconic role as the Man of Steel, it's a little bit unfortunate that Bryan Singer's Superman Returns fell short of the studio's expectations, and he no longer plays a part in any future installments, starting with Zack Snyder's reboot. No matter, after all with that build and chiselled good looks, one can waltz into another superhero franchise, isn't it?

Unfortunately, Dylan Dog is an Americanized version of the Italian horror graphic novel character, and as far as adaptations of comics from another culture goes, this one hits the mark in expectations, where the source material got extremely dumbed down, its unique selling points dissolved into mediocrity and bastardized. Save for the trademarked coat and red shirt, director Kevin Munroe's vision of this character became somewhat of a generic monster hunter type of film, though a plus point would be its treatment and narrative style in full detective noir, with Routh's Dylan Dog being reluctantly pulled from retirement by his client Elizabeth (Anita Briem) to investigate the death of her father, as well as that of his assistant Marcus (Sam Huntington).

This investigative trip of course introduces the audience unfamiliar with the Dylan Dog mythos that the undead, from vampires to werewolves to zombies, all have hidden human identities and walk the Earth quite undetected, with a truce in place to keep the peace and Dylan being the only trusted human for the monsters to go to when someone crosses the line or breaks the peace. There's a little backstory here on Dylan's origins and the reasons behind his forced retirement, but nothing truly to wow or build upon any depth to the character, which is potential that's wasted in giving Dylan more meat in background, becoming instead just another human detective on his rounds.

The thrill factor of course is the make up and effects in having the monsters look their nasty part, although they aren't something that hasn't been seen before on screen. Action sequences are ho-hum, with the nagging feeling that the story by Thomas Dean Donnelly and Joshua Oppenheimer can't quite decide how to empower Dylan, making him become as powerful as Routh's previous comic book outing in at least the indestructibility factor, while equipped with some funky weapons that we should see more of. And the trailer while pretty tacky, actually summed up the entire plot, having reveal too much and letting out that the filmmakers aren't quite confident with their end product, and the marketers a little bit clueless on how to sell this film, hence its verbosity.

While Brandon Routh has a limited acting range, his physique actually suited him fine here and basically that was all that mattered, since you aren't going to remember much about his rather bland performance. Perhaps it's also because Sam Huntington, his co-star from Superman Returns as well as he played Jimmy Olsen then, scored much of the flak in this film being the very whiny assistant, whose wisecracks and constant shouting get onto your nerves, and you wonder when his character could shut up if at all for five minutes. The Marcus character doesn't exist in the books simply because of a potential copyright tussle if what was deemed as a Grucho Marx lookalike got interpreted, but this modern replacement was as unfunny as he was unnecessary in a lot of ways.

Don't expect this monster squad outing to be too cerebral. It's filled with corny one liners involving various body parts, and in essence is a poor man's cousin to Men in Black, replacing aliens in our midst with that of monsters roaming around. If only it had stuck more faithfully to its source, then it could have been something quite unique.